Suicide Squad

Now right up front I was not happy going to see this flick, the third of the DC Comics Extended Universe after Man of Steel and Batman v. Superman: Dawn of Justice.  After them, I figured it could only get worse, a point that has since been reversed by the vastly superior Wonder Woman.  But Suicide Squad?  I didn't even have invested interest in the comics. 

I have read the Suicide Squad here and there, even seen them on TV.  I knew the characters and the motives but it never really rang any bells for me.  Mind you, no offense meant to the work of John Ostrander, he's a genius, and the stories were good, just not in my wheelhouse is all.  Of course it seems only a few things from the comics of the time made it to the screen. 

The concept is here.  Super-villains offered time off sentence for doing the dirty jobs the superheroes can't do, and a few of the characters are here, but others that just seem odd.  Some are originals from the comics I remember, some from the newest iteration, and some from left field.  All are still from Belle Reve prison (I have some question on the proper pronunciation of that, but I'll let it go) and all still manipulated by Amanda Waller, though much thinner. 

There's Will Smith's Deadshot, who like co-star Margot Robbie, is simply electric when onscreen. He's a family man driven to crime and put away by the Batman.  He's got a moral code, but is still a criminal, we feel for him.  He might just be the sanest of the bunch, a great counterpoint to his co-star and glory hog (not that that is a bad thing) in this flick, Harley Quinn. 

I have never been a big fan of Harley outside of her original source material in "Batman The Animated Series," so I'm not down with the New 52 slutty stripper version.  Give me the jester outfit and the Mark Hamill Joker any day of the week.  This version, while charismatic and making love to the camera like crazy town, is slavishly dedicated to her Joker, who I'll get to in a minute.  She's good, and Robbie is terrific in the role, but there's a better Harley that could've been portrayed here, ya know?  She's also stolen the movie, in that, other than the New 52, Harley is not even a character I associate with Suicide Squad.  It feels mismatched.

Waller, played with skill by The Help's Viola Davis, at a discreet government meeting introduces her idea for this team, and in simplistic flashback method to each character.  It's easy, and it works.  We see in vignettes Deadshot in action and apprehended by the Batman, the origin of Harley Quinn as well as verification she may have murdered Robin as seen in BvS, Captain Boomerang captured by the seen but unnamed Flash, and much shorter ones with El Diablo, Killer Croc, and the Enchantress.

Waller describes a nearly fully formed world of metahumans just beneath the headlines, just waiting for others like the now deceased Superman and the Bat to open the gateway to public acknowledgement.  Whereas Marvel built their movie world, DC's was already there, waiting to be revealed.  We're twenty minutes in and we know the players, the world, and getting a good vibe on the plot - ain't nothing wrong with that. 

The Harley sequence includes a chase through Gotham from Batman, once again more than ably portrayed by Ben Affleck, and far too much of the Jared Leto Joker.  This tattooed metal-grilled psychopath is very scary, but, I'll say it, he's no Joker.  And I don't think the filmmakers thought so either, because his entire subplot fizzles as if it didn't exist - it certainly doesn't matter in the course of the film - why is he here?  I would have rathered a tetherless Harley than this substandard Joker wannabe waiting in the wings for a payoff that never really comes. 

The Enchantress, an extradimensional entity that possesses June Moone is said by Waller to be the most powerful metahuman she's catalogued. She has a brother, named Incubus, trapped in a jar, and that's where it gets crazy.  Waller has her heart, and June is in love with Rick Flagg, a special operative with ARGUS and under Walker's command. 

Flagg is played by Joel Kinnaman, not the first choice for the role, but one of my favorite actors.  I loved him in "The Killing," but not here, here he is a disappointment, and apparently a one note actor.  It's a shame, along with Leto's Joker, they're among the worst things in this otherwise entertaining flick. 

When Midway City (love the shoutout to Hawkman's hometown) is under attack by the Enchantress and her brother the Incubus, the Squad is gathered, and sent onsite, with super heroine Katana added almost as an afterthought.  Again, almost casually the fact that her sword drinks souls is thrown out there as if that kind of thing happens everyday.

Once on the ground, it becomes a mission movie and we get to see the villains interact, and fight the badder guys.  Of course around now the producers seem to forget half the team is there and it becomes about Deadshot, Harley, and Flagg, and unfortunately and pointlessly, the Joker - the threat that never actually manifests.  Boomerang, who in the comics is, along with Deadshot, Enchantress, and Flagg, the only recognizable Squad members, is hardly in this, and barely acts like his source material. 

The ending however turns into another mess like Man of Steel with weird streams of blue light in the sky.  Other than that silliness this was good, it's true, Suicide Squad was good, and the battle at the end is the type we want all metahuman brawls to be like, especially on the big screen.  Victorious and tragic at once, this was a winner. 

Up until a few weeks ago, with the debut of Wonder Woman, this was the best of the DC films.  I don't know what all the haters are on about, I dug Suicide Squad. 

More DC Rebirth

DC Rebirth continues, so do my reviews. If you want to see what I've said before, click here, here, and here. Today I'm looking at a few more, enjoy.

Hal Jordan and the Green Lantern Corps - When I looked at the Rebirth issue of Green Lanterns I expressed disappointment at not really seeing much of Hal Jordan. While he's not my favorite (that would be the Golden Age Alan Scott), he's a close second, and it's good to see he's at least headlining a title. After an intriguing opening with an aged Sinestro, we get the convoluted recent history of Jordan, which frankly put me to sleep. We get Hal Jordan reborn finally, and possibly a call out to a new Corps, but it seems too little, an attempt at hope, but not quite enough.

Nightwing - I wanted to like this, I really did, but like the first title here, it is bogged down in unnecessary continuity. I have always liked Dick Grayson. I thought he was a bit of a dope on the 1966 TV series, but when I read his solo college stories in the comics, I was all in on Dick, he was cool. I dug him as Nightwing in the Titans, solo not so much, and I did enjoy the comics when he was a spy in Grayson when I picked them up. This comic didn't have any of the stuff I liked in it, and I really wish it did.

Red Hood and the Outlaws - I hated this book and concept the first time I read it waaay back in The New 52, and it does not seem to have aged well since then. At least we get a solid origin for Jason Todd all in one place, but that's about the best I can say about it. I still don't know what Bizarro and is that Circe? have to do with this title.

Suicide Squad - With the specter of a bad received movie haunting this one, I don't know what to think of this one. Why is Harley Quinn here? This is like going to a remake of a movie you loved and having it be nearly unrecognizable. I probably won't be back.

New Super-Man - Unlike those above, this one was probably so good because it was refreshingly new - new character, new situation, no baggage - more like a birth than a rebirth. Most importantly, it was a lot of fun. I want to read more. This one is a keeper.

Batman: Assault on Arkham

Batman: Assault on Arkham ~ I had this one tucked away for a while before I actually ever looked at it. The reason being I thought it was connected to those awful Batman Arkham videogames that I can't stand. I knew it was an animated feature, but the idea that it might be based in that weird game universe really put me off. However when I did finally get around to watching it, I was pleasantly surprised. This is nothing like I expected.

Assault on Arkham is not even technically a Batman feature, it's about the Suicide Squad, possibly a preview to hip folks as to what to expect in the upcoming film of the same name. And it's also not strictly a superhero flick either. This has the flavor and style of a heist movie circa the turn of the century, slick, cool, very new age Oceans 11. The villains are gathered, begrudgingly work together, and pull off what they need to despite clashing personalities. Yes, it has standard Suicide Squad procedure, but the way it's pulled off is so well done and heist genre. I loved it.

There were places where I was pulled out of the story, notably some weird anime bits, characters who looked too much alike, the Joker mugging for the camera, and of course the creepy Penguin with a British accent and eating fish whole, bones and all. The characters have chemistry, and the dual stories of them breaking into Arkham while Batman searches for the Joker's dirty bomb and follows them in, are enticing.

This was better than I thought it would be, highlighted by "Batman The Animated Series" voice veteran Kevin Conroy, and Hynden Walch, who does a wonderful approximation of Arleen Sorkin's Harley Quinn. An entertaining 76 minutes with a wild score by Robert J. Kral, and some great lines - worth the time.

I have to say however, if the upcoming Suicide Squad movie, despite how that trailer looks, is anything like this, I can't wait to see it now.

Arrow S02 E16: "Suicide Squad"

In the original DC Comics, the Suicide Squad was a band of military operatives during and after World War II who took on the jobs that no one else wanted - almost literally a suicide squad, sometimes fighting dinosaurs and metahuman menaces. After Crisis on Infinite Earths and Legends, the concept was rebooted with a Dirty Dozen vibe. Super-villains, against their will and for time off their sentence, would embark on similar missions under the command of Rick Flag and Amanda Waller. While mostly featuring a rotating cast, semi-permanent members included Deadshot, Bronze Tiger, Captain Boomerang, Nightshade, and Enchantress, as well as frequent Green Arrow foe, Count Vertigo.

In the "Arrow" television continuity we've already seen Deadshot, Bronze Tiger, Amanda Waller, and Vertigo. Shrapnel, who we saw recently, even served his time on the team. From all the publicity pics of the Suicide from "Arrow" we see the absurdly thin Amanda Waller fronting Deadshot, Bronze Tiger, Shrapnel, Lyla Michaels, and John Diggle.

Worried over the events of last episode, and the promise of Deathstroke to destroy him and all his family and friends, we open on Oliver reforging his old alliance with Bratva, the Russian mob. When he's taxed to prove himself, he ably shows who's boss. In hindsight, it's a bit scary that such a dangerous man is scared of Deathstroke. That said, "You cannot die until you know complete despair." is a heavy threat.

There's more tough talk between our dysfunctional superhero couple, Sara and Oliver, before we get a really touching scene between Diggle and Felicity. Oliver is making him guard her and she brings him hot cocoa. It is refreshing to see such depth and connection between Diggle and Felicity. They've bonded so well as friends while Oliver, who brought them together, remains stunted. Shame. And Emily Bett Rickards needs to smile more, she lights up the screen.

Diggle leaves for an intimate rendezvous at the Ostrander Hotel with Lyla (Harbinger) Michaels. Did we know before that they were exes? They're both corralled by the painfully thin Amanda Waller and taken to ARGUS. She wants to recruit them for a mission to retrieve a nerve gas. After noting she knows all about Oliver Queen and his Arrow activities, she introduces Task Force X - Deadshot, Shrapnel, and Bronze Tiger. Deadshot calls it the Suicide Squad.

The best part is Diggle's adamant refusal to go along with it - cooperating with murderers. Lyla notes how many bodies there are out there because of his employer Oliver Queen and his girlfriend Sara Lance. It's really not that different. I like that this is coming back to bite Arrow, at least indirectly. The serial killer Arrow of the first season was one of the sticking points that kept me from completely liking this show.

In many ways, Arrow is the anti-Man of Steel. Arrow did need to kill to grow as a character. The evolution of Oliver over the two seasons is proof of that. Superman should not kill however. He should find a way not to - that's what makes him Superman. He finds a way, he is our example, he doesn't learn by example.

The codenames used by Task Force X range from the obvious to the intriguing. There's Deadshot, Shrapnel, and Tiger. Lyla is Harbinger, Diggle is Freelancer, and Waller is Mockingbird. Mockingbird is the secret mystery leader of the old Secret Six, a realistic espionage crew in 1960s DC Comics, and it's newer counterpart, a villain group very similar to the Suicide Squad.

Amanda Waller, despite her petite size, proves that she is every bit as ruthless and devious as her heavyset comics counterpart. And it's nice to see Deadshot in a tux, so similar to his original Golden Age 'costume.' I wish Bronze Tiger had a bit more to do however. This was a waste of Michael Jai White in my opinion. And now that the Squad has a vacancy, perhaps Count Vertigo will come on board?

The Suicide Squad is the A plot here, with Team Arrow taking a back seat. Even Flashback Island reflects this as the flashbacks this week are Diggle's and go back to Afghanistan. I'd like to see more of this. Maybe a Felicity (she did imply she had a past) or Quentin or Sara (or maybe one of the villains) focused episode complete with flashbacks next?

Ostrander Hotel is a nice shout out for this episode, as John Ostrander created the most known super-villain version of the Suicide Squad and wrote most of their exploits. ARGUS, HIVE, Giffen (Keith Giffen was a later Suicide Squad writer/artist), Khandaq, Qurac, and Markovia are also namedropped. This episode is chockful of DCU references, the best of which is Harley Quinn, waiting her turn for a Suicide Squad mission at ARGUS headquarters.

Originally The Flash was meant to be a back door pilot on "Arrow," and we know that the Mirakiru has all the ingredients for the Hourman pilot that's coming. I wonder if perhaps this is the practice run for a Suicide Squad series or pilot. The way the creators of "Arrow" work, a Squad series could certainly give "Marvel's Agents of SHIELD" a run for its money. I'd watch, would you?

I'll leave you with one to think about. This has been bandied about on the internet for a while now. Could Diggle's full name be John Stewart Diggle? Discuss, enjoy, and I'll see you next time.

Arrow S02 E15: "The Promise"

Deathstroke the Terminator. Since before "Arrow" even started, in the earliest publicity shots that featured only his mask, the ones that made fanboys and fangirls want to watch the show even more than the fact it was a show about Green Arrow, Deathstroke has been here. Introduced several episodes in, and expertly played by Manu Bennett of Starz' "Spartacus," he has been hero, friend, and now villain to Oliver Queen, but who is he really?

In the comics, Slade Wilson, better known as Deathstroke the Terminator, was created in 1980 by Marv Wolfman and George Perez in the second issue of the breakout comics series The New Teen Titans. Granted superhuman strength, agility, endurance, and an enhanced healing factor by government military experiments, Slade Wilson became DC's resident mercenary. He would go on to become that revamped team's most dangerous and persistent foe.

In his frequent battles and schemes against the Titans, he became quite popular with fans. Fan favorite status gained him his own series where he went from villain to anti-hero. Marvel Comics even parodied him with much success as Deadpool. He has been included in many of DC's big events as one of the continuity's major villains.

The biggest turning point for the character may have been during Brad Meltzer's Identity Crisis maxi-series when Deathstroke took down the Justice League singlehandedly. In just a few pages, he did what serious JLA foes like Amazo or Darkseid or the Secret Society had been unable to do for decades. It was also in this comic that the vendetta level feud with Green Arrow began. GA didn't defeat Deathstroke, but he hurt him, and a dangerous grudge began, one that bleeds into "Arrow."

On the show, Slade Wilson is still a mercenary, but one that was stranded on what I've been calling Flashback Island with Oliver, and at times Yao Fei, Shado, and Sara. He taught Oliver to survive and to fight, along with the others. While a romance bloomed between Oliver and Shado, Slade loved her silently from afar. When Ivo captured everyone but Slade, Oliver indirectly caused Ivo to kill Shado. In Flashback Island time, the now superhuman (thanks to Mirakuru) Slade is gunning for Ivo, not knowing Oliver's involvement in her death.

In the present, Oliver has mentioned more than once that no one made it off the island alive except him and Sara. So, surprise surprise when Slade not only turns up alive, controlling Brother Blood and other baddies stalking Starling City, but suddenly in Oliver's own home, supposedly making a donation to his mother's mayoral campaign. And that was our cliffhanger last time. We open seconds later in "The Promise."

The first thing I notice is how touchy feely Slade is with Mom. It's more than a little creepy. His conversation is filled with double meaning as he and Oliver both pretend they haven't met before. Of course predictably, it leads to a flashback, this one with the two as friends planning the attack on Ivo's freighter, the Amazo. We're going to learn what happened finally. The shame is we already kinda know... or do we? One of the best things about "Arrow" is the twists and surprises.

There is one thing I liked that I'm not sure if it was planned, or if the writers were covering their asses. Either way, it was done well and seamlessly. Sara makes Oliver promise that if she doesn't make it, he's to tell her family that she died on the Gambit. Continuity hole filled in nicely.

While Oliver deals with Slade's family visit in the present, he is captured by Ivo on the island, and given truth serum. But like most of their plan of attack, it's all diversion, and it's beautiful watching it come together. Best parts? Oliver in his hood and Slade in his mask.

When the moment of truth comes and Oliver confronts Ivo, he breaks down in misdirected guilt and admits he killed Shado, unknowingly in front of Slade. And thus the rift. Slade turns on him. After he kills Ivo, he makes Oliver a promise, matching this episode's title, that he will make him feel complete despair. And that's where we're left in the past - Oliver on the ship now run by Slade, and Sara along with a handful of freed prisoners on the island.

Meanwhile Team Arrow plans an assault on the Queen home to save the family from Slade. Roy shows up, trying outhandshake Slade with his Mirakuru strength, and then Sara. They subtly and threateningly surround him, until Slade says good night. Diggle is outside however waiting to take him out sniper style. Slade knows already and Diggle us disarmed. Slade leaves, swearing to fulfill his promise.

"The Promise" was a fantastic episode, one of the best as friends had been telling me before I'd had a chance to see it. They were right. There are some nagging questions though. Why did Ivo need an eye? What's Slade been doing for five years? Can Moira be more of a bitch? And is that Harley Quinn in the preview for the next episode?? Yeah baby, next: Suicide Squad!

The All Things Fun! New Comics Vidcast for 3-14-2012

The All Things Fun! New Comics Vidcast is shot live every week at All Things Fun! - the area's best comics and gaming store, located in West Berlin, NJ.

Co-hosts Ed (Hand of the King) Evans, Allison (Zenescope Girl) Eckel, and Glenn (Real Head of Hair) Walker discuss the new comics out this week in two fun video segments, in wicked high definition, and available on the YouTube. See it here!

This first segment includes discussion of the following topics: Green Lantern #7, Deathstroke still not a pirate, Frankenstein and the Humanids, Suicide Squad #7, Batman and Robin #7, Legion Lost thoughts, Batgirl #7, Superboy #7, Demon Knights #7, the rest of the New 52 DCs, Fantastic Four #604, fun with audio including Avengers #24 and Avengers Assemble #1, and multiple Zodiacs.



The discussion continues here in segment two including: Punisher #9 by Greg Rucka, Journey into Mystery #635, Incredible Hulk #6 by Jason Aaron, Captain America #9, Ant-Man for kids, Ed's X-titles, inside Kitty Pryde, Allison's Zenescope Comics, pantsless fairies, Robert Kirkman's free pass, Buffy the Vampire Slayer Season 9 #7, Knights of the Dinner Table #184, Ed's indies, Game of Thrones goodies, kids comics, trades, and glasses.



Be sure to check out the thrilling new All Things Fun! website, and the All Things Fun! Blogs, by Allison and Glenn, and ATF! on YouTube.

Special thanks go to Dina Evans who keeps us all in line, and on the straight and narrow, and runs the show from behind the scenes. And be back here every Wednesday (or Tuesdays at midnight) to watch the new broadcast, and thereafter throughout the week!