Arrow S06 E03: Next of Kin

Back during the time of late high school and college when I wasn’t actively reading comics any more (I know, shocking), a lot of things happened.  One of them was the first appearance of Onyx, a naive vigilante who Green Arrow crossed paths with in Star City.  Sheltered in a monastery she learned martial arts, and in a move that would make Batman proud, Onyx went out into the world to do good, her parents having been murdered years before. 

Later she was completely revamped as a Batman associate in the War Games story arc.  Now she was trained by the League of Assassins, and no longer naive.  Personally I liked the original teenaged Onyx with the cape better, but it’s the later version who has been brought to the small screen on “,a href="http://monsura.blogspot.com/p/blog-page.html">Arrow.” 

Continuing from this season’s first episode, Team Arrow is in pursuit of Alex Faust, with John Diggle taking over as the Green Arrow.  He took on the mantle at the end of the last episode, in spite of the degenerative cell damage he suffered on Lian Yu.  So far only Black Canary also knows, but neither has told Oliver.  Seems like Oliver has definitely rubbed off on the team. 

This pursuit has John pulling the insane stunt of jumping off a building and letting Black Canary’s scream propel him across to another building.  It sounds nuts and comic booky, but the way it was executed I totally believed it.  Bravo.  Also notable the opening gauntlet of symbols lacked one for Spartan, giving more commitment to the idea that John is now the Green Arrow.  Nice touch. 

When Oliver shows up for work the next day Samanda is waiting for him.  She’s not stupid, and despite Oliver’s airtight alibi, she knows someone else was playing Green Arrow, someone who’s not an archer.  Samanda also brings up how the cops might feel slighted (at best) with the mayor leaning on a vigilante.  It’s a thought I had as a little kid watching the original “Batman” TV show - why do the Gotham police even bother showing up to work?  They’re either bored or disillusioned, right? 

Meanwhile the slick Onyx, here a crooked ex-CIA operative named Onyx Adams, breaks into Kord Industries (will we ever see Blue Beetle?) and downloads some serious intel, including a deadly nerve gas (Kord makes nerve gas???).  When Team Arrow protects the gas shipment, Onyx takes them out pretty easily.  I did like Rene’s “Surprise, bitch.” though.  We need more Rene in the show as he gets the best lines.  Why not put him in the Green Arrow suit?  Or Dinah or Felicity, they seem to be leading as well. 

Rene asks Oliver to come back, but he gives John a pep talk instead.  So, the team is splintered when it next goes into action against Onyx and her team - who having seen John in action are unimpressed and don’t see him or his team a threat.  Not good.  Things do turn around however, and the fight sequences of the last act are quite impressive, and a vast improvement over the first episode this season.  And John proves himself. 

Unfortunately, as the end stinger reveals, John is using performance enhancing drugs to stabilize his tremors.  Well, that’s not going to come back to bite anyone in the ass.  There’s more soap with William as Oliver finally allows Felicity into his life.  There was a lot to like about this episode, but all things considered, I’d rather have Oliver as Green Arrow.  This is like one of those tired cliche comic arcs where the hero is replaced.  I’m just waiting for the real Green Arrow. 

Something I talked about last time, but have since given further thought to is the existence of Batman in the Arrowverse.  After a brief exchange with friend Tim Murr on Twitter I’ve reconsidered my position.  There may well be a Batman in the Arrowverse.  And while I’m thinking of it, check out Tim’s work at Biff Bam Pop! right here.  He’s only been with us a couple of months, coming over from the late Popshifter, but he’s written some great stuff.  And a book too.  Check him out. 

So maybe Batman does exist.  After all, we’ve seen Harley Quinn, right?  Felicity wouldn’t take the name Oracle (she does it again subtly in this very episode) when suggested because it was already in use. And then there’s Rip Hunter from “DC’s Legends of Tomorrow” who remarked from a dark future that he’d seen dark knights and men of steel fall.  That’s pretty conclusive. And there’s no reason why Green Arrow couldn’t have fought all those Bat-villains before Batman did, right? 

For my other reviews of the entire "Arrow" series, click here. And if you'd like to discuss this episode, anything else in the Arrowverse, or anything in the Marvel or DC television or cinematic universes, please join the Marvel DC Movies TV group on Facebook.

Next: The Black Siren returns in “Reversal!”

Arrow S06 E02: Tribute

Like last episode, we seem to be bouncing off of the previous episode’s cliffhanger, in this case, the news media’s reveal of Oliver Queen as the Green Arrow, a story so big it was even noted in last week’s episode of “The Flash.” We open with Oliver confronting the press, and denying he is Green Arrow, saying that photos can be doctored, and anyone’s head could have been put on that body, even Bruce Wayne. 

That’s an interesting name drop to make, especially for the Arrowverse.  For five seasons now it has seemed that Green Arrow has been playing proxy for Bruce Wayne AKA Batman.  He has faced so many Bat-foes, including Talia and Nyssa, the League of Assassins, Deadshot, the Dollmaker, Prometheus, Solomon Grundy, the Huntress, and most of all, R’as Al Ghul, that one might speculate that Batman doesn’t exist in the Arrowverse as Oliver has filled that role. 

Of course, to be fair, Green Arrow has also faced a truckload of Teen Titans, Flash, and even (who would have thought?) Green Arrow villains over five seasons as well, so it might not mean anything.  And while it is the first name drop of Bruce Wayne or Gotham, Bludhaven has been mentioned numerous times.  All that said, I wouldn’t mind a Bat in the Arrowverse if only to see him interact with Oliver. 

In his office, Oliver has a surprise waiting, FBI Agent Samanda Watson, there to investigate the allegation that Oliver is the Green Arrow.  While Samanda seems to be a new character with no counterpart in the comics, she is played by Syndelle Noel, who does have a very cool comic book connection.  She’ll be playing one of the Dora Milaje in the Black Panther movie.  Folks might also know her as Cherry ‘Junk Chain’ Bang from “GLOW.”  The show is really rocking its wrestling connections. 

When we cut to the only-seconds-long title sequence we get a new treat.  It’s not just an arrowhead symbol and the word ‘Arrow’ any more.  We see new stylized symbols for Black Canary, Wild Dog, Mr. Terrific, Overwatch, Spartan, and Green Arrow.  I guess it wasn’t unveiled until this episode so as not to spoil who survived Lian Yu.  Nice, I like it, like the mention of the Human Target moments after it.  It’s a big universe, why not a Batman too?

Team Arrow is obviously under pressure with Oliver’s identity possibly out in the open and the authorities having him under a microscope.  Much like Batman and his own team, once Oliver’s identity is compromised, it’s a short jump and a straight line as to who the rest of Team Arrow actually is.  I was pleased that at least the showrunners acknowledge this. 

Another comics name drop in the episode is one that has appeared often, Markovia.  Oliver is trying to bring their Vortex Industries to Star City to create jobs, but the press won’t let go of the Green Arrow thing.  One has to wonder though, with all this talk of Markov and Vortex, will we see Geo-Force, Terra, or maybe Count Vertigo soon?  The wondering does not last long as the entourage is attacked by the KGBeast and his men.  However Anatoly and the Bratva are not after Oliver, they’re after the Markovians. 

Like the Black Siren last episode, this is another villain seeking revenge.  Team Arrow suspects its Anatoly who leaked the photo of the unmasked Oliver in costume to tie his hands in this current operation.  He’s holding the Markovians hostage for $20 million, the exact amount the insurance paid out for the police station the Siren blew up.  Coincidence?  I think not. 

In soap opera corner, Oliver continues to spar with William.  I gotta say I love the kid’s Flash backpack, a callback to the first time the character appeared and he liked the Flash better.  Further complications arise with the possibility that Watson may interrogate William regarding his father and mother.  John’s subplot has been revealed as degenerative cell damage from shrapnel he caught on Lian Yu.  And I dig that Dr. Schwartz is slowly becoming an honorary member of the team. 

In the end, Oliver and Anatoly part honorable enemies, and Oliver promises to be a better dad to William.  We know how his promises work out, Oliver never changes.  He is going to try however, the first step is pass the mantle of the Green Arrow to John.  But John is pulling an Oliver and not telling him about his handicap. Looks like we’re going to see a hero fall sooner or later...

For my other reviews of the entire "Arrow" series, click here. And if you'd like to discuss this episode, anything else in the Arrowverse, or anything in the Marvel or DC television or cinematic universes, please join the Marvel DC Movies TV group on Facebook.

Next: The live action debut of another Green Arrow villain from the comics - Onyx - in “Next of Kin!” 

Suicide Squad

Now right up front I was not happy going to see this flick, the third of the DC Comics Extended Universe after Man of Steel and Batman v. Superman: Dawn of Justice.  After them, I figured it could only get worse, a point that has since been reversed by the vastly superior Wonder Woman.  But Suicide Squad?  I didn't even have invested interest in the comics. 

I have read the Suicide Squad here and there, even seen them on TV.  I knew the characters and the motives but it never really rang any bells for me.  Mind you, no offense meant to the work of John Ostrander, he's a genius, and the stories were good, just not in my wheelhouse is all.  Of course it seems only a few things from the comics of the time made it to the screen. 

The concept is here.  Super-villains offered time off sentence for doing the dirty jobs the superheroes can't do, and a few of the characters are here, but others that just seem odd.  Some are originals from the comics I remember, some from the newest iteration, and some from left field.  All are still from Belle Reve prison (I have some question on the proper pronunciation of that, but I'll let it go) and all still manipulated by Amanda Waller, though much thinner. 

There's Will Smith's Deadshot, who like co-star Margot Robbie, is simply electric when onscreen. He's a family man driven to crime and put away by the Batman.  He's got a moral code, but is still a criminal, we feel for him.  He might just be the sanest of the bunch, a great counterpoint to his co-star and glory hog (not that that is a bad thing) in this flick, Harley Quinn. 

I have never been a big fan of Harley outside of her original source material in "Batman The Animated Series," so I'm not down with the New 52 slutty stripper version.  Give me the jester outfit and the Mark Hamill Joker any day of the week.  This version, while charismatic and making love to the camera like crazy town, is slavishly dedicated to her Joker, who I'll get to in a minute.  She's good, and Robbie is terrific in the role, but there's a better Harley that could've been portrayed here, ya know?  She's also stolen the movie, in that, other than the New 52, Harley is not even a character I associate with Suicide Squad.  It feels mismatched.

Waller, played with skill by The Help's Viola Davis, at a discreet government meeting introduces her idea for this team, and in simplistic flashback method to each character.  It's easy, and it works.  We see in vignettes Deadshot in action and apprehended by the Batman, the origin of Harley Quinn as well as verification she may have murdered Robin as seen in BvS, Captain Boomerang captured by the seen but unnamed Flash, and much shorter ones with El Diablo, Killer Croc, and the Enchantress.

Waller describes a nearly fully formed world of metahumans just beneath the headlines, just waiting for others like the now deceased Superman and the Bat to open the gateway to public acknowledgement.  Whereas Marvel built their movie world, DC's was already there, waiting to be revealed.  We're twenty minutes in and we know the players, the world, and getting a good vibe on the plot - ain't nothing wrong with that. 

The Harley sequence includes a chase through Gotham from Batman, once again more than ably portrayed by Ben Affleck, and far too much of the Jared Leto Joker.  This tattooed metal-grilled psychopath is very scary, but, I'll say it, he's no Joker.  And I don't think the filmmakers thought so either, because his entire subplot fizzles as if it didn't exist - it certainly doesn't matter in the course of the film - why is he here?  I would have rathered a tetherless Harley than this substandard Joker wannabe waiting in the wings for a payoff that never really comes. 

The Enchantress, an extradimensional entity that possesses June Moone is said by Waller to be the most powerful metahuman she's catalogued. She has a brother, named Incubus, trapped in a jar, and that's where it gets crazy.  Waller has her heart, and June is in love with Rick Flagg, a special operative with ARGUS and under Walker's command. 

Flagg is played by Joel Kinnaman, not the first choice for the role, but one of my favorite actors.  I loved him in "The Killing," but not here, here he is a disappointment, and apparently a one note actor.  It's a shame, along with Leto's Joker, they're among the worst things in this otherwise entertaining flick. 

When Midway City (love the shoutout to Hawkman's hometown) is under attack by the Enchantress and her brother the Incubus, the Squad is gathered, and sent onsite, with super heroine Katana added almost as an afterthought.  Again, almost casually the fact that her sword drinks souls is thrown out there as if that kind of thing happens everyday.

Once on the ground, it becomes a mission movie and we get to see the villains interact, and fight the badder guys.  Of course around now the producers seem to forget half the team is there and it becomes about Deadshot, Harley, and Flagg, and unfortunately and pointlessly, the Joker - the threat that never actually manifests.  Boomerang, who in the comics is, along with Deadshot, Enchantress, and Flagg, the only recognizable Squad members, is hardly in this, and barely acts like his source material. 

The ending however turns into another mess like Man of Steel with weird streams of blue light in the sky.  Other than that silliness this was good, it's true, Suicide Squad was good, and the battle at the end is the type we want all metahuman brawls to be like, especially on the big screen.  Victorious and tragic at once, this was a winner. 

Up until a few weeks ago, with the debut of Wonder Woman, this was the best of the DC films.  I don't know what all the haters are on about, I dug Suicide Squad. 

Remembering Adam West

This one hit me hard, folks, and I learned about it much the same way I had heard that John Lennon was dead. I awoke the next morning to my radio playing Beatles song after Beatles song, thinking what a great way to start the morning, with Beatles music.

For Adam West, it was similar, happy to sad. I had just spent a terrific day with The Bride at EPCOT, we were getting on the bus, and I checked my phone, hitting Facebook. I saw a really cool picture I'd seen before - my good friend Andy Burns, our friend JP Fallavollita, and Andy's daughter (in fierce Wonder Woman cosplay) standing in front of the Batmobile (the real Batmobile) with, you guessed it, Adam West and Burt Ward. I was jealous the first time I saw the picture, and jealous this time, so I posted as much. I was in a good mood, and then I saw other Facebook posts on my feed… Adam West had passed away at the age of 88. I was crushed. It was if my childhood had dropped out from under me. I was staggered by this for a couple days. It couldn't be true.

My earliest memory regards an incident in my family first house.  I was around two and stepped on a heating grate burning my foot.  I don't remember any of that, but what I vividly do recall is my brother giving me a toy Batmobile to get me to stop crying.  At our second house shortly after that the room I shared with my big brother had only two things on the walls: a Detroit Lions pennant and a picture of Batman.  I have talked before about the 1966-69 "Batman" TV series starring Adam West being the gateway drug to comics for not only myself, but for an entire generation.  In many ways, my childhood has taken a hell of a hit. 

Adam West as Batman affects me to this day.  This past weekend I thought of him on three different occasions before learning of his passing.  Andy's photo on Facebook was one.  I saw Return of the Caped Crusaders on Blu-Ray in a store and I thought I needed to own it sooner or later.  And at EPCOT on the Test Track ride, I deliberately tried to design a car just like the Batmobile. 

Other than his wild global success as Batman, Adam West had a pretty rough life, battling depression, alcoholism, and typecasting.  It wasn't until he came to terms with always being remembered as Batman that things turned around for him. Gone were the days of getting shot out of a cannon and doing terrible pilots like "The Precinct."  Batman could overcome anything.  His unique deadpan camp humor even found a home on "Family Guy," conquering a whole new television generation. I even met him once, great guy.

Adam got the Batman gig after producers saw him playing a James Bond parody for Nestle Quik commercials.  Ironically he would be considered for the role of the real Bond years later.  He beat Lyle Waggoner for the title role on "Batman," who probably would not have been able to pull it off.  Batman would take over the world – Adam West himself has been quoted as saying that the sixties were all about the three Bs - Beatles, Bond, and Batman - and it's true.  And "Batman" would not have worked without West.  He was the only choice. 

West had done other things, movies like Mara of the Wilderness, Robinson Crusoe on Mars, and Poor Devil all of which I loved, and are recommended, but he always returned to Batman, whether it was on "Superfriends," the 1970s Filmation "Batman," as the Grey Ghost, Back to the Batcave, or the aforementioned Return of the Caped Crusaders. 

Adam West passed away on Saturday after a short battle with leukemia, he was 88.  In my mind and in my heart, he will live forever as the only Batman that counts.  We have lost a true legend, and the Bat-Signal burns for you, my friend. 

Back in a Flash

Back in a flash, and gone in a flash as well. I haven't read a DC Comic in quite some time, maybe a year at least. There was a moment there, just a moment mind you, when there was interest, but the event fatigue that has almost killed Marvel Comics, drove me equally away from DC. Notice that the thrust of this single issue of The Flash I'm looking at today is pretty much following up storylines from my reviews a year ago, not cool. Whatever happened to one-and-done comics? Hell, one story in one issue could be the next hot gimmick - that's one gimmick I would gladly put my money down for.

Speaking of money, and I hope the powers that be are reading this, the first comic book I had to have, and actually sought out a comic shop to go and put money on the counter for was The Flash #22, and that was for Jay Garrick, the real Jay Garrick, the original Golden Age Flash. That's $2.99 sight unseen, from the shelf to the counter and out the door. Think about that, DC Comics, you put the real Jay Garrick in a comic book, and I hand you money. Otherwise, I'm not interested in your line for a year or more. Someone says there's a traditional hero from my childhood acting like a hero, and I'm a customer again. Do the math.

This issue is the fourth part of a storyline called "The Button," some hogwash trying to connect Watchmen to the DC Universe. I'm really not interested honestly. Watchmen's story is over. Anyone who read the acclaimed maxi-series knows this. Any further use of the characters, who are technically Charlton heroes and barely Alan Moore's creations, is just DC giving Moore the finger. So as far as any of this button nonsense goes, I really don't care. It's the Jay Garrick stuff I want to talk about.

Jay Garrick is the first Golden Age superhero from Earth-Two I got to know. I never had a problem with the multiverse, it's only DC's writers who had trouble with that. I was fascinated by this older Flash from another world, and as I got older, I grew to love those Golden Age versions of the heroes more than the rest – Green Lantern, Hawkman, Doctor Fate, they ruled, but Jay was the first and the best.

Jay Garrick is cover-featured on The Flash #22, shown burning through the original cover of Flash Comics #1 from 1940 to appear today. Nice effect, as if the book wasn't already sold on me. Sadly, Jay only appears on five pages of this roughly twenty-one-page comic. It was enough to make me cheer for a moment, but then again that's something Marvel hasn't been able to do for quite some time.

Batman and the Flash, the Rebirth versions of these characters, are in pursuit of the Reverse-Flash through the time stream. The villain is apparently destroyed by a force - maybe God, maybe Doctor Manhattan – that also leaves our heroes without their Cosmic Treadmill and swept away into the winds of time. Metaphoric and cosmic, but it's that kind of comic. Then they hear a voice, telling Barry to say his name, "Jay."

There's a weird Shazam! like vibe in that, but the name summons Jay Garrick, and he uses his speed to get Batman and Flash back to their universe, back to the Batcave, back home. He looks like our Jay Garrick, sleeker, maybe not as much of an old man, and the costume has a few tweaks, but nothing to complain about – shinier helmet, new boots, and his sleeves cover his hands more. It was still Jay, not that guy from that Earth 2, this was the old Flash I loved.

Jay mentions being free, perhaps from the Speed Force, or some other dimension, or maybe some other Earth invisible from the 52-Earth multiverse… or maybe from Doctor Manhattan himself. Like Wally West in DC Universe Rebirth #1, he tries to get Barry to remember him, to no avail, and he vanishes into oblivion. I got my five pages and DC got my three bucks.

The deal still stands however. Give me back my Flash, hell, I'll get greedy, give me back my Justice Society, and I'll give you my money, DC Comics, deal?

Free Comic Book Day 2017

Having recently moved to Florida from New Jersey and not getting that many comics any more, I was at a loss as to what to do for Free Comic Book Day this year. I dearly miss All Things Fun! up in my home state, along with Ed, Dina, and Allison, who I did the All Things Fun! New Comics Vidcast with (which you can still see here), but it's just too far a drive these days.

The Bride and I decided to drop in at a newer comic shop here in downtown Lakeland, Uncanny Heroes. They had Darth Vader, Chewbacca, George Lowe from "Space Ghost Coast to Coast," and a DeLorean parked out front, I was sold, let's stay a while. Having Max 98.3 FM broadcasting live and barbequed hot dogs and burgers was just a bonus as far as I was concerned – Uncanny knows how to celebrate Free Comic Book Day. I picked up a handful of the free comics, a cool Krypto shirt, and Batman/Shadow #1. Here's what I thought of some of the books:

Batman/Shadow ~ I was wary of this one as my friend and podcast partner Ray thought I might like it. Anyone who listens to The GAR! Podcast knows that's never a good sign. I can't say I hated this, but I didn't like it either. The Shadow is the antagonist here, not the way I want it, and Scott Snyder and Steve Orlando get it right except which side of the law the Shadow is on, and I did love the Maniaks reference. This book earned a second issue and a second chance, but a tentative one.

From the free comics I picked up Riverdale, which was very readable but in the long run not as enjoyable as Archie Comics of the past. Very hooked into the CW show of the same name these two tales are set in that continuity. And if you dig the show, there's a cool character guide in the back of this one.

In anticipation of the upcoming live-action The Tick series on Amazon (I loved the pilot) I picked up that comic, fun but not as good as it used to be. Hmmm, seems to be a pattern. Underdog, from American Mythology, the company that currently publishes Eagle, was fun, with both a new story and an old one. I just may pick up the new Underdog comic based on this. And then there's Wonder Woman. I was not a fan of Greg Rucka when he wrote the character before and I remain unimpressed.

The Bride picked up a few of her own as well. The nice thing about Uncanny Heroes is they had no limit on how many free comics you could get. It's important to note that even though the comics are free to customers, the stores till pay for them, so remember that every Free Comic Book Day and buy as well as get free stuff. Jenn picked up four books from the FCBD selection.

The first was Avatar, which didn't do much for me, but I am excited for the film sequels and the new park in Disney's Animal Kingdom. The next one was also Disney-related, a manga version of Descendants from Tokyopop that was interesting, but I prefer the movie. Next was Doctor Who from Titan Comics with a fun tale of four Doctors that I dug quite a bit.

The Bride's final choice was All-New Guardians of the Galaxy as a dessert to seeing the movie the night before. The comic wasn't bad, pretty much in line with the real series of the same name, but what really irked me was the second story of this Marvel FCBD book - Defenders. So Bendis is writing a book called Defenders featuring the Netflix version of that team, nothing I can do about that, I guess, it's typical Bendis, but do they have to use the original logo? To me that logo means the real Defenders – Doctor Strange, Hulk, Sub-Mariner, Nighthawk, Valkyrie, Hellcat, etc., not these guys. How about a new logo, huh?

Marvel had two other offering for the day, one a reading chronology for the "All-New, All-Different Marvel" that is basically a glossy and pretty book of ads for Marvel's trade paperbacks – in correct reading order to be sure – but still a book of ads. And then there's Secret Empire, a heart crushing addition to the Captain America as Hydra agent saga where the villain (Cap, as hard as that is to believe) defeats the Avengers by wielding the hammer of Thor. Yes, it defies logic, like all of this story. Thankfully it's followed by a sneak peek at Peter Parker: The Spectacular Spider-Man featuring Spidey, the Vulture, and the new Trapster. That's kinda fun at least.

For the most part, a fun Free Comic Book Day, thanks to Uncanny Heroes.

Arrow S05 E12: Bratva

If I'm being honest, most of this episode bored me. It's the culmination of a subplot that bored me taken control of an entire episode. General Walker who had betrayed John Diggle and had him arrested has escaped custody and gone rogue. Learning that Walker has gone to Russia to sell his stolen nuke to Markovian terrorists, most of Team Arrow has pursued him.

While it was nice to see the civilian KGBeast again, the rest of the A plot bored me. Back in Star City we see the returns of Quentin Lance from rehab and Susan Williams as well. For laughs, Wild Dog is left behind to help Quentin prep for a press conference. This comic relief is a detriment to both characters.

The only compelling sequences in this episode, and they are far too short comparatively, concern Oliver's early pre-pilot adventures as the Arrow being trained by Talia. This idea does conjure certain questions, like what happened to Talia in the Arrowverse? Where did she go? Is she still alive? What would she make of the Green Arrow and company? And in a world without Batman, how does Oliver fit in her life?

In the end, I have to confess some disappointment that John did not kill Walker, especially after letting Dinah kill Sonus last time. I liked seeing exactly how powerful Ragman is and wish we could have seen more of that. I hate that the nuke neutralized the rags' powers. Perhaps we'll see Ragman as a powerless crimefighter, but it won't be the same.

I dislike how the showrunners have automatically pushed Oliver and Dinah together so quickly. I mean, it's not just weird, it's creepy. Although at least they salvaged the Rene and Quentin relationship by retconning a past between them. And our ending stinger has Susan suspecting Oliver of being Green Arrow, a cliche I can only hope will be spun better than expected. A solid disappointment this week.

For my other reviews of the entire "Arrow" series, click here. And if you'd like to discuss this episode, anything else in the Arrowverse, or anything in the Marvel or DC television or cinematic universes, please join the Marvel DC Movies TV group on Facebook.

Next: Spectre of the Gun!

Daredevil S02 E04: Penny and Dime

We open this episode of "The Punisher"... um, I mean, "Daredevil," with the arrival of Finn Cooley in New York City. In the Punisher comics, this IRA explosives expert walks around with half of his face blown off, but here he's played by suave Scottish actor Tony Curran, who I know best as Vincent Van Gogh from "Doctor Who," but has quite an impressive career beyond his cool geek cred.

After wrecking his own family's funeral Finn goes on a meticulous and vicious rampage that gets him closer to the Punisher than Daredevil in three episodes. I mean, it's not like it's old hornhead's show or anything. As what's left of the Irish mob leaves Frank's apartment, with his dog in tow, kidnapping it John Wick style, the Punisher watches. Yeah, this is going to be ugly.

After the credits, Karen goes to pick up Matt, and they share an intimate tie knotting moment, before attending the lonely funeral of Grotto. Also in attendance is Foggy and, returning from last season, Father Lantom. Even though the gigantic church is empty and echoey, Lantom performs the service as if it was full. His sermon reinforces the drives of both Matt and Karen.

While Karen goes in search of the Punisher, Daredevil pays a visit to Melvin Potter. He's got a new cowl for him as well as gauntlets. He also mentions old contacts are back in town coming to him for weapons but he's turned them down. Melvin is a bit concerned with the hero's well-being, tells him to take care. When DD wishes the same back Melvin replies that he is a reveals the Gladiator chest plate beneath his shirt. Enough foreplay, guys, ditch the Punisher and bring on the Gladiator!

There is a subtle line being drawn in this season so far, and was hinted at strongly in "Jessica Jones," especially in the episode "AKA 99 Friends," that battle lines are being drawn between human and non-human. This all led to Captain America: Civil War and continues in the fourth season of "Marvel's Agents of S.H.I.E.L.D.," but it is interesting that it's rearing its ugly head here in the Netflix corner of the Marvel Cinematic Universe. Witness Officer Mahoney's distinction made between cops and criminals and 'you people' in his brief discussion with Daredevil.

Now you folks who have been following along as I've reviewed "Jessica Jones" and the first season of "Daredevil," you know I write these reviews as I watch them, so my expectations and speculations are sometimes a bit off. There was unfortunately one aspect of this season that was spoiled for me - Karen Page and the Punisher getting together. For me, that makes the brief gentle moments that Karen and Matt keep having both bittersweet and exceptionally cruel. Because of that foreknowledge, I kinda hate them.

Despite all that, I have to marvel at Karen's ability to track down the Punisher right down to his origins, and even his former family home. This is more than the police, the Feds, or even the Irish mob was able to do - and the Irish were able to take the Punisher down. I joked about the title of this series at the start of this review, but really how much of a hero is the titular hero when he's so ineffectual and supporting cast and B level bad guys show him up so easily?

With Finn, it's quite a character reveal that with much of his family dead, including his son, at the hands of the Punisher, that what he really wants once his prey is in his grasp, is his money back. The Punisher apparently stole millions from the IRA, and Finn is going to get it back even if he has to drill his point home. Frank gets one point for compassion when he gives up the location of the money after Finn threatens his dog. I still don't like the character.

I did like the subtle stealth and almost casualness with which Daredevil attacked the Irish mob's hideout. It was like he was taking a walk in the park, with his eyes closed - and I guess with Daredevil, that's almost a given everyday. Unfortunately after that however, it falls apart. Rather than letting Daredevil rescue the Punisher, the showrunners give the latter some sort of weird precognition that allowed to know what the Irish were up to, so he rigged his van with the money to explode, and sewed a razor blade into his arm for later. Holy Shark Repellent Bat-Spray!

Daredevil and the Punisher escape from the villains' lair like they're buddies in a seventies issue of The Brave and the Bold. They have a little after party in the cemetery, with Frank opening his heart to DD about the rhyme he says before he kills people. The episode title references it and the tale he tells is one of tragedy that many veterans of war know. Has our hero forgotten about all the people this villain has killed? All the horrible things he's done, all the crimes he's committed? Again props to Jon Bernthal's performance, but he is still the bad guy... why has DD forgotten that?

He hasn't. And when the police arrive, thankfully Daredevil does something heroic. He allows the police to take the Punisher in, specifically Officer Brett Mahoney, and makes sure he takes the credit in an attempt to clear any blurred lines he may have caused with the police. I'm just surprised the Punisher went in without a fight.

The episode almost ends with more gentle moments with Matt and Karen, and most significantly a very sensual kiss in the rain that both reminded me of, and consciously tried not to be, the kiss in the rain from the 2003 Daredevil film. I know that kiss is with Elektra and this one is with Karen, but Deborah Ann Woll is very Elektra here... which is a shame because the real thing is waiting for Matt when he gets home...

Next: Kinbaku!

Konga

Konga ~ Now I've written a little bit about this movie before over at Biff Bam Pop! as part of my review of the Charlton Comics monsters, all of which were originally from film. Konga as a comic lasted over five years and included art by the amazing Steve Ditko, co-creator of Spider-Man and Doctor Strange, among many others.

The movie, also tragically known as I Was a Teenage Gorilla, was made in 1961. Konga stars a young Michael Gough, who folks probably know better as Alfred in the 1990s Batman film franchise. He brings a proper English elegance to what is pretty obvious crap, and even manages decorum while stark raving mad. He's good and the movie is bad. Konga is even filmed in "SpectaMation," a made up gimmick to lure folks into theaters.

Here's the gist: an explorer brings a baby gorilla and some man-eating plants back from the Ugandan jungle, then goes a little mad. He uses a serum from the plants to grow the chimp, Konga, to man size, then commands him to kill his enemies. Then later, after a super dose of the serum, Konga grows to giant size for some real (and cheap, even by kaiju eiga standards) monster action and rampage in London.

Besides the cheaper than usual effects, there are a couple things that set Konga apart from its Japanese cousins. The English crowds, rather than run from the monster, politely stand and watch. Also when the police are alerted to the presence of a giant monster ape, they immediately believe, and call the war department. That's a far cry from flicks like The Blob and other teenage scifi flicks of the decade previous.

Gough carries the film despite a cast that tries very hard. He remains interesting even while the titular ape takes the screen, something unusual for this genre. The giant monster scenes are sad, due to the ridiculous gorilla suit, but it's worth seeing for Gough. Although watch out for the disturbing cat scene early on. The comics are much better.

Arrow S05 E01: Legacy

At the end of the last season of "Arrow," it was truly an ending. Oliver and Felicity were no longer a couple. The Black Canary was dead. Thea had given up her semi-heroic life. John too needed a break from Team Arrow, effectively leaving there no Team Arrow. And Oliver had taken on the duties of mayor of Star City.

We open on the mayor being late to a function, and Thea making excuses for her brother's tardiness. He out on the street in Green Arrow gear fighting the still free Anarky from detonating a bomb. He's also got a puppy dog tag along in a hockey mask trying to help. Green Arrow doesn't want his help, and nails him in the leg with an arrow.

The helper is Wild Dog, or at least the prototype television version of Wild Dog. Back in the 1980s when comics were changing (I won't say for better or worse), and things like Watchmen and Dark Knight Returns were hot, people were experimenting with new types of comics and heroes, and Wild Dog, created by Max Allan Collins and Terry Beatty, was one of them.

Wild Dog was really Jack Wheeler, whose rich girlfriend was killed by the mob. Inheriting her fortune, this former Marie went all Batman/Punisher to get back at the mob wearing a hockey mask and sporting automatic weapons. He was extremely violent and the stories, in his own limited series and the much-missed Action Comics Weekly, were grounded in reality.

As the episode gets rolling, Felicity is reviewing potential recruits for Team Arrow seeing as they are so short handed. Wild Dog is among them, as is Evelyn Sharp (who masqueraded as Black Canary last season), and 'Mr. Ski-Goggles' (Felicity is no Cisco Ramon when it comes to codenames). That last one's police sketch bears a striking resemblance to the 1980s version of the Vigilante.

Oliver doesn't want to train a new team. That's s shame, because there's a new big bad in town, Tobias Church, someone new, without a name or background in the source material comics. He makes the gangs and the corrupt police department look like amateurs. On the episode, police mention that Church and his crew tore through Hub City and Bludhaven, respectively the home bases of the Question and Nightwing.

Church is played with grace and menace by Chad L. Coleman, Tyreese from "The Walking Dead," but a far cry from that character. His real acting chops come from his role as Cutty on HBO's "The Wire." This dude is as good as his character is evil. Church has earned the name Charon in, pardon the pun, underworld circles because of the gold coins he leaves on his victim's eyes.

Star City dedicates a statue, on the waterfront of all places, to Laurel Lance the Black Canary. Not only does this lure alcoholic and Donna-less Quentin Lance out into the open, but also Church and his crew trying to bait a trap for Green Arrow... with a rather feisty mayor who can defend himself too well. As Oliver puts up his hands and surrenders, I had a flashback of the 1966 "Batman" when Bruce Wayne is kidnapped and the villains wonder aloud, "No millionaire playboy fights that well."

Also, who caught the license plate of the faux S.W.A.T. getaway truck? What state is the "Land of Mist"? Most fictional cities' locations in the DC Universe are set in stone but Star City has always been a point of contention. Most reports put it on the Pacific coast in Northern California, but there is some argument for a Great Lakes location. Depictions in this series alone have placed it both on the west coast and Iowa. So what state is the Land of Mist?

Flashback Island this season will apparently be Russia, cataloging Oliver's time with Bratva, and his quest for revenge against Kovar, the warlord who terrorized Taiana's people, and may or not be Starfire/Red Star. After a misunderstanding in a Russian fight club, we are reintroduced to Anatoly Knyazev, AKA the KGBeast, who was Oliver's cell mate on Ivo's Amazo ship.

Explaining his mission to the Russian, Anatoly warns Oliver off, as Kovar has an army. To fight Kovar, Oliver must become Bratva. Anatoly has advice however, relevant in flashback and present day - "The shark that does not swim, drowns." Forget promises to the dead and move forward.

When Thea dons the Speedy costume one last time to save Oliver, we got that same bugaboo that I think all of us thought was finally in the past. It's been four seasons, sheesh. To kill or not kill. Do it or not, Oliver makes it pretty easy in the flashbacks, why is he so bugged now? Either way, Thea is out, and Felicity is back to her push for a new Team Arrow. With Anatoly's advice in his head, Oliver gets his head right.

There's a confrontation with Church's forces that include Coleman doing a Nagan imitation with a baseball bat, and later Heath Ledger as the Joker by uniting the gangs against our hero. Notably, Church takes out yet another member of the Bertinelli crime family.

We had a couple last minute stingers but first there was a ham-fisted attempt to give Curtis (finally) a reason to want to join the new team. First, it looks like it might be possible that Felicity's new love interest could be either Wild Dog or Vigilante. And then there's the costumed killer that attacks one of Star City's few good cops. Looks a little like the Dark Archer, but my bet's on Ragman. Or could this be Prometheus? Time will tell...

For my other reviews of the entire "Arrow" series, click here. And if you'd like to discuss this episode and anything else in the Arrowverse, please join the Arrow Discussion Group on Facebook.

Next: The Recruits!