Back in a Flash

Back in a flash, and gone in a flash as well. I haven't read a DC Comic in quite some time, maybe a year at least. There was a moment there, just a moment mind you, when there was interest, but the event fatigue that has almost killed Marvel Comics, drove me equally away from DC. Notice that the thrust of this single issue of The Flash I'm looking at today is pretty much following up storylines from my reviews a year ago, not cool. Whatever happened to one-and-done comics? Hell, one story in one issue could be the next hot gimmick - that's one gimmick I would gladly put my money down for.

Speaking of money, and I hope the powers that be are reading this, the first comic book I had to have, and actually sought out a comic shop to go and put money on the counter for was The Flash #22, and that was for Jay Garrick, the real Jay Garrick, the original Golden Age Flash. That's $2.99 sight unseen, from the shelf to the counter and out the door. Think about that, DC Comics, you put the real Jay Garrick in a comic book, and I hand you money. Otherwise, I'm not interested in your line for a year or more. Someone says there's a traditional hero from my childhood acting like a hero, and I'm a customer again. Do the math.

This issue is the fourth part of a storyline called "The Button," some hogwash trying to connect Watchmen to the DC Universe. I'm really not interested honestly. Watchmen's story is over. Anyone who read the acclaimed maxi-series knows this. Any further use of the characters, who are technically Charlton heroes and barely Alan Moore's creations, is just DC giving Moore the finger. So as far as any of this button nonsense goes, I really don't care. It's the Jay Garrick stuff I want to talk about.

Jay Garrick is the first Golden Age superhero from Earth-Two I got to know. I never had a problem with the multiverse, it's only DC's writers who had trouble with that. I was fascinated by this older Flash from another world, and as I got older, I grew to love those Golden Age versions of the heroes more than the rest – Green Lantern, Hawkman, Doctor Fate, they ruled, but Jay was the first and the best.

Jay Garrick is cover-featured on The Flash #22, shown burning through the original cover of Flash Comics #1 from 1940 to appear today. Nice effect, as if the book wasn't already sold on me. Sadly, Jay only appears on five pages of this roughly twenty-one-page comic. It was enough to make me cheer for a moment, but then again that's something Marvel hasn't been able to do for quite some time.

Batman and the Flash, the Rebirth versions of these characters, are in pursuit of the Reverse-Flash through the time stream. The villain is apparently destroyed by a force - maybe God, maybe Doctor Manhattan – that also leaves our heroes without their Cosmic Treadmill and swept away into the winds of time. Metaphoric and cosmic, but it's that kind of comic. Then they hear a voice, telling Barry to say his name, "Jay."

There's a weird Shazam! like vibe in that, but the name summons Jay Garrick, and he uses his speed to get Batman and Flash back to their universe, back to the Batcave, back home. He looks like our Jay Garrick, sleeker, maybe not as much of an old man, and the costume has a few tweaks, but nothing to complain about – shinier helmet, new boots, and his sleeves cover his hands more. It was still Jay, not that guy from that Earth 2, this was the old Flash I loved.

Jay mentions being free, perhaps from the Speed Force, or some other dimension, or maybe some other Earth invisible from the 52-Earth multiverse… or maybe from Doctor Manhattan himself. Like Wally West in DC Universe Rebirth #1, he tries to get Barry to remember him, to no avail, and he vanishes into oblivion. I got my five pages and DC got my three bucks.

The deal still stands however. Give me back my Flash, hell, I'll get greedy, give me back my Justice Society, and I'll give you my money, DC Comics, deal?

DC Universe Rebirth

This was supposed to be the book of the week, the big comic book event, but Marvel Comics trumped it by making Captain America a Hydra agent. Yeah, it sounds like a headline from the Bizarro World doesn't it? I guess that clinches it. Marvel Comics hates superheroes more than Fredric Wertham. But while Marvel is stumbling backward into darkness, DC Comics is forging forward… to rebuild their broken universe, their broken characters, and reach out to readers old and new, rather than drive them away.

On point with this endeavor is writer Geoff Johns, who after fifteen pages of DC Universe Rebirth had me smiling. I don't smile at DC Comics, not in a long time now. The story follows Kid Flash, the real Kid Flash, Wally West from the old days, as he tries to find his way out of the Speed Force, and contact his old friends to warn them. Yeah, warn them of a danger that may have caused the New 52 Universe, and apparently no, it wasn't Flashpoint.

And about that, for those who haven't read it, here come the spoilers, so act appropriately. While I loved Watchmen, even the movie, the videogame, and a few of the prequels even, I have never been one of those fans that held it up as holy and untouchable. Alan Moore has written a few good comics, yes, but he is not a god. So the core thrust behind what caused the New 52 Universe and stole a decade from my favorite heroes and sliced and diced their memories is okay with me. I actually kinda dig the idea, and can't wait to see it further explored.

Now that that is out of the way, I can talk about how much I enjoyed this book. I loved seeing Wally again, and his tour of the New 52 Universe made things even better as we got to see Batman, Johnny Thunder, the Atoms, the Blue Beetles, maybe Saturn Girl, and so many others. I loved seeing Wally's origin relived through new artists' eyes, and the mystery of the three Jokers, the sadness of a Green Arrow and Black Canary who don't know each other, Aquaman's proposal to Mera, and really, who didn't cry when Wally encountered Linda Park, and then Barry Allen.

I honestly don't know which, if any, of the new DC Comics I will be picking up, but I will say this - they have my interest, and I sure as hell enjoyed this issue, and want to see what comes next! What did you folks think?

From Hell

TRENT REZNOR MEETS PROFILER BBC STYLE

A Video Review of "From Hell"

Copyright 2003 Glenn Walker

First this is yet another movie ashamed of its origins. The credits are at the end so folks won’t know from the start that it’s a comic book movie and disguised with those chic words ‘graphic novel.’ To me, that’s a term used by yuppies that always read their comics on the train behind a copy of the New Yorker or the Wall Street Journal. If you’re a comic book geek, be proud and wear your pocket protector on your sleeve.



If you’re a fan of "C.S.I." or "Profiler" and are well versed in your Jack the Ripper lore you’re learning nothing new here. What was original and well portrayed in the Alan Moore ‘graphic novel’ have been lost on the screen. That’s not to say Johnny Depp shouldn’t be lauded for his accurate accent and his mesmerizing imitation of Nine Inch Nails rocker Trent Reznor stalking through a BBC Victorian miniseries or that the direction of the Hughes brothers didn’t create the proper MTV meets Se7en imagery – but the film just doesn’t try hard enough.

There is more than adequate talent here with Robbie Coltrane (Hagrid in the Harry Potter movies) and Heather Graham (Lost in Space, Austin Powers: The Spy Who Shagged Me) outstanding. There’s also a lot of throwaway screen time given to the ‘romance’ between Depp and Graham which essentially is doomed and Depp's drug abuse. I would have rather seen more of his ‘psychic’ ability.

As I said if you know your Jack the Ripper this is all old hat, if not you’ll be mystified and entertained no end. Enjoy or be bored at your own risk.