Torso, Justice League, and the Russian Avengers

Confession time.  I hadn’t thought about this in years, decades really, but it came up recently in a Twitter conversation with friend and fellow Biff Bam Popper Tim Murr.  He’d just seen the 1973 pre-slasher era horror classic Torso and I’d mentioned I’d seen it in its initial run, when I was ten.  I wasn’t a bad kid really I wasn’t, but let’s face it, I was that night.

On what might seem like a dare, but was more like a don’t be a body part Trump thinks he can grab without permission, three other boys in my class and I sneaked out after nine during the summer and watched Torso at the drive-in with no sound from the woods near the screen.  My siblings are probably shocked right now, and my parents both passed would have kicked my butt majorly if they’d known, but yeah, I did it.

Arrow S06 E05: Deathstroke Returns

When Deathstroke returned last season I wondered aloud if a spin-off was in the wind.  Certainly there’s been more effort to spotlight the character on “Arrow” than the other two spin-offs, one successful (“The Flash”) and one aborted (“Suicide Squad”) in favor of a movie.  Here again in this episode, it seems they’re trying again. 

Thematically this season with Oliver abandoning his Green Arrow identity to make more time for his son William, he has much in common with Slade Wilson who is searching for his lost son.  In the comics, Slade’s son Joseph was the New Teen Titan known as Jericho, a deaf hero who not only had the ability to possess people by eye contact, but also frequently fought against his father with the Titans.  With a Teen Titans TV series in production, one wonders how much, if any, of that will translate to “Arrow.”

Considering that Joe has changed his name to Kane Wolfman (Nice homage to his co-creator Marv Wolfman) and Slade has been tracking him around the world, I’m guessing it won’t.  Kane has also gone into the ‘intelligence’ business and has wound up a prisoner in Kasnia, a fictional nation of tumultuous leadership that has turned up time and again in the DC Animated Universe, once even being ruled over by Vandal Savage.  Slade needs Oliver’s help to save his son. 

If this is a backdoor pilot for a Deathstroke, it’s a poor one.  Despite the title of this episode I was bored.  The B-plot back in Star City was far more interesting and compelling, if predictable, even with the dark matter twist.  Anyway, we get some bad espionage that reminded me of some of the more boring Bratva episodes of last season, followed by Deathstroke going all Punisher on the generic bad guys before being confronted by his son, the new leader of the Jackals.  Slade will get another chance to prove himself show worthy next episode. 

We actually open however on the councilwoman, who is pushing for vigilante legislation, being targeted by a sniper.  Based on the ‘previously on Arrow’ catch-up showing Vigilante, and realizing, hey, he’s still at large, it’s obviously him.  Prometheus made us forget all about this weak subplot that by all intentions should have been Adrian Chase. 

In a clash with Black Canary, where her sonic cry shattered Vigilante’s visor, he took off his mask and she got a good look at him.  He’s Vincent Sobol, her old partner, whose face looks like he somehow survived that gunshot to the head.  That of course is his metahuman ability, some sort of regeneration, possibly coupled with brain damage or derangement.  Either way it looks like he’ll be hanging around a bit, forgotten subplot or not. 

Samanda Watson continues to question and investigate.  She is either playing dumb of she’s figured out exactly who everyone on Team Arrow is.  If nothing else, shouldn’t have found that all these folks all hang out at the same abandoned warehouse at all hours of the day?  And how is it the FBI can’t cooperate with say, the DEO or ARGUS on this investigation?  She’d have all the answers, and a cease and desist as well by now. 

Our ‘flashback island’ this episode is thirteen years ago, in New Zealand, as Slade tries to balance his secret life with a camping trip with son Joe.  The analogy to Oliver and William painfully obvious and my back hurts from being hammered only moments in.  I did find it intriguing that Slade calls his son ‘kid’ just like he does Oliver.  Too bad he probably also traumatized his son for life, but we’ll see for sure next time.

I found it interesting that Felicity mentioned attending Iris West’s bachelorette party over on “The Flash,” but there’s no reason given why Oliver didn’t attend Barry’s bachelor party, nor is it even acknowledged.  I know Oliver can be a real stick in the mud and funless at times, but could it be he wasn’t invited?  Would Barry choose party crasher Ralph Dibny over Oliver? 

Another nice bit was Nylander calling Slade the Terminator.  Interesting sidenote, Deathstroke the Terminator was originally the villain’s full name until some James Cameron flick called The Terminator came out and DC Comics toned down its use of that term.  We also get another piece of the puzzle of what happened on Lian Yu in last season’s cliffhanger.  John says to Felicity that Slade left them in the island. 

For my other reviews of the entire "Arrow" series, click here. And if you'd like to discuss this episode, anything else in the Arrowverse, or anything in the Marvel or DC television or cinematic universes, please join the Marvel DC Movies TV group on Facebook.

Next: Promises Kept!

Suicide Squad

Now right up front I was not happy going to see this flick, the third of the DC Comics Extended Universe after Man of Steel and Batman v. Superman: Dawn of Justice.  After them, I figured it could only get worse, a point that has since been reversed by the vastly superior Wonder Woman.  But Suicide Squad?  I didn't even have invested interest in the comics. 

I have read the Suicide Squad here and there, even seen them on TV.  I knew the characters and the motives but it never really rang any bells for me.  Mind you, no offense meant to the work of John Ostrander, he's a genius, and the stories were good, just not in my wheelhouse is all.  Of course it seems only a few things from the comics of the time made it to the screen. 

The concept is here.  Super-villains offered time off sentence for doing the dirty jobs the superheroes can't do, and a few of the characters are here, but others that just seem odd.  Some are originals from the comics I remember, some from the newest iteration, and some from left field.  All are still from Belle Reve prison (I have some question on the proper pronunciation of that, but I'll let it go) and all still manipulated by Amanda Waller, though much thinner. 

There's Will Smith's Deadshot, who like co-star Margot Robbie, is simply electric when onscreen. He's a family man driven to crime and put away by the Batman.  He's got a moral code, but is still a criminal, we feel for him.  He might just be the sanest of the bunch, a great counterpoint to his co-star and glory hog (not that that is a bad thing) in this flick, Harley Quinn. 

I have never been a big fan of Harley outside of her original source material in "Batman The Animated Series," so I'm not down with the New 52 slutty stripper version.  Give me the jester outfit and the Mark Hamill Joker any day of the week.  This version, while charismatic and making love to the camera like crazy town, is slavishly dedicated to her Joker, who I'll get to in a minute.  She's good, and Robbie is terrific in the role, but there's a better Harley that could've been portrayed here, ya know?  She's also stolen the movie, in that, other than the New 52, Harley is not even a character I associate with Suicide Squad.  It feels mismatched.

Waller, played with skill by The Help's Viola Davis, at a discreet government meeting introduces her idea for this team, and in simplistic flashback method to each character.  It's easy, and it works.  We see in vignettes Deadshot in action and apprehended by the Batman, the origin of Harley Quinn as well as verification she may have murdered Robin as seen in BvS, Captain Boomerang captured by the seen but unnamed Flash, and much shorter ones with El Diablo, Killer Croc, and the Enchantress.

Waller describes a nearly fully formed world of metahumans just beneath the headlines, just waiting for others like the now deceased Superman and the Bat to open the gateway to public acknowledgement.  Whereas Marvel built their movie world, DC's was already there, waiting to be revealed.  We're twenty minutes in and we know the players, the world, and getting a good vibe on the plot - ain't nothing wrong with that. 

The Harley sequence includes a chase through Gotham from Batman, once again more than ably portrayed by Ben Affleck, and far too much of the Jared Leto Joker.  This tattooed metal-grilled psychopath is very scary, but, I'll say it, he's no Joker.  And I don't think the filmmakers thought so either, because his entire subplot fizzles as if it didn't exist - it certainly doesn't matter in the course of the film - why is he here?  I would have rathered a tetherless Harley than this substandard Joker wannabe waiting in the wings for a payoff that never really comes. 

The Enchantress, an extradimensional entity that possesses June Moone is said by Waller to be the most powerful metahuman she's catalogued. She has a brother, named Incubus, trapped in a jar, and that's where it gets crazy.  Waller has her heart, and June is in love with Rick Flagg, a special operative with ARGUS and under Walker's command. 

Flagg is played by Joel Kinnaman, not the first choice for the role, but one of my favorite actors.  I loved him in "The Killing," but not here, here he is a disappointment, and apparently a one note actor.  It's a shame, along with Leto's Joker, they're among the worst things in this otherwise entertaining flick. 

When Midway City (love the shoutout to Hawkman's hometown) is under attack by the Enchantress and her brother the Incubus, the Squad is gathered, and sent onsite, with super heroine Katana added almost as an afterthought.  Again, almost casually the fact that her sword drinks souls is thrown out there as if that kind of thing happens everyday.

Once on the ground, it becomes a mission movie and we get to see the villains interact, and fight the badder guys.  Of course around now the producers seem to forget half the team is there and it becomes about Deadshot, Harley, and Flagg, and unfortunately and pointlessly, the Joker - the threat that never actually manifests.  Boomerang, who in the comics is, along with Deadshot, Enchantress, and Flagg, the only recognizable Squad members, is hardly in this, and barely acts like his source material. 

The ending however turns into another mess like Man of Steel with weird streams of blue light in the sky.  Other than that silliness this was good, it's true, Suicide Squad was good, and the battle at the end is the type we want all metahuman brawls to be like, especially on the big screen.  Victorious and tragic at once, this was a winner. 

Up until a few weeks ago, with the debut of Wonder Woman, this was the best of the DC films.  I don't know what all the haters are on about, I dug Suicide Squad. 

More DC Rebirth

DC Rebirth continues, so do my reviews. If you want to see what I've said before, click here, here, and here. Today I'm looking at a few more, enjoy.

Hal Jordan and the Green Lantern Corps - When I looked at the Rebirth issue of Green Lanterns I expressed disappointment at not really seeing much of Hal Jordan. While he's not my favorite (that would be the Golden Age Alan Scott), he's a close second, and it's good to see he's at least headlining a title. After an intriguing opening with an aged Sinestro, we get the convoluted recent history of Jordan, which frankly put me to sleep. We get Hal Jordan reborn finally, and possibly a call out to a new Corps, but it seems too little, an attempt at hope, but not quite enough.

Nightwing - I wanted to like this, I really did, but like the first title here, it is bogged down in unnecessary continuity. I have always liked Dick Grayson. I thought he was a bit of a dope on the 1966 TV series, but when I read his solo college stories in the comics, I was all in on Dick, he was cool. I dug him as Nightwing in the Titans, solo not so much, and I did enjoy the comics when he was a spy in Grayson when I picked them up. This comic didn't have any of the stuff I liked in it, and I really wish it did.

Red Hood and the Outlaws - I hated this book and concept the first time I read it waaay back in The New 52, and it does not seem to have aged well since then. At least we get a solid origin for Jason Todd all in one place, but that's about the best I can say about it. I still don't know what Bizarro and is that Circe? have to do with this title.

Suicide Squad - With the specter of a bad received movie haunting this one, I don't know what to think of this one. Why is Harley Quinn here? This is like going to a remake of a movie you loved and having it be nearly unrecognizable. I probably won't be back.

New Super-Man - Unlike those above, this one was probably so good because it was refreshingly new - new character, new situation, no baggage - more like a birth than a rebirth. Most importantly, it was a lot of fun. I want to read more. This one is a keeper.

Arrow S04 E11: A.W.O.L.

As Felicity returns to work with Team Arrow, conjuring more than a passing resemblance to Oracle, and meeting the goth ghost of times past, the team goes up against a new threat, Shadowspire. I'm just thankful it's not Damien Darhk and H.I.V.E. And while the Arrowverse does seem to have appropriated most of the Batman mythos, Oliver admits that the name 'Oracle' is already taken so gives Felicity the codename Overwatch. Awkward, but it'll do in a pinch.

Because this is a John Diggle-centric episode (usually not a good thing), instead of Flashback Island, we get Flashback Afghanistan where the Diggle brothers went to war and first encountered Shadowspire. Here in the Arrowverse, the group are just military war profiteers, but in the comics they were a bit more super-villainous, using biological warfare and running afoul of our old friend Deathstroke among others. They were also led by Baron Blitzkrieg AKA Reiter from Flashback Island, a bit later verified in this episode.

Felicity is hallucinating due to her pain meds and is taunted by her brunette goth self from college. She's like an evil twin saying all the things Felicity can't say out loud herself - or more accurately she's saying the things we viewers yell at the screen for the last few years. And have I not been paying attention, or is this the first time John Diggle's superhero name Spartan been referenced?

Speaking of references, Shadowspire is seemingly looking to steal a shipment of railguns from Kord Industries. It's a decoy of course to keep Team Arrow away from their real target, A.R.G.U.S. Black Canary asks what Shadowspire would want with railguns. My question is different. What the hell is Kord Industries doing making railguns?? And will we ever see Ted Kord or Blue Beetle? I know that the Atom was supposed to originally be Blue Beetle on the show, so with Ray Palmer off time traveling with the "Legends of Tomorrow," can we finally get the real Blue Beetle?

Now my first thought when A.R.G.U.S. and Amanda Waller showed up in this episode was one of surprise. With a DC Comics Cinematic Universe film version of Suicide Squad coming this summer and Deadshot, in particular, dead in the Arrowverse, I figured we were done with this little corner of the DC TV universe. While Felicity and the Diggle brothers saved the day, halfway through the episode, something shocking happened - Amanda Waller was shot dead.

Now it's not her in the grave, and all she gets is a glass of wine remembrance. I have to wonder how this changes the Arrowverse. It's one thing to ignore characters, but it's a whole 'nother kettle of fish to kill them. I wonder what kind of repercussions this will have. And there's also the mention by Oliver of the Flash's ability to change the past. How permanent is Felicity's paralysis, and what would the repercussions of that change be?

For my other reviews of the entire "Arrow" series, click here. And if you'd like to discuss this episode and anything else in the Arrowverse, please join the Arrow Discussion Group on Facebook.

Batman: Assault on Arkham

Batman: Assault on Arkham ~ I had this one tucked away for a while before I actually ever looked at it. The reason being I thought it was connected to those awful Batman Arkham videogames that I can't stand. I knew it was an animated feature, but the idea that it might be based in that weird game universe really put me off. However when I did finally get around to watching it, I was pleasantly surprised. This is nothing like I expected.

Assault on Arkham is not even technically a Batman feature, it's about the Suicide Squad, possibly a preview to hip folks as to what to expect in the upcoming film of the same name. And it's also not strictly a superhero flick either. This has the flavor and style of a heist movie circa the turn of the century, slick, cool, very new age Oceans 11. The villains are gathered, begrudgingly work together, and pull off what they need to despite clashing personalities. Yes, it has standard Suicide Squad procedure, but the way it's pulled off is so well done and heist genre. I loved it.

There were places where I was pulled out of the story, notably some weird anime bits, characters who looked too much alike, the Joker mugging for the camera, and of course the creepy Penguin with a British accent and eating fish whole, bones and all. The characters have chemistry, and the dual stories of them breaking into Arkham while Batman searches for the Joker's dirty bomb and follows them in, are enticing.

This was better than I thought it would be, highlighted by "Batman The Animated Series" voice veteran Kevin Conroy, and Hynden Walch, who does a wonderful approximation of Arleen Sorkin's Harley Quinn. An entertaining 76 minutes with a wild score by Robert J. Kral, and some great lines - worth the time.

I have to say however, if the upcoming Suicide Squad movie, despite how that trailer looks, is anything like this, I can't wait to see it now.

Arrow S03 E17: "Suicidal Tendencies"

I suppose with all the hype about the theatrical Suicide Squad movie coming out in the summer of 2016, it may have been time for the team's return on "Arrow," and what better timing than crashing the wedding of Diggle and Lyla, right?

The wedding is rather rushed, and awkward, as Ray Palmer (apparently a minister (!) "long story") is the officiant. Ray is Felicity's date, Nyssa is training Laurel, and due to R'as Al Ghul's masquerade, the Arrow is wanted by the police. It's from this background that Diggle and Lyla leave for their honeymoon, or do they?

The couple is needed to lead the Suicide Squad on a mission into Kaznia to rescue a corrupt US Senator. Kaznia, alternately spelled Kasnia, actually has a long history with DC Comics characters, but not in the comics, in the DC Animated Universe. The unstable Eastern European nation has featured in both the "Batman" and "Superman" animated series, was nearly taken over by Vandal Savage in "Justice League," and was even shown to still exist in the future time of "Batman Beyond." Besides Diggle and Lyla, this Suicide Squad also includes old favorite Deadshot and the still delusional Cupid.

Meanwhile back in Starling City, Oliver discovers it's not just one Arrow imposter, but several, including old friend Maseo. And Iron Man, ahem, I mean the Atom has discovered that the Arrow is actually Oliver Queen. This makes Ray's relationship with Felicity a bit dicey. And with Oliver as well. But once Ray has that one piece of information, the connections of all of Team Arrow fall neatly into place.

In lieu of Flashback Island and/or Hong Kong this episode, we look into Deadshot's past. His is a tragic story, and had he not died in this episode, this would have made an intriguing backdoor pilot. And really, with "The Flash," "Supergirl," "Vixen" and the untitled pilot with Captain Cold, Heat Wave, Hawkgirl, Rip Hunter, etc. (is "iZombie" part of this? I know it was published by DC Comics, but is it in continuity?) - might this be spreading things too thin?

The shame of this episode is that the titular plot, along with Deadshot's origin story, falls far short of being as interesting as the seeming subplot of Ray vs. Arrow. The fight between Arrow and Arsenal, and X-0 Man of War, um, I mean the Atom is very cool, and far too brief. I wanted more. No, what I really wanted was the Atom, not the A.T.O.M. or some armored hero rip-off. Give me the Atom, or don't bother calling the character that.

The senator in Kaznia is of note, as Joseph Cray was a particularly nasty bad guy in the Suicide Squad comic series, and his son Adam was one of the men who called himself the Atom over the years.

Next: With the mayor killed by an arrow, and Felicity in Maseo's sights, Team Arrow have become public enemies!

Arrow S03 E16: "The Offer"

Talk talk talk. That's the gist of the beginning of this episode of "Arrow." After making the offer referenced in the title, Oliver and R'as are just chillin' in Nanda Parbat. The villain has asked our hero to become the next R'as Al Ghul, implying that it's a title handed down like The Phantom as opposed to one immortal man, something I think the showrunners may have forgotten was already hinted at with this version of R'as. And Maseo is there, but where did Diggle go?

Back at the Arrowcave, Thea keeps taunting Nyssa to kill her, after all she killed Sara, not Oliver, and not Merlyn. Yawn. One would think that a princess of assassins would have a better sense of when someone is lying and telling the truth, but I guess that's why Nyssa is is the lesser known of the daughters of The Demon. Still, just to make sure we don't fall asleep, Roy and Laurel rush in and incapacitate her.

On the other side my questions about R'as' immortality are unsatisfactorily answered. It's not a Lazarus Pit, it's a fountain of youth, and it can only keep R'as young for so long. He says his time is almost up. He further explains that as R'as Al Ghul, Oliver can do whatever he wants. The League and its resources are his to command, they don't have to be assassins, and rather than one city, R'as offers Oliver an entire world to save.

Oliver declines, and R'as allows him to go home, with Diggle, and Merlyn, and with all debts and blood oaths waived. Wow. R'as must really want Oliver to sign on.

Back in Starling City, Nyssa is released and Team Arrow gets back into business. There's a new player in town and he looks familiar, not to Green Arrow fans, but more skewed to Flash readers. His name is Murmur. In the comics, Murmur, also known as Dr. Michael Amar, is one of the more chilling adversaries to ever face the scarlet speedster.

To quell the voices in his head, this respected doctor went nuts and started killing people. When caught and put in Iron Heights, he cut out his tongue and sewed his mouth shut. Later he became involved with alter version of the Rogues and experimented with biological warfare. Oh yeah, this is a nutjob more suitable for Batman, not Arrow, and especially not the Flash. In the show, Murmur seems more of a run of the mill gangster with sewn up mouth, more gimmick than anything, hell, he even has henchmen. But Murmur is nothing more than a distraction in this episode that serves as merely a moving of pieces around the board. So why even use such a character really?

While Murmur stalks the city, Oliver ponders R'as' deal, Thea mopes and thinks about killing Malcolm, and the big revelation is Quentin Lance's break up with Arrow. At least poor doomed Larry, ahem, I mean Quentin Lance is finally acting rather than reacting. As much as this complicates things, it's good to see him thinking for himself. I would really hate to see him learn the hard way to make up with his daughter and Team Arrow, after say, colliding with a cosmic star being called Aquarius. Or a bad guy's bullet. Or arrow.

In Flashback Hong Kong, Oliver is babysitting Akio, the son of Katana and Maseo. One can only assume this is just prep for when we find out about his son Connor over in Central City. Speak of the devil, Oliver and Akio run into a friendly and unexpected face while running from the bad guys… Shado!

That's not all that happened, or all of the cliffhangers. Ollicity has been rebuilt, and while it's nice to see Felicity smile, I don't care about the relationship any more. It's been messed with and teased too much - it's too much trouble at this point. It's Laurel's turn. And speaking of Laurel, she's chilling with Nyssa, because they have so much in common, and Thea is back with Roy. See what I mean about moving pieces around on the board?

And then there's R'as in the flesh, in the Arrow outfit, in Starling City. This is so out of character. It's not that the old ploy of taking on the hero's identity to frame him isn't a workable old cliché, it's that R'as would never do it. He gives orders, he doesn't take things into his own hands like this. Not happy with this episode.

Next: Diggle and Lyla get married, and the Suicide Squad returns, in "Suicidal Tendencies."

Arrow S02 E23: "Unthinkable"

Here we are, the season two finale, and it all leads to a final showdown with Slade Wilson, Deathstroke. Slade's Mirakuru army is on the rampage in Starling City. Amanda Waller and A.R.G.U.S. have the city quarantined, and if the Arrow hasn't disposed of the threat by dawn, drones will level the city. Things are looking very dark for our heroes.

As we open, the clock tower, the temporary Arrowcave, is under attack by Slade's men. A surprise player intervenes to save the day - Lyla, AKA Harbinger. That was unexpected. The good news is that the Mirakuru cure works, so Roy is back to normal, and red masked. Canary has also brought in help - Nyssa and the League of Assassins. Hmmm... the odds are starting to seem a bit more even now.

The ensuing battles go as expected, albeit too quickly in the case of Canary vs. Ravager. I talked last time about how I felt about villains killing villains. It's very dissatisfying. Nyssa's murder of Isabel is a harsh point for Oliver. He has vowed this season not to be a killer, yet those he's allied himself with really know no other way. Thus the episode's title, under these extreme circumstances, can Oliver do the unthinkable?

Things escalate when Slade takes Laurel prisoner. Even Quentin begins to question Arrow's non-murderous ways when confronted with losing his daughter. If that's not enough, as Slade's army seeks to escape through the Giordano Tunnel (nice shout out to legendary DC Comics artist and editor Dick Giordano), drones are on their way to the city.

As if Oliver didn't have enough to worry about, he takes Felicity to his house so she's safe. He tells her that Slade wanted to hurt him by taking the woman he loves, but Slade took the wrong woman. Yeah. That came out of nowhere, and plunges this formerly one-sided love affair into the show wrecking territory of "Cheers" and "Moonlighting." And sadly, Oliver telling Felicity he loves her significantly triples her chances of not making it through the episode. Or does it?

The battle between Team Arrow, the League of Assassins, and Slade's army in the tunnel is simply awesome. The best part for this comics fanboy? Roy in red, with mask and bow, side by side with Arrow and Canary. Awesome. Can we have more of this please next season? If that's not enough comic book superhero action, Diggle and Lyla free the Suicide Squad to stop the drone at its source. Nice.

The finale is almost exactly as one would have predicted. Slade will make Oliver choose once again as he was forced to choose between Sara and Shado on the island. I had always assumed it would be Sara and Laurel on the chopping block. I suppose however, with fan favorite Felicity there with Laurel, it raises the stakes with the viewers. The producers aren't stupid, they know how to grease the wheels to real nail biting suspense.

And right before it happened, I knew what Oliver did. He knew. He knew Slade had the house bugged, was listening in to their plans. Oliver said what he said to get Felicity kidnapped, and she of course would have the Mirakuru cure. At the same time I was like Go Felicity! and Poor Felicity, as she had to hear Oliver say the words knowing they didn't mean what they sounded like they meant. Good plan, but as usual with Oliver, no tact.

Beautifully, both fights between Deathstroke and Arrow, in the present and back on Flashback Island, mirror each other. The choreography is executed perfectly. Like the other fight scenes in this episode, except for Ravager, it is played well. In the end, Arrow wins, because he doesn't kill Slade, and leaves him in an ARGUS supermax facility on Flashback Island.

There are no happy endings however, and only more loose ends to be tied up hopefully next season. Diggle is going to be a father with Lyla, but that's good news. After finding Roy's Speedy gear, Thea leaves with her father Malcolm, supposedly 'never coming back.' I wonder if she'll return as a new Dark Archer, or Dark Speedy, or perhaps even a female Merlyn the Magician...

Sara leaves as well with Nyssa, but not before giving her leather jacket to Laurel. After she says it fits, her dad tells her not to get any ideas. Now comics fans are getting ideas, because Dinah Laurel Lance is actually the second Black Canary, so Laurel taking up the mantle does make a bit of sense, and we know Laurel can fight, not like an Assassin of course, but she can fight.

While we comics fans are getting excited for the possibilities of next season (hey, finally a reason to like Laurel!), the bad thing happens, Quentin doubles over in pain, suffering from injuries inflicted by Slade's men, he passes out. And that's when the comics fans among us know where this is probably going. Quentin Lance has always been living on borrowed time because of the character he's based upon.

Essentially Quentin is Larry Lance, poor doomed Larry Lance. It fits. He is/was a police detective, he's Dinah Lance's husband, and they're the parents of the current Black Canary. He's Larry Lance, and like poor doomed Gwen Stacy, he's destined to die. And if you add in the rumor that Quentin wasn't supposed to make it through The Undertaking alive at the end of last season, he's really living on borrowed time.

In the comics, Larry dies saving Black Canary from the cosmic star-being Aquarius. It's this tragedy that drives her to leave the Justice Society on Earth-Two and join the Justice League on Earth-One. There she becomes romantically linked to Green Arrow. That's the original story, many reboots and continuities later, it's still basically the same, long story short. Larry Lance is still doomed. I wonder if his TV counterpart Quentin will share his fate? I, for one, hope not.

Also on the epilogue agenda is Flashback Island. After leaving both Slade and Sara thought dead on the sunk Amazo, Oliver woke up in Hong Kong to be greeted by Amanda Waller. This should be fun next season. I didn't care for "Arrow" all that much when I started watching it, but I'm very happy it's turned into the best superhero show, if not one of the best shows on television this season, I look forward to more.

And speaking of more, we were also treated to a sneak peek at the new Flash TV series at the end of this episode. It was followed the next day by a longer more impressive trailer. To see them both, head on over to Biff Bam Pop! or click right here. See you next time… in a flash!

Arrow S02 E16: "Suicide Squad"

In the original DC Comics, the Suicide Squad was a band of military operatives during and after World War II who took on the jobs that no one else wanted - almost literally a suicide squad, sometimes fighting dinosaurs and metahuman menaces. After Crisis on Infinite Earths and Legends, the concept was rebooted with a Dirty Dozen vibe. Super-villains, against their will and for time off their sentence, would embark on similar missions under the command of Rick Flag and Amanda Waller. While mostly featuring a rotating cast, semi-permanent members included Deadshot, Bronze Tiger, Captain Boomerang, Nightshade, and Enchantress, as well as frequent Green Arrow foe, Count Vertigo.

In the "Arrow" television continuity we've already seen Deadshot, Bronze Tiger, Amanda Waller, and Vertigo. Shrapnel, who we saw recently, even served his time on the team. From all the publicity pics of the Suicide from "Arrow" we see the absurdly thin Amanda Waller fronting Deadshot, Bronze Tiger, Shrapnel, Lyla Michaels, and John Diggle.

Worried over the events of last episode, and the promise of Deathstroke to destroy him and all his family and friends, we open on Oliver reforging his old alliance with Bratva, the Russian mob. When he's taxed to prove himself, he ably shows who's boss. In hindsight, it's a bit scary that such a dangerous man is scared of Deathstroke. That said, "You cannot die until you know complete despair." is a heavy threat.

There's more tough talk between our dysfunctional superhero couple, Sara and Oliver, before we get a really touching scene between Diggle and Felicity. Oliver is making him guard her and she brings him hot cocoa. It is refreshing to see such depth and connection between Diggle and Felicity. They've bonded so well as friends while Oliver, who brought them together, remains stunted. Shame. And Emily Bett Rickards needs to smile more, she lights up the screen.

Diggle leaves for an intimate rendezvous at the Ostrander Hotel with Lyla (Harbinger) Michaels. Did we know before that they were exes? They're both corralled by the painfully thin Amanda Waller and taken to ARGUS. She wants to recruit them for a mission to retrieve a nerve gas. After noting she knows all about Oliver Queen and his Arrow activities, she introduces Task Force X - Deadshot, Shrapnel, and Bronze Tiger. Deadshot calls it the Suicide Squad.

The best part is Diggle's adamant refusal to go along with it - cooperating with murderers. Lyla notes how many bodies there are out there because of his employer Oliver Queen and his girlfriend Sara Lance. It's really not that different. I like that this is coming back to bite Arrow, at least indirectly. The serial killer Arrow of the first season was one of the sticking points that kept me from completely liking this show.

In many ways, Arrow is the anti-Man of Steel. Arrow did need to kill to grow as a character. The evolution of Oliver over the two seasons is proof of that. Superman should not kill however. He should find a way not to - that's what makes him Superman. He finds a way, he is our example, he doesn't learn by example.

The codenames used by Task Force X range from the obvious to the intriguing. There's Deadshot, Shrapnel, and Tiger. Lyla is Harbinger, Diggle is Freelancer, and Waller is Mockingbird. Mockingbird is the secret mystery leader of the old Secret Six, a realistic espionage crew in 1960s DC Comics, and it's newer counterpart, a villain group very similar to the Suicide Squad.

Amanda Waller, despite her petite size, proves that she is every bit as ruthless and devious as her heavyset comics counterpart. And it's nice to see Deadshot in a tux, so similar to his original Golden Age 'costume.' I wish Bronze Tiger had a bit more to do however. This was a waste of Michael Jai White in my opinion. And now that the Squad has a vacancy, perhaps Count Vertigo will come on board?

The Suicide Squad is the A plot here, with Team Arrow taking a back seat. Even Flashback Island reflects this as the flashbacks this week are Diggle's and go back to Afghanistan. I'd like to see more of this. Maybe a Felicity (she did imply she had a past) or Quentin or Sara (or maybe one of the villains) focused episode complete with flashbacks next?

Ostrander Hotel is a nice shout out for this episode, as John Ostrander created the most known super-villain version of the Suicide Squad and wrote most of their exploits. ARGUS, HIVE, Giffen (Keith Giffen was a later Suicide Squad writer/artist), Khandaq, Qurac, and Markovia are also namedropped. This episode is chockful of DCU references, the best of which is Harley Quinn, waiting her turn for a Suicide Squad mission at ARGUS headquarters.

Originally The Flash was meant to be a back door pilot on "Arrow," and we know that the Mirakiru has all the ingredients for the Hourman pilot that's coming. I wonder if perhaps this is the practice run for a Suicide Squad series or pilot. The way the creators of "Arrow" work, a Squad series could certainly give "Marvel's Agents of SHIELD" a run for its money. I'd watch, would you?

I'll leave you with one to think about. This has been bandied about on the internet for a while now. Could Diggle's full name be John Stewart Diggle? Discuss, enjoy, and I'll see you next time.