The Death of Superman Lives: What Happened?

This is very different from similar documentaries like Jodorowsky's Dune and Lost Soul in that it's not about a movie we wish had been made, but one we're glad was not made. The film in question featured Nicholas Cage as the titular character in Superman Lives, ironically retelling loosely the comics story of the death and return of Superman.

I have always loved Kevin Smith's spoken word epic here and here of his time working on this film. His experience, or his view of his experience, is hilarious and endlessly entertaining. The most intriguing parts in this documentary are the bits where Smith retells the tale while Jon Peters tells his side. Much denial, but the parts that sync up are interesting. I still believe Smith.

Interviews include those with Smith, Peters, the unlikely director Tim Burton, and many others. They're interspersed to create a tapestry detailing the history and demise of the Superman Lives project. And while I am usually dead set against messing with the source material (after all, the source material is what made the product marketable and worth making a movie of to begin with), I have to confess that Burton's vision is an intriguing one.

Just as the American 1998 Godzilla was a good giant monster movie, but a lousy Godzilla movie, so it would be with this vision - a good superhero movie, but a terrible Superman flick. That said, I was intrigued enough that I would probably have seen it had it been made, and possibly liked it as long as it wasn't Superman.

There was a lot of talk about the regenerative suit, the Thanagarian snare beast, preliminary sketches, great inside stuff. The potential cast is also discussed, one that included not just Nicholas Cage, but also Sandra Bullock as Lois Lane, Christopher Walken as Brainiac, and Kevin Spacey as Lex Luthor, a role he would eventually play wonderfully in Superman Returns.

I found the Brainiac designs the most intriguing, creepy as they came from the mind of Tim Burton, but intriguing. Jon Peters would certainly be pleased as one looked like the "Jonny Quest" eyeball spider with Brainiac's head on top. Freaky. I don't think I would have been happy to see this version of the Superman mythos, but I think I would have liked to have seen it at least once.

More DC Rebirth

DC Rebirth continues, so do my reviews. If you want to see what I've said before, click here, here, and here. Today I'm looking at a few more, enjoy.

Hal Jordan and the Green Lantern Corps - When I looked at the Rebirth issue of Green Lanterns I expressed disappointment at not really seeing much of Hal Jordan. While he's not my favorite (that would be the Golden Age Alan Scott), he's a close second, and it's good to see he's at least headlining a title. After an intriguing opening with an aged Sinestro, we get the convoluted recent history of Jordan, which frankly put me to sleep. We get Hal Jordan reborn finally, and possibly a call out to a new Corps, but it seems too little, an attempt at hope, but not quite enough.

Nightwing - I wanted to like this, I really did, but like the first title here, it is bogged down in unnecessary continuity. I have always liked Dick Grayson. I thought he was a bit of a dope on the 1966 TV series, but when I read his solo college stories in the comics, I was all in on Dick, he was cool. I dug him as Nightwing in the Titans, solo not so much, and I did enjoy the comics when he was a spy in Grayson when I picked them up. This comic didn't have any of the stuff I liked in it, and I really wish it did.

Red Hood and the Outlaws - I hated this book and concept the first time I read it waaay back in The New 52, and it does not seem to have aged well since then. At least we get a solid origin for Jason Todd all in one place, but that's about the best I can say about it. I still don't know what Bizarro and is that Circe? have to do with this title.

Suicide Squad - With the specter of a bad received movie haunting this one, I don't know what to think of this one. Why is Harley Quinn here? This is like going to a remake of a movie you loved and having it be nearly unrecognizable. I probably won't be back.

New Super-Man - Unlike those above, this one was probably so good because it was refreshingly new - new character, new situation, no baggage - more like a birth than a rebirth. Most importantly, it was a lot of fun. I want to read more. This one is a keeper.

Captain America - The Damage Is Done

I have talked at length about this at Biff Bam Pop! in my review of Captain America: Steve Rogers #1, and on episodes of The GAR! Podcast and Nerdfect Strangers here and here. Captain America is an Agent of Hydra, and always has been - or so we have been told.

And that's key. That's what we were told, but apparently we have been lied to. Here's the gist - in the first issue of Captain America: Steve Rogers #1, we see a dual storyline - one where young Steve's mom is tempted into a group that is suspiciously like Hydra (or the Nazis), and one where Captain America kills fellow hero Jack Flag and then says, "Hail Hydra." I have to hand it to writer Nick Spencer, because while I wasn't happy with the story, it was good and I enjoyed it, to the point of wanting to see what happened next. This was accompanied by some great art by Jesus Saiz, not a bad comic, all things considered, and one hell of a cliffhanger.

But. That's not the problem. The problem is that the day before the comic was released, Marvel Comics Senior Vice-President of Publishing, and former editor and Executive Editor, Tom Brevoort, went on several high profile media circuits and made certain pronouncements. From Time to Newsweek, from Entertainment Weekly to CNN, he announced that this was not mind control, not a hoax, not 'an imaginary story,' not a double or clone, and not a double agent thing. He basically closed off any possible escape for this horror, and then he said what clinched the noose around the character and much of the American public. "Captain America is, and has always been, a Hydra agent."

None of this was in the comic book, mind you, only from his mouth. And that's what drove me crazy, the hype machine, not the comic itself. Now we comic readers know that editors lie, and we know that (hopefully) Captain America would be back to status quo in six months to a year. That's just how comics roll. The problem is, that's not how the non-comic-buying public rolls. They don't know that's how it works.

They also don't know the intricacies of comic book continuity and logic. Many people who are into comics equate Hydra with the Nazis. They are not technically the same thing as the Marvel Cinematic Universe has gone to great lengths to demonstrate, but let's face it, Hydra was founded originally (don't talk to me about Jonathan Hickman's retconned ancient origin) by Nazis, doesn't that at its core, make them Nazis? Both groups hate, both groups seek world domination, and both groups will kill to get their way. At the very least, Hydra is evil in a very Nazi way.

But the public doesn't differentiate, and the shorthand has become - Captain America is a Nazi. Have you ever been called a Nazi sympathizer in a public place? I have. Twice. In the last month. That was because of my iPhone with the cover of Captain America #100 on the case. After that, I have not even dared to wear any of my Captain America t-shirts. In discussions of the topics, many non-comics folks I chat with just call the character 'Captain Nazi.' Yes, it's that bad.

I have to wonder about all those folks I saw at the premiere showing of Captain America: Civil War wearing Cap shirts, along with Avengers, and a handful of Iron Man as well, are faring at this moment. Do they still wear their Cap shirts? Speaking of movies, that brings up another point about public perception. When you don't follow comics, and only the destructive changing events are publicized, and not the fixing or returning events, your only point of reference is what you know from the news.

Case in point. When I first saw trailers for Superman Returns (2006), Man of Steel (2013), and Batman V Superman (2016), I heard several folks in the theaters repeatedly ask, "Isn't Superman dead?" For those not in the know, Superman died in the comics in 1993, and returned from the dead a little over a year later. Guess which story the media covered? People only remember what is drilled into their head. Mark my words, in ten years, Captain America will still be a Nazi in the eyes of the non-comics-reading public. The damage is already done.

DC Comics Rebirth Continues

A couple weeks back, I looked at the introductory comic, DC Universe Rebirth, and since then more than a few first issues of this new continuity dynamic have come out. Here I'll look at some of them briefly.

Superman - One of the bits in the above-mentioned comic that I didn't care about was the death of the New 52 Superman. This comic picks up on those hanging threads as the pre-Flashpoint Superman visits the Fortress of Solitude and reminisces about Doomsday with the New 52 Lana Lang. It was more fun and much better than I expected. I want to read more, despite the huge amount of baggage here to move forward.

Batman - Much like Superman, I'm not thrilled with the new Batman costume. Sorry, I'm a traditionalist and resistant to most change. If it was an alternate Batman, I'd be cool, but not the 'real' Batman. Much of the issue is taken up by the Calendar Man and his antics, including a weird new supernatural twist of his aging and rejuvenating through the seasons. There is also the inclusion of Duke Thomas, who may or may not be a new Robin, or perhaps a Lark, or something new. Darker and more sociopathic than I like my Batman, I'll pass.

Wonder Woman - Greg Rucka returns to the Amazon Princess in this issue, and while his run was critically acclaimed, it was not by me, as you can see here. This Rebirth issue, while well done, enticing, and encouraging, is one of those 'everything-you-know-is-a-lie' stories that may or may not return Wonder Woman to what I consider greatness, or create yet another version of the character I won't be reading. It's a great start, let's hope it's the former and not the latter.

Titans - I miss the Teen Titans, and yeah, I'm in get-off-my-lawn-mode, but I was never a big fan of the New Teen Titans that everyone went gaga over in the 1980s. They were cool, yeah, but my Titans were the Nick Cardy teen hero generation of the early 1970s. What's weird is that these Rebirth Titans are twisted versions of the ones I dug. I looked forward to this book as Wally West was the best thing about DC Universe Rebirth and I wanted to see more - what I got instead was a distorted revisionist history of characters I thought I knew. It isn't the same, as a matter of fact, it's all-new. I don't know who any of these people are, and I'm not interested.

Green Arrow - One of the tragedies of the new 52 in my opinion was the rejuvenation and Tony Stark-ization of Green Arrow, as well as the removal of Black Canary as his romantic and 'business' partner. Their reunion is about all I liked about this new start, I disliked the art and the story as well.

Green Lanterns - I'm sure Simon Baz and Jessica Cruz are someone's favorite Green Lanterns but I'm just not that into them. This book is more about them than Hal Jordan, and if I'm going to read a Geoff Johns Green Lantern comic, I want Hal Jordan. Pass.

Aquaman - Speaking of Johns, another great bit from the original Rebirth comic was Aquaman proposing to Mera, thereby breaking the unspoken rule about no happy marriages in the DC Universe. The problem of course is that Johns is not writing the new Aquaman series, so who knows what happens next. Dan Abnett, who had been writing the regular series, feels right at home with this soft reboot. I look forward to more of this, and more of Black Manta.

Flash - As I said, Wally West was my favorite part of the book that started all this, so like Titans, this was another I was looking forward to. The first thing that struck me was the art. It's not bad per se, but it's definitely not suited to the character of The Flash. Carmine Di Giadomenico is a terrific artist, and I admire his attempts to pay homage to Carmine Infantino, but for me, it just doesn't work. We don't get much more in the way of story than we did in the initial Rebirth book. It reminded me very much of the retelling going on in Marvel's Civil War II. I'm still on the fence with this one.

Batman v Superman: Dawn of Justice

Batman v Superman: Dawn of Justice ~ So many folks have requested a full review from me of Batman v Superman, but the truth is I am worn out by this movie. I hated it in the theater, and have hated talking about it since, which I have done multiple times.

What I'll do instead is direct you to where you can read and hear some of my opinions on the movie, and then present a comic to read, one that shows what Superman is supposed to be like. Here you go…

Jessica Jones S01 E03: AKA It's Called Whiskey

For the longest time, superhero sex has been a verboten topic. It's rarely brought up out of immature puberty, Mad magazine, or Kevin Smith movies. There is that great Larry Niven essay "Man of Steel, Woman of Kleenex," Superman II, and in recent years the seen-but-not-spoken-of red solar lamp in Lois and Clark's bedroom... but for the most part, beyond innuendo, not much else. And yes, I am completely ignoring the Hank and Jan incident in Geoff Johns' Avengers.

In the last episode of "Jessica Jones," when our heroine and Luke Cage realize how strong and durable they both are, of course they have sex. Their first time in "AKA Ladies Night" was full of tentativeness and gentility, and remarks about not breaking each other. This time they can really cut loose, aware that 'normal' boundaries are no longer in the mix. They can relax and go with instinct and not hurt anyone - at least physically.

Just when I was going to make a comment about how Krysten Ritter and Mike Colter might only have chemistry when loving or brawling, I'm proven wrong by a post-coital coffee talk about their powers. It took three episodes, but the two have finally clicked. Colter was always good as Cage, but Sweet Christmas, Ritter finally caught up. I did dislike the idea that their destinies are intertwined however. Cage's wife being killed by a Kilgraved Jessica is a bit much, even for the funny pages.

With Jeri defending Hope, Jessica needs to turn public opinion regarding the case so she asks Trish out to lunch. Maybe some "Trish Talk" might sway some folks about the case. That's when we get a bit of explanation about Trish's training. She's doing Krav Maga, making sure she can defend herself now that Jessica isn't her roommate any more. That's why the training, the bruises, and the bloody nose. And then there's also her mysterious abusive mother. There's a lot more to Rachael Taylor's Trish Walker than at first meets the eye.

Patsy Walker is one of my favorite comic book characters, and not just because she has a cool last name. She first appeared in Miss America Magazine #2 as a romance/comedy feature in 1944, when Marvel Comics was known as Timely Comics. Think Betty and Veronica with cooler adventures. There's a very short list of characters who have been around non-stop since their beginnings in the Golden Age, and Patsy is one of them.

I was introduced to her when she popped into Avengers in the 1970s as a subplot that wouldn't go away. When the opportunity arose for Patsy to put on the powered costume of The Cat and join the Avengers in superheroing, she jumped at the chance, rechristening herself as the Hellcat, a more fitting name for this feisty redhead. She's floated around the Marvel Universe ever since, as an Avenger and as a Defender.

Seeing as the Defenders is the endgame for these first four Netflix series, I'm not the only one hoping Rachael Taylor will be donning a catsuit sooner or later. Also notably this is not Taylor's first foray into the Marvel Cinematic Universe, as she was also in 2005's Man-Thing.

In this episode, in an attempt to defend Hope, Jeri tricks Trish into putting it all out there on the air of her radio show about Kilgrave and mind control. Of course it tempts the Purple Man out of the shadows and he calls. Was I the only one watching with a stone in my stomach worried he might give a command to the entire listening public? I think not. Later as Jessica and Trish leave the studio they have an encounter with a fan who they suspect is an assassin sent from Kilgrave. The fan says he misses Trish's red hair and has a Patsy Walker comic book for her to sign.

When the real assassin does come in the form of a police officer, Trish does fight like a hellcat, but it's not quite good enough. Good thing Jessica comes to the rescue. And again, she fights with her wits as well as her fists. She follows the assailant back to Kilgrave and we finally get a look at him. He escapes and leaves Jessica in a room walled with images of her. He's been watching and he can be anywhere all the time. The eyes of New York are essentially his eyes...

See you later.

Favorite Movie Props

When Inaluable: The World's Premier Auctions asked me what my favorite dream movie prop to own would be, I came up with several possibilities. I started at the top however, with my favorite films.

My favorite film of all time is The Great Race, and props from that are it easy to pick from. Perhaps one of the sabers used by the Great Leslie and Baron Von Stuppe in their duel, or half of Professor Fate's frozen mustache, or best of all, perhaps the miniature of the Hannibal Twin-8. Dream props from other fave movies might be Conrad Birdie's guitar from Bye Bye Birdie or the robot Maria from Metropolis, or even the puppet miniatures of the two kaiju combatants in 1964's Mothra Vs. Godzilla.

If we're going genre, I might want Thor's Uru hammer Mjolnir or Captain America's shield from the Marvel Cinematic Universe. The comic book shown in the beginning of Superman The Movie would be awesome, as would a can of Shark Repellant Bat-Spray from 1966's Batman. But of I'm going to choose a movie prop from that movie, it would have to be the Batmobile, one of the coolest vehicles on Earth, even if I couldn't drive it in the rain.

Of course, if I did want to drive in the rain, I would pick another movie prop that's a famous convertible - definitely the coolest car on Earth - the Mach Five from Speed Racer. One push of the D button on the steering wheel and the cockpit is sealed to the elements. And that's not even mentioning the auto jacks and cutter blades. The Mach Five rules, and would be my ultimate dream movie prop.

This blog entry was inspired by Invaluable and if you'd like to see more favorite movie props, check out their collectibles section here, including a recent auction of Han Solo's blaster here. Thanks again to Invaluable. Now what are your favorite movie props?

Origins of Dillon

Folks who read my stuff know that I'm not fond of origin stories. Oh, I like to know the origin of my heroes but I would rather not be beaten over the head with them. I dislike reboots for this reason, inevitably we're going to have to go through the origin all over again for the umpteenth time.

Remember the superheroes of the movie serials? You would get one line about where the hero came from, and then it was off into the action and the meat of the story. That's all you really need. Remember the origin of Batman in the 1966 TV series? It was there, done just like that, in one line of dialogue. Heck, they did it with the man of steel in under thirty seconds in the opening of every episode of "The Adventures of Superman."

Similarly I feel the same way about the training of heroes. I was soured on "Smallville" fairly early and it's pretty much how I feel about Fox's "Gotham" for this same reason. I don't want to see the hero learning to be the hero, I want to see the hero be the hero. This is why I approached two recent books featuring one of my favorite pulp heroes, Derrick Ferguson's Dillon, with great trepidation.

Derrick has purposely been vague about the origins of his hero Dillon, telling us just what we needed to know about his mysterious beginnings, and leaving the details in the shadows. I expected to be bored quite honestly learning the finer details of his origin. I was wrong. In Young Dillon in the Halls of Shamballah, a novel meant specifically for a young adult audience (but I notably enjoyed it as much as I have all the 'adult' Dillon novels), we meet the hero as a child, and are walked through the details of what we had been told vaguely, and I dug it.

Derrick knows the secret. He wasn't telling us the origin of Dillon even though it's in there, or at least parts of it are - he was telling us a story. This is key for beginning writers. I run into so many folks, especially in the NaNoWriMo, that have a great idea, a cool concept, some intriguing characters - but what they don't have is a story. DF pulls me happily through an origin story I didn't want with a compelling story I did want. Thumbs up.

The second part of Dillon's origin did more than give me a compelling story, it introduced me to classic pulp character I was heretofore unaware of, and a writer whose work I'm now a fan of. The Vril Agenda, written by Derrick Ferguson and Joshua Reynolds, stars a slightly older Dillon in search of training as a hero, and the adventurer known as the Super-Detective, Jim Anthony.

This novel was everything I could have wanted, and never could have imagined I wanted in a pseudo-origin story/pulp adventure. The only thing I could have wanted more of would be, well, more. The Vril Agenda has a story told in two timelines, ancient secret societies, secret empires, mad villains, brave heroes, Nazis, and pulp, so much pulp. I loved this book, and I highly recommend it, along with Young Dillon. If you crave adventure, origin or not, new pulp is calling you.

Superman Unbound

Superman Unbound ~ I was not expecting to like this. Many of the recent DC animated flicks have been just okay, significantly altered from the source material, or just plain mediocre. True, there have been a few winners, but for the most part, not.

When I saw this preview with my Injustice: Gods Among Us PS3 game I was nonplussed. Another retelling of the Brainiac story, and more bratty Supergirl? No thanks. My Brainiac is neither Darkseid nor Galactus, and my Supergirl died in the Crisis on Infinite Earths, and I haven't seen her since. Still, I finally sat down and watched Superman Unbound, and I gotta say, they made it work.

This movie is surprisingly good, and despite being based on Geoff Johns' complex "Brainiac" story arc from 2008, they keep things pretty simple with a Silver Age vibe. They do try to put Brainiac in the same league with Darkseid and Galactus, but I didn't mind it. Supergirl is the newer teenaged version but also very Silver Age. I dug this a lot.

The voice cast is phenomenal - Matt Bomer, Molly Quinn, Diedrich Bader, and especially John Noble as Brainiac and Stana Katic as Lois Lane are terrific. Katic's Lois is one of the best, and her relationship with Clark is a subplot that would have been fluff in other hands. Here it's real and believable.

Superman Unbound is an animated movie that I think will, for once, appeal to both old school and newer fans. This was awesome.

Arrow S02 E16: "Suicide Squad"

In the original DC Comics, the Suicide Squad was a band of military operatives during and after World War II who took on the jobs that no one else wanted - almost literally a suicide squad, sometimes fighting dinosaurs and metahuman menaces. After Crisis on Infinite Earths and Legends, the concept was rebooted with a Dirty Dozen vibe. Super-villains, against their will and for time off their sentence, would embark on similar missions under the command of Rick Flag and Amanda Waller. While mostly featuring a rotating cast, semi-permanent members included Deadshot, Bronze Tiger, Captain Boomerang, Nightshade, and Enchantress, as well as frequent Green Arrow foe, Count Vertigo.

In the "Arrow" television continuity we've already seen Deadshot, Bronze Tiger, Amanda Waller, and Vertigo. Shrapnel, who we saw recently, even served his time on the team. From all the publicity pics of the Suicide from "Arrow" we see the absurdly thin Amanda Waller fronting Deadshot, Bronze Tiger, Shrapnel, Lyla Michaels, and John Diggle.

Worried over the events of last episode, and the promise of Deathstroke to destroy him and all his family and friends, we open on Oliver reforging his old alliance with Bratva, the Russian mob. When he's taxed to prove himself, he ably shows who's boss. In hindsight, it's a bit scary that such a dangerous man is scared of Deathstroke. That said, "You cannot die until you know complete despair." is a heavy threat.

There's more tough talk between our dysfunctional superhero couple, Sara and Oliver, before we get a really touching scene between Diggle and Felicity. Oliver is making him guard her and she brings him hot cocoa. It is refreshing to see such depth and connection between Diggle and Felicity. They've bonded so well as friends while Oliver, who brought them together, remains stunted. Shame. And Emily Bett Rickards needs to smile more, she lights up the screen.

Diggle leaves for an intimate rendezvous at the Ostrander Hotel with Lyla (Harbinger) Michaels. Did we know before that they were exes? They're both corralled by the painfully thin Amanda Waller and taken to ARGUS. She wants to recruit them for a mission to retrieve a nerve gas. After noting she knows all about Oliver Queen and his Arrow activities, she introduces Task Force X - Deadshot, Shrapnel, and Bronze Tiger. Deadshot calls it the Suicide Squad.

The best part is Diggle's adamant refusal to go along with it - cooperating with murderers. Lyla notes how many bodies there are out there because of his employer Oliver Queen and his girlfriend Sara Lance. It's really not that different. I like that this is coming back to bite Arrow, at least indirectly. The serial killer Arrow of the first season was one of the sticking points that kept me from completely liking this show.

In many ways, Arrow is the anti-Man of Steel. Arrow did need to kill to grow as a character. The evolution of Oliver over the two seasons is proof of that. Superman should not kill however. He should find a way not to - that's what makes him Superman. He finds a way, he is our example, he doesn't learn by example.

The codenames used by Task Force X range from the obvious to the intriguing. There's Deadshot, Shrapnel, and Tiger. Lyla is Harbinger, Diggle is Freelancer, and Waller is Mockingbird. Mockingbird is the secret mystery leader of the old Secret Six, a realistic espionage crew in 1960s DC Comics, and it's newer counterpart, a villain group very similar to the Suicide Squad.

Amanda Waller, despite her petite size, proves that she is every bit as ruthless and devious as her heavyset comics counterpart. And it's nice to see Deadshot in a tux, so similar to his original Golden Age 'costume.' I wish Bronze Tiger had a bit more to do however. This was a waste of Michael Jai White in my opinion. And now that the Squad has a vacancy, perhaps Count Vertigo will come on board?

The Suicide Squad is the A plot here, with Team Arrow taking a back seat. Even Flashback Island reflects this as the flashbacks this week are Diggle's and go back to Afghanistan. I'd like to see more of this. Maybe a Felicity (she did imply she had a past) or Quentin or Sara (or maybe one of the villains) focused episode complete with flashbacks next?

Ostrander Hotel is a nice shout out for this episode, as John Ostrander created the most known super-villain version of the Suicide Squad and wrote most of their exploits. ARGUS, HIVE, Giffen (Keith Giffen was a later Suicide Squad writer/artist), Khandaq, Qurac, and Markovia are also namedropped. This episode is chockful of DCU references, the best of which is Harley Quinn, waiting her turn for a Suicide Squad mission at ARGUS headquarters.

Originally The Flash was meant to be a back door pilot on "Arrow," and we know that the Mirakiru has all the ingredients for the Hourman pilot that's coming. I wonder if perhaps this is the practice run for a Suicide Squad series or pilot. The way the creators of "Arrow" work, a Squad series could certainly give "Marvel's Agents of SHIELD" a run for its money. I'd watch, would you?

I'll leave you with one to think about. This has been bandied about on the internet for a while now. Could Diggle's full name be John Stewart Diggle? Discuss, enjoy, and I'll see you next time.

Justice League: The Flashpoint Paradox

Justice League: The Flashpoint Paradox ~ Flashpoint is both the last storyline of the old DC Comics universe, and the prologue to what's become known as The New 52 DC Comics universe. It's a time travel tale that centers on The Flash, alters his past and sets into motion an entirely new timeline, and not necessarily a good one. In the comics it is the fixing of this time travel tampering that creates The New 52.

I find it really odd that this would be a story the folks at DC would want to make an animated movie of. It's complex, it's confusing for newcomers, and in that the Reverse-Flash murders young Barry Allen's mother as the catalyst, and I'm not even including the bloody war between the Atlanteans and the Amazons - this is not for kids. Why this? I'm not even sure it was all that well received sales wise. Nevertheless, here we are.

The animation has a very anime feel, much like Superman Vs. The Elite, not that I mind it, but let's just say I've been spoiled by the Paul Dini DCAU. It starts with Nora Allen's murder, although we don't see it and moves to present day with a regretful Barry Allen. He's still the Flash and heads over to Flash Museum to fight a handful of Rogues.

I dug this part a lot. It made me wish for a straight Flash animated series. The scarlet speedster takes on Captain Cold, Heatwave, Mirror Master, Captain Boomerang, surprisingly The Top, and of course the original Reverse-Flash. Some of the costumes are tweaked a bit, I hate Mirror Master's chunky suit, but the rest are cool. Look close and have a finger on your pause button and you'll see Inertia. Too bad the Justice League had to show up.

The voice casting is classic, some of it dating back to the Dini days. Kevin Conroy returns as Batman; Hynden Walch, the voice of Harley Quinn, plays Yo-Yo, her new timeline alternate; Dana Delany reprises Lois Lane; and Nathan Fillion plays Hal Jordan again. Also on tap this time are Ron Perlman as Deathstroke, Cary Elwes as Aquaman, Kevin McKidd as 'Batdad,' and C. Thomas Howell as Professor Zoom. Starring as Flash/Barry Allen is Justin Chambers from "Grey's Anatomy."

While it is a bit violent for my tastes and it gets a bit tedious toward the middle (obviously from trying to squeeze in ever detail from the comics), all in all, it's not bad. The beginning in the Flash Museum and the end in the Batcave are my favorite parts. And while it is not said aloud, the Batman and Flash seen at the end are The New 52 versions, which marks the division for later animated movies to come. The New 52 is now the status quo for the DCAU.

The Lego Movie

The Lego Movie ~ Some have derided this flick as one long commercial for Lego, but I would strongly disagree. Lego is merely the medium through which the story is told and the animation is done. I don't think anyone is going to be running out and buying Legos after seeing this unless they are already into Lego. Maybe it worked on me, but I dig Lego, and I also dig this movie a lot too.

In a well organized world, Lord Business runs things with a well sorted attitude. Everything has its place, everyone has their job, and of course, Everything Is Awesome. Then an average guy finds the "Piece of Resistance," meets the girl of his dreams, Wyldstyle, and is swept up in an underground revolution against Business, where his fellow freedom fighters think he is "The Special," a legendary savior.

The voice cast is terrific. There's Morgan Freeman, Elizabeth Banks, Will Farrell, Chris Pratt, Alison Brie, and even Biff Bam Pop!'s own Leiki Veskimets (check out her terrific wrap-up on the Oscars from earlier today). Liam Neeson is great as Bad Cop, and Will Arnett steals the whole movie as Batman. I also loved the bits with Superman and Green Lantern, and the Millennium Falcon.

This movie was a lot of fun, and I can't wait for the sequel coming in 2017. Now, if you excuse me, I'm going to go play with my Legos, especially my Batman...

Rise of the Guardians

Rise of the Guardians ~ This is a fun animated adventure that I actually enjoyed quite a bit. It's sort of like there's a Justice League of mythical beings who protect the children of Earth - Santa Claus, the Easter Bunny, the Sandman, and the Tooth Fairy. When the Boogeyman, Pitch Black, rears up to change the status quo for the more evil and nightmarish, these Guardians are called together, but must take in a new member, the reluctant Jack Frost.

There is great voice work here as well as interesting takes and personalities on the different Guardians. Hugh Jackman, being chief among the voicers, is extremely good. Jude Law as the villain, and Alec Baldwin's Russian Santa Claus are also good. Very entertaining, I wish I'd caught it in theaters so I could have seen it on the big screen.

Guardians strikes me at many levels being similar to the Rankin/Bass holiday specials of my youth. Here are tales of Santa, the Easter Bunny, etc. for a new generation, and just as believable as they were back then. You'll leave this movie feeling refreshed and filled with hope, and not just a little childlike wonder. This is how a Superman movie should leave you. Maybe we can hijack those writers for the next chapter in that franchise.

Rise of the Guardians was a breath of fresh air and good entertainment for the whole family, recommended.