Justice League: The Flashpoint Paradox

Justice League: The Flashpoint Paradox ~ Flashpoint is both the last storyline of the old DC Comics universe, and the prologue to what's become known as The New 52 DC Comics universe. It's a time travel tale that centers on The Flash, alters his past and sets into motion an entirely new timeline, and not necessarily a good one. In the comics it is the fixing of this time travel tampering that creates The New 52.

I find it really odd that this would be a story the folks at DC would want to make an animated movie of. It's complex, it's confusing for newcomers, and in that the Reverse-Flash murders young Barry Allen's mother as the catalyst, and I'm not even including the bloody war between the Atlanteans and the Amazons - this is not for kids. Why this? I'm not even sure it was all that well received sales wise. Nevertheless, here we are.

The animation has a very anime feel, much like Superman Vs. The Elite, not that I mind it, but let's just say I've been spoiled by the Paul Dini DCAU. It starts with Nora Allen's murder, although we don't see it and moves to present day with a regretful Barry Allen. He's still the Flash and heads over to Flash Museum to fight a handful of Rogues.

I dug this part a lot. It made me wish for a straight Flash animated series. The scarlet speedster takes on Captain Cold, Heatwave, Mirror Master, Captain Boomerang, surprisingly The Top, and of course the original Reverse-Flash. Some of the costumes are tweaked a bit, I hate Mirror Master's chunky suit, but the rest are cool. Look close and have a finger on your pause button and you'll see Inertia. Too bad the Justice League had to show up.

The voice casting is classic, some of it dating back to the Dini days. Kevin Conroy returns as Batman; Hynden Walch, the voice of Harley Quinn, plays Yo-Yo, her new timeline alternate; Dana Delany reprises Lois Lane; and Nathan Fillion plays Hal Jordan again. Also on tap this time are Ron Perlman as Deathstroke, Cary Elwes as Aquaman, Kevin McKidd as 'Batdad,' and C. Thomas Howell as Professor Zoom. Starring as Flash/Barry Allen is Justin Chambers from "Grey's Anatomy."

While it is a bit violent for my tastes and it gets a bit tedious toward the middle (obviously from trying to squeeze in ever detail from the comics), all in all, it's not bad. The beginning in the Flash Museum and the end in the Batcave are my favorite parts. And while it is not said aloud, the Batman and Flash seen at the end are The New 52 versions, which marks the division for later animated movies to come. The New 52 is now the status quo for the DCAU.

Bat-Mite Strikes Again

Cartoon Network’s hit series “Batman: The Brave and the Bold” will be taking a ride on the crazy train soon. The program, which features an old school Batman teaming up with various other superheroes to fight crime and defeat costumed baddies, welcomes a few familiar names back onto the small screen on May 29th.

Paul Dini, who was instrumental in the ongoing creation of Fox’s award-winning “Batman: The Animated Series” during the 1990s, comes on board to write a special episode featuring another name from the past, Bat-Mite!

In the episode titled “Legends of the Dark-Mite!” Bat-Mite (voiced by Paul Reubens AKA Pee-Wee Herman) kidnaps Batman and takes him to the Fifth Dimension where hilarity literally ensues. Lots of old school versions of Batman’s enemies show up to the party as well, with more than one nod to the Looney Tunes cartoons of yesteryear. Don’t miss it!



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Breaking Into Comics

Countdown to Wednesday ~ The title of this documentary references the day that comic books are released every week, and invariably the day consumers pick them up. As with any documentary on this subject, I fear that my fellows in the field and hobby will be humiliated. It’s just like when a new Star Wars or “Star Trek” movie comes out and people get in line early to see it – the media always finds the most absurd, bizarre and obsessed fan to interview, and then we’re all embarrassed.

But it’s not that kind of documentary thankfully, it’s something else entirely. At its start it appears to be a primer for folks who want to get into the industry. Using interviews with writers and editors in the field it teaches what to do to get in, what books and resources should be utilized for writers. Heck, this is as useful for any writer as it is for an aspiring comic book writer. Excellent advice here.


Now there're also segments about artists, self-publishing and the business of comics - and they're good too, but it was the writing parts that really got my attention. Excellent documentary for anyone interested in the comics field and even for those new to the genre. Must have for those wanting to break in to the business. Recommended.