Daredevil S02 E04: Penny and Dime

We open this episode of "The Punisher"... um, I mean, "Daredevil," with the arrival of Finn Cooley in New York City. In the Punisher comics, this IRA explosives expert walks around with half of his face blown off, but here he's played by suave Scottish actor Tony Curran, who I know best as Vincent Van Gogh from "Doctor Who," but has quite an impressive career beyond his cool geek cred.

After wrecking his own family's funeral Finn goes on a meticulous and vicious rampage that gets him closer to the Punisher than Daredevil in three episodes. I mean, it's not like it's old hornhead's show or anything. As what's left of the Irish mob leaves Frank's apartment, with his dog in tow, kidnapping it John Wick style, the Punisher watches. Yeah, this is going to be ugly.

After the credits, Karen goes to pick up Matt, and they share an intimate tie knotting moment, before attending the lonely funeral of Grotto. Also in attendance is Foggy and, returning from last season, Father Lantom. Even though the gigantic church is empty and echoey, Lantom performs the service as if it was full. His sermon reinforces the drives of both Matt and Karen.

While Karen goes in search of the Punisher, Daredevil pays a visit to Melvin Potter. He's got a new cowl for him as well as gauntlets. He also mentions old contacts are back in town coming to him for weapons but he's turned them down. Melvin is a bit concerned with the hero's well-being, tells him to take care. When DD wishes the same back Melvin replies that he is a reveals the Gladiator chest plate beneath his shirt. Enough foreplay, guys, ditch the Punisher and bring on the Gladiator!

There is a subtle line being drawn in this season so far, and was hinted at strongly in "Jessica Jones," especially in the episode "AKA 99 Friends," that battle lines are being drawn between human and non-human. This all led to Captain America: Civil War and continues in the fourth season of "Marvel's Agents of S.H.I.E.L.D.," but it is interesting that it's rearing its ugly head here in the Netflix corner of the Marvel Cinematic Universe. Witness Officer Mahoney's distinction made between cops and criminals and 'you people' in his brief discussion with Daredevil.

Now you folks who have been following along as I've reviewed "Jessica Jones" and the first season of "Daredevil," you know I write these reviews as I watch them, so my expectations and speculations are sometimes a bit off. There was unfortunately one aspect of this season that was spoiled for me - Karen Page and the Punisher getting together. For me, that makes the brief gentle moments that Karen and Matt keep having both bittersweet and exceptionally cruel. Because of that foreknowledge, I kinda hate them.

Despite all that, I have to marvel at Karen's ability to track down the Punisher right down to his origins, and even his former family home. This is more than the police, the Feds, or even the Irish mob was able to do - and the Irish were able to take the Punisher down. I joked about the title of this series at the start of this review, but really how much of a hero is the titular hero when he's so ineffectual and supporting cast and B level bad guys show him up so easily?

With Finn, it's quite a character reveal that with much of his family dead, including his son, at the hands of the Punisher, that what he really wants once his prey is in his grasp, is his money back. The Punisher apparently stole millions from the IRA, and Finn is going to get it back even if he has to drill his point home. Frank gets one point for compassion when he gives up the location of the money after Finn threatens his dog. I still don't like the character.

I did like the subtle stealth and almost casualness with which Daredevil attacked the Irish mob's hideout. It was like he was taking a walk in the park, with his eyes closed - and I guess with Daredevil, that's almost a given everyday. Unfortunately after that however, it falls apart. Rather than letting Daredevil rescue the Punisher, the showrunners give the latter some sort of weird precognition that allowed to know what the Irish were up to, so he rigged his van with the money to explode, and sewed a razor blade into his arm for later. Holy Shark Repellent Bat-Spray!

Daredevil and the Punisher escape from the villains' lair like they're buddies in a seventies issue of The Brave and the Bold. They have a little after party in the cemetery, with Frank opening his heart to DD about the rhyme he says before he kills people. The episode title references it and the tale he tells is one of tragedy that many veterans of war know. Has our hero forgotten about all the people this villain has killed? All the horrible things he's done, all the crimes he's committed? Again props to Jon Bernthal's performance, but he is still the bad guy... why has DD forgotten that?

He hasn't. And when the police arrive, thankfully Daredevil does something heroic. He allows the police to take the Punisher in, specifically Officer Brett Mahoney, and makes sure he takes the credit in an attempt to clear any blurred lines he may have caused with the police. I'm just surprised the Punisher went in without a fight.

The episode almost ends with more gentle moments with Matt and Karen, and most significantly a very sensual kiss in the rain that both reminded me of, and consciously tried not to be, the kiss in the rain from the 2003 Daredevil film. I know that kiss is with Elektra and this one is with Karen, but Deborah Ann Woll is very Elektra here... which is a shame because the real thing is waiting for Matt when he gets home...

Next: Kinbaku!

Arrow S05 E05: Human Target

When we left "Arrow" last week, Wild Dog had been captured by Charon, Tobias Church, and torture had begun, and continues as we open this week. Even though Team Arrow is on the hunt, and eventually find Wild Dog, it's too late. He broke, and told Church that the Green Arrow is actually Oliver Queen.

This is a curious turn. First, it happens offscreen and second, it seems too easy. As Rene is digging his own grave at gunpoint, he does get some vital information out of Church - why he's in Star City. Being a port city with water access Church can get drugs into and out of the country easily, perfect base of operations. As we go to commercial break, I couldn't help but wonder if this was all part of Oliver's plan. It would not be the first time we viewers were the last to know something like this.

We also know that Church is working for Prometheus, supposedly this season's big bad. I don't know who this television version of Prometheus is but I have to say I'm distressed that it's another archer. Really, another archer? It's like speedsters on "The Flash," what is it about Green Arrow that attracts so many archers?

In the comics, Prometheus was created by writer Grant Morrison as an anti-Batman (and there's the other recurring "Arrow" theme - everything Batman). He fought the Justice League using a database of fighting techniques, strategies, and information on his potential enemies that could be downloaded directly into his brain. Above and beyond defeating both the Justice League and the Teen Titans, he blew up much of Star City. In the end, Green Arrow ended him with an arrow through the head, long story short.

There were two other villains who called themselves Prometheus in the DC Universe. One was a henchman of Doctor Alchemy who gained super powers from an industrial accident at Kord Industries, went on to fight the Teen Titans, and died in one of Roulette's fight clubs. Notably, Roulette, who recently clashed with Supergirl on the CW, also in the comics believes her grandfather to be the Terry Sloane Mr. Terrific. The other Prometheus was an imposter disguised as the first one I talked about above, an inferior pretender.

Of course speculation on who this television version of Prometheus is a game for another day. This episode is about something else - someone else. And for comics readers, the title of the episode alone spoils any surprises that may occur within the show. For the uninitiated, the Human Target is a comics character with a very specific skill set and modus operandi.

Christopher Chance is a master of disguise who used to appear in the back-up slot of 1970s Action Comics. Created by writer Len Wein, Chance would assume the identity of a person marked for murder until the killer was captured. Oftentimes Chance would appear to be murdered, making it easier to find the killer, thus the name, the Human Target. Earlier in the episode, he is namelessly referenced as John's old friend.

Here on "Arrow," Chance is played by Wil Traval, no stranger to comics television as he played Will Simpson on "Marvel's Jessica Jones" on Netflix, a character who in the comics becomes the powered psychopath Nuke. The Human Target has had two other TV incarnations, the first was a limited run in 1992 with Rick Springfield, and two seasons played by Mark Valley in 2009. So, as I was saying, when Oliver is shot dead, no comics fans were surprised.

The ending of the episode seems incredibly rushed. The threat of Tobias Church is ended prematurely, a dangerous complex criminal exited in favor of yet another nearly invincible mystery archer. Boo, hiss. Chad L. Coleman is wasted if this is his run on "Arrow," and furthermore Wild Dog not getting a proper shot at payback is just as bad. Before dying at his hands, Church gives up the secret of Green Arrow's identity to Prometheus, eliminating the problem of Church telling everyone in prison.

It's all too easy, too convenient, and rushed as if the showrunners wanted the Charon storyline over as soon as possible. If so, then they know how we all felt about Damien Darhk all last season. And then they throw a real monkey wrench on the trashfire. Chance saved Oliver's life in the Bratva flashbacks, unknown to Oliver, but now known to the pesky reporter Thea has been clashing with. One manufactured plot point, made to order, why was Oliver in Russia when he was supposed to be on a deserted island?

There were a few good points this episode, among them the return of Spartan, and John and Rene bonding. Oliver did actually have a few moments of sanity and normality, but unfortunately it turns out that was really Christopher Chance. Although, the writers must have been confused because Oliver continues to act human with Felicity, saying they should both move on romantically.

One hope for this wholesale shoveling away of prior storylines should be that perhaps we'll have a clean slate to start from. Also I hope having Spartan back won't overshadow the new Team Arrow recruits who I'm really starting to like, more than Oliver, but then again, that's not all that difficult. And I wish we'd seen more of Scimitar, named only in the credits, Church's masked freak bodyguard. That was a quick cameo.

Next: So It Begins!

Daredevil S02 E02: Dogs to a Gunfight

In this season's first episode of "Daredevil," we were introduced to Grotto, the Dogs of Hell, and the Punisher, and it wasn't bad. We were left with quite a cliffhanger with Daredevil appearing to be shot by the Punisher and falling from a rooftop, but first I wanted to say a few words about the Dogs of Hell motorcycle club, who meet their demise at the hands of the Punisher late in this episode.

Did they seem familiar? Well, it's not what you're thinking, they're not from the comics... they're from the Marvel Television Universe, specifically the one outside Netflix. The Dogs of Hell, Nevada branch at least, first appeared in the "Yes Men" episode of "Marvel's Agents of S.H.I.E.L.D." They were the slaves of Lorelei when Asgard's Lady Sif came to Earth to retrieve the sorcerous super-villainess. One could hope the New York branch isn't quite as dumb, but one would be wrong.

The pre-credits scene opens on the aftermath of the still-as-yet-unnamed Punisher's rampage through Metro General Hospital. Metro General has been a centerpiece of the Marvel Netfilx Universe so far, and this sequence is proof positive that Claire Temple, Night Nurse, does in fact have days off. Elden Henson shows his acting chops once again here searching rooftops for his friend Matt, and oh, the panic and fear when he finds him.

Like I predicted, Daredevil's not dead, just shot in the head. That is one strong cowl Melvin Potter built for him back in season one. I love the bromance/friendship between Matt and Foggy as seen here, brothers, spouses, lovers, they are all of them, and it's beautiful. Henson is at his best here, both caring for and chastising his friend at once.

Here also is the determination that the as-yet-unnamed Punisher is something different, something dangerous, a beast unlike what Daredevil has faced before. They see it each from their own perspective, their own angle on what this monster could do to their lives. I like this.

Karen and Foggy, while Matt is on forced 'sick leave,' are at the police station trying to get Grotto, wonderfully played by McCaleb Burnett, into witness protection. Officer Mahoney, Foggy's pseudo contact from last season, while namedropping Detective Clemons from "Jessica Jones," tells them the police know who this one-man army is, and he's bad news. Not like Daredevil at all, he makes people think twice about the whole hero/vigilante thing.

In the witness protection process, Foggy and Karen come up against a new adversary, but a familiar face. Michelle Hurd plays District Attorney Samantha Reyes who previously and briefly clashed with Jeri Hogarth and Jessica Jones in the last episode of her series. Foggy stands up to her like a champ - he is on fire this episode - and easily would make that Hogarth serpent take notice.

The next scene shows us for the first time close up the man Reyes' associate says is called 'the Punisher.' At a pawn shop he buys a police monitor to pick up encrypted codes, an illegal if fair purchase, but when the slimy clerk tries to up-sell the Punisher a little girl, he gets a bit upset with an aluminum baseball bat. I get his motivation, but his methods are what put the Punisher in the villain book for me.

Meanwhile at home, Matt is learning that getting shot in the head has seriously messed up not only his radar sense, but also his hearing. Eventually it comes back, but by then he has a visit from Karen to deal with. She relays what they've learned of the Punisher and offers her thoughts, that without Daredevil opening the door to this vigilante game, there wouldn't be men like the Punisher.

Next stop is the workshop of the aforementioned Melvin Potter, who in the comics is the Daredevil villain, the Gladiator. I so desperately want to see him as Gladiator, one of my fave DD foes, but I do like the dynamic as established here in the Netflix series. Like a blue collar Alfred Pennyworth, Potter is DD's armorer and weapons master. We rarely see superhero/civilian relationships like this that aren't master/servant or hero worship driven, and I'd like to see more. And yes, even he is surprised Matt survived being shot in the head. He'll do his best to repair the cowl, but it should be replaced. Some not so subtle foreshadowing there methinks.

One thing that television and film adaptations of comics usually fail at is showing how certain powers work. This series is one of the exceptions. Last season we got a great description of how DD's radar sense works in "World on Fire," but here as civilian Matt tracks the Punisher from the Irish bar last episode all the way to his lair, we see it in action. No dialogue, no explanation, but perfect execution.

In the midst of a trap set by Reyes to capture the Punisher, with Grotto as bait, Daredevil gets his rematch with the killer. Not only do we get an idea how smart the Punisher is, but we also get to see DD's new billy club in action as he ricochets it like Captain America's shield. It's a 'rain' fight beneath a water tower riddled with bullets for a great effect. As expected, the cowl is not great protection when the Punisher cracks him in the head with his own billy club.

As the police close in, Daredevil's radar sense begins to fail and the Punisher moves in to finish him off. When the cops get there, they're both gone. Fade to black, cue credits.

I said last time I had great reservations about this season of "Daredevil" featuring the Punisher and the as-yet-unseen Elektra, but if this exceptional episode is any indication, this is going to rock. I really loved this one.

Next: New York's Finest!

Daredevil S02 E01: Bang

I jumped right from "Jessica Jones" into the second season of "Daredevil," so I was already not happy, and what I knew about season two from interviews at Biff Bam Pop! here and here, before I even watched it, made me less happy.

I am not a fan of the Punisher in any way. He is not a hero, he is a villain, and the folks who cheer him as the former irk me no end. And while I respect the storytelling, I'm not a Frank Miller Daredevil fan, and I couldn't care less about Elektra. That the second season would be focused on these two characters ticked me off, more because I wanted Gladiator and Stilt-Man, who had Easter eggs and hints in the first season, than because I'd already seen multiple cinematic versions of Elektra and the Punisher, and had been left unimpressed. Nevertheless bring it on. I liked Daredevil, I wanted more of him.

As we open on a diamond heist, I get more of him. In pursuit of ruthless thieves through the streets of Hell's Kitchen, largely unseen or off-camera, Daredevil picks them off one by one. As they're collected by the cops, our hero stands on a rooftop and allows just the slightest smile. Yeah, I want more of him. But I'm afraid that the two guest-stars, Elektra and the Punisher will overshadow him. I got my fingers crossed.

With Daredevil covered, next we renew our acquaintance with the Matt Murdock and Foggy Nelson friendship/partnership. It seems to have survived the first season well, and the two actors Charlie Cox and Elden Henson still have great chemistry. As they walk to work, the conversation veers in and out of Foggy's dating exploits and Matt's night work seamlessly.

Because of the events of the first season, business is booming for Nelson and Murdock, Deborah Ann Woll's Karen Page has her capable hands full. The problem is that they're broke, they may be genuinely helping people but the fact is you can't run a law firm on fruit, pastries, and good intentions.

We switch scenes to focus on the Irish mob in Hell's Kitchen. The man Nesbitt is a Garth Ennis creation from his Punisher comics, and let that set the tone for this season. It's not Daredevil and Punisher, it is specifically Frank Miller's Daredevil and Garth Ennis' Punisher. I am not looking forward to this at all. Could I just have season two of "Jessica Jones" now please? I'm sure it will hurt less...

Like Nesbitt, Grotto is also from the comics, but more in line with street thugs and rent-a-henchmen like Turk. Here, he's tending bar at a meeting of the Irish mob. Nesbitt is talking big and making plans. Now with the Kingpin, the Russians, and the Chinese out of the way - thanks to 'the Devil,' the Irish can take back Hell's Kitchen, after all, historically it was once theirs. Right when Nesbitt is about to end his speech with a bang, he does, literally.

Everyone does. A crazed but precise barrage of bullets spray the room, killing all within, except Grotto, hiding behind the bar. It's a complete massacre, except for poor Grotto. We all know it's the Punisher even though we don't see him. Grotto escapes only to show up at Josie's later, looking for, coincidentally or not, Nelson and Murdock. He wants witness protection immediately. In the middle of telling his tale, he collapses. Grotto was shot after all.

A little investigation, between Officer Brett Mahoney, Turk, and Sagittarius (could this be a possible reference to the criminal organization known as Zodiac?) from the Dogs of Hell (more about them later) yield that a new crew, paramilitary in nature, has come to Hell's Kitchen to fill the void left by Wilson Fisk. Further investigation by Daredevil reveals that it's not a group, but one very well-trained sociopathic individual, one I'm sure we'll find is called the Punisher.

Just like the Purple Man in early episodes of "Jessica Jones," he stays out of frame or in the shadows. That doesn't stop a rooftop battle between Daredevil and this Punisher, one that ends with a bang and our hero falling off the roof. My bet is that DD isn't dead, just a hunch. The show is called "Daredevil" after all.

Despite trepidations, I liked this episode. I like our three leads and their chemistry is intact from the first season. I have not minded the Punisher thus far, although we haven't seen much of him. There were things that I didn't understand like the thugs on the meat hooks (why not just kill them?) and Daredevil yelling when he should be trying to be stealthy, but I can look past those things.

All in all, good start, bring it on...

Next: Dogs to a Gunfight!

Jessica Jones S01 E13: AKA Smile

Cancel Sweet Christmas. If I was really clever, that's what I would have said at the end of the last episode when Jessica had to shoot Luke Cage in the face to stop his Kilgrave-powered rampage to kill her. We know Luke's okay, super-tough skin and upcoming Netflix series and all that, but the characters on the show don't.

Jessica rushes Luke to the closest Hell's Kitchen hospital, Metro General, which is where Claire Temple, Night Nurse, works. As other nurses struggle to give Luke medical treatment, bending needles and all (a plot complication that comes right from the pages of The Pulse), Night Nurse is there to help. I love Rosario Dawson so this is a more than welcome appearance.

The pre-Civil War antagonism is still festering, as another nurse sneers toward Luke, "he's one of those." Claire notes later that she herself is not special, but she keeps running into special. Claire gets the comatose Luke out of the hospital while Jessica contends with the Purple Man's amplified powers turning everyone in said hospital against her.

Night Nurse and Jessica have very good repartee and I would love to see them together again. At Jess' place they get Luke resting, and Jess patched up. Later a scene where Jess curls up with Luke is ruined by too much talk. Show, don't tell, folks. After a bit for Jess, it's back in the trail to Kilgrave. When Malcolm shows up (they keep writing him out but he never seems to leave), he and Claire get on well - I hope they both show up in "The Defenders."

If Kilgrave wasn't dangerous before, he's getting a real knack for the super-villain game now. Amazing what a jilted love and a couple days in a torture cell can do. A previous episode's title asks, what would Jessica do? Obviously she would turn a selfish jerk rapist into a full blown super-villain. She even found his mad scientist dad to help him modify and maximize his powers. Thanks, Jessica. And did anyone else think that, just for a second, Kilgrave was going to actually turn purple?

The horror show left in his wake at the penthouse where Dad amped him up is not for the squeamish. That last shot of amp must have messed him up good. There's a showdown with many people on his side, police and civilian, and a tense confrontation with Patsy, who should never have been there in the first place. The ending of Kilgrave is however too easy, and completely unsatisfying. And I hated it.

The closing of the series is more promising however, noir with a bit of hope. Jessica, Patsy, and Malcolm all on the road at least to being a hero. The first seven episodes, and the last two were very good, in between, not so much. "Jessica Jones" has been renewed for a second season, but first we'll have to see how "Daredevil" fares in his second...

Jessica Jones S01 E12: AKA Take a Bloody Number

We pick up scant moments after the last episode, when Luke Cage blew up his bar with himself in it, as per the Purple Man's commands, made sure Jessica Jones saw it. He is of course unhurt, but his bar is toast. As I wondered if he had insurance and what an insurance investigator might make of his story, we dove into flashback - Kilgrave has been busy during the episode where he was missing.

When he left the hanging restaurant with his father, he ran right into Luke Cage, who had been following Jess in hopes of running into Kilgrave. Best line, and our title reference comes when Kilgrave asks Luke what he wants. His reply is to kill him, and Kilgrave's sharp comeback - "Take a bloody number." Then he commands Luke into the getaway car for clarification and interrogation.

The second best line is when Jess brings Luke back to her office/apartment and tells him to mind the mess from the fight with Nuke. Luke asks if he needs to know what happened there, she simply replies, "I guess we're both lousy renters," to which both Luke and I said in unison, "at least it's not on fire." Five minutes in, this one's not so bad so far. I'm smiling.

Of course now that Luke is at her side and Jessica has sworn to kill the Purple Man, there's some creative stalling. Trish is still paranoid about Simpson, asks around and finds the program is a made-up organization called IGH, with initials that apparently stand for nothing. I wonder though, could that H stand for Hydra?

Despite Jessica's warning, Trish's mom comes to visit her estranged daughter in the hospital. What a harpy. Good thing Jess doesn't know. As she joked with Trish earlier regarding Simpson, Jess can only fight one big bad at a time. I guess Nuke and the harpy will have to take a bloody number.

There's mention made of Hammond Labs as being the place where Hope's fetus was sent. This could be a number of different references. There's a Hammond Labs where Speedball, later Penance, got his powers; or it could be a reference to Camp Hammond, a Marvel Civil War era training facility for superhumans; or simply a nod to the original android Human Torch.

The writing is much better in this episode, elevating it above previous ones. I'm not surprised to see the name Hilly Hicks, Jr. on the script. The playwright and screenwriter is also responsible for the excellent "AKA 99 Friends" earlier in the season. Perhaps he can be convinced to write more when the second season of "Jessica Jones" rolls around.

More clues about IGH come from a surprising source. When Trish's mom comes to visit her daughter at home, again against Jessica's wishes, she brings her a folder marked IGH. It contains Jessica's medical records from the accident that killed her parents and brother. IGH paid her bills. But I guess that's a mystery for another day.

The main event is the showdown in a blue-hued theater between the Purple Man and Jessica - and Kilgrave's proxy is Luke Cage. The whole episode, as their chemistry blended and he played sidekick, Luke was in Kilgrave's power, a puppet working her like a dummy. And now they dance. It's a fight we didn't know we wanted, and it's awesome.

It's a fight that can only be stopped by a shotgun blast to the face. Is the "Luke Cage" Netflix series canceled now? To be continued…

Next: Smile!

Jessica Jones S01 E11: AKA I've Got the Blues

Almost as if the showrunners knew I had given up on the show, they open this episode with something to grab my attention. As they've been doing for most of the series, they dangle Patsy Walker in front of us as bait. I doubt we're going to get Hellcat, at least not yet (I still hold out hope for "The Defenders"), but they have given us Patsy.

The flashback begins with young Jessica waking up in the hospital after the accident that killed her family. Patsy is there in her red wig and her mother. We even get a bit of the "It's Patsy" TV theme song. It actually has a bit of the Josie and the Pussycats movie vibe to it. Any chance of that showing up on iTunes? No? Too bad, I know I'd buy it. It's only a it though, and then it's back to the same old dreary "Jessica Jones" business.

Searching through morgues looking for Kilgrave's father, Jessica discovers something else - Clemons, murdered by Simpson. Not only has Nuke gone rogue from Kozlov and 'the program,' he's on his drugs and looking for both Jessica and Kilgrave. He's gonna hit them like a, well, like a nuke.

Along the way, Jessica, working on no sleep, gets hit by a truck. There are good moments with Malcolm and Trish. Like Flashback Island on "Arrow," we get short but intriguing vignettes of Patsy and Jess as kids, informing the relationship. It's like watching an alliance be formed, explaining the strength of the current friendship.

Then Nuke attacks. He's powered by his combat enhancers and Jess is battered by her accident, so they are almost a match. He believes that she's lying, and that she's been protecting Kilgrave from the start. The fight is no hallway fight like in "Daredevil," but it's probably the best we've seen so far in this series.

But it gets even better when Trish shows up to 'save the day.' As ridiculous as that sounds, she does. Trish takes one of Will's reds and evens the odds. Between her fighting like a 'hellcat,' and Jess helping, they take down Nuke. Trish nearly loses her life by -I kid you not- forgetting to breathe, it works out and is one of the highlights of the episode.

The end of this one is a bit puzzling. Kozlov and other 'boys from the program' retrieve Simpson, so he's not out of play yet. And Jessica gets a text from 'unknown' saying they ran into her boyfriend. Jess immediately rushed to the bar in time to see it blow up and Luke Cage, aflame, stagger out. Cue credits.

Kilgrave is on everyone's minds and lips this episode but he does not appear, which is refreshing. I liked all the young Jess and young Patsy bits. And of course I loved my sadly non-costumed Hellcat moments. This was better than previous episodes, let's see if they're on a streak...

Next: Take a Bloody Number

Jessica Jones S01 E10: AKA 1,000 Cuts

Another week passed before I picked up watching "Jessica Jones" again. I tired of the moronic plot twists and Jessica's increasingly idiotic plans, and longed for the early episodes that were so good. But I figured I got on this horse, I should finish circling the track at least once, and watch the entire series. There are only four episodes left after all, but then again, it all just fell apart in only three. Sigh. Onward.

As the episode opens, it's seconds after the end of "AKA Sin Bin," and Kilgrave is staggering out of the warehouse where his cell was. Whether by convenient or ridiculous coincidence, Jeri is driving by on her own escape from the madness, and he enthralls her. Offscreen, it should be remembered, they made a deal while he was in that cell. Things don't look good for Hogarth's soon-to-be ex-wife at this point...

Meanwhile inside, it's bedlam. Kilgrave's mother is dead, his father is dying if not dead, Trish is trying to put a bullet in her head, and Clemons has a broken wrist and a Jess-kick to the face. Jessica herself is a mess. Kilgrave got away again. On the plus side, she seems to have broken Kilgrave's control, Jessica is immune.

When it's brought up, Kilgrave's father, who's not quite dead, but still wants to cut his own heart out, intimates he might be able to concoct a cure for Kilgrave from Jessica's blood. Apparently his power isn't mutant, metahuman, or pheromonic - it's a virus. I'm stunned, and feel the same way I felt when I heard about midi-chlorians, or that Santa Claus wasn't real.

Jeri Hogarth brings Kilgrave home to her wife, not to eff with her as one would assume - at least not yet - but for her medical skills. He's been shot and needs help. I have to say it's a bit of brilliance to have the Purple Man act as negotiator between this couple snapping at each other, especially when they must do as he says. Simple phrases like 'tell the truth' and 'shut up' have new power in such conversations. And to cover his escape, once bandaged up, Kilgrave orders wife Wendy to cut Jeri a thousand times.

Back at the holding cell where Clemons is securing the scene, Will Simpson arrives. Not sure if he's now Nuke, still under the Purple Man's control, or just overdosed on two many red pills, but Simpson wants to know where Kilgrave and Trish are. Once he knows, he puts a bullet in Clemons' forehead. Something tells me Jessica has a new adversary.

Two moments, however brief, remind me of what the show once was. There's Malcolm helping Robyn put up 'missing' posters for her brother Ruben, it reflects his change. He wants to tell her, but he can't, so he helps her. Having something to do keeps her on track, even though he knows that Ruben is dead.

The other one is that Pam, now in custody for Wendy's murder, sees Jeri Hogarth for exactly what kind of person she is. She's figured out what Jeri did and what Kilgrave had to do with it - and now she wants nothing to do with Jeri. These two character bits stand out where the main plot, that of Jessica and Kilgrave, has become an implausible sitcom with lives at stake.

When Jessica goes home, yeah, she's apparently got nothing better to do than go home and chill, Kilgrave is there. We find out why he loves her and thinks he can get her, as well as the fact he's known for some time she's immune to his power - obviously part of the attraction. Now that she's free of fear, it almost seems to make this whole trip unnecessary. I'm tired of it.

While Jessica makes plans to trade Kilgrave's father for Hope's freedom, another threat is rising. Malcolm finally opens up to the support group about Ruben, but unfortunately Robyn is eavesdropping. She riles them up, rightfully bringing up that Kilgrave would not have messed with any of them if not for Jessica Jones. Great, now that Kilgrave is close to being neutered, Jessica will have both Nuke and mob rule to contend with.

From there the episode runs quickly like whirlpool to its depressing end. Between Hope's suicide and Jessica's vow to kill the Purple Man, it's no longer a question of is it time for the good guys to win yet, but why am I watching this. If this was not meant to be binge watched, and was a week to week broadcast series, this would be my last episode.

Next: I've Got the Blues

Jessica Jones S01 E09: AKA Sin Bin

After two well done but not well thought out episodes that were on the whole unsatisfying, I was starting to have doubts about the "Jessica Jones" series. I had already stopped watching once, involuntarily due to illness, but one shouldn't want to stop watching on purpose, especially with television meant to be binged. That said, there was a bit of a break for me between episodes eight and nine. Let's see how the resumption went...

Since last time when Jessica incapacitated and captured the Purple Man, she's placed him in the room set up for him way back in "AKA The Sandwich Saved Me," filled with a few inches of water and an open electrical wire so he can be shocked if he's naughty. He's also being recorded so Jess can be extract a confession from him.

I'm not sure how permissible such an admission would be, if given under conditions of torture. But as we've seen last episode from Kilgrave's home movies when he was a kid, he's no stranger to torture. We find his real name is Kevin Thompson and his parents were doctors or scientists, either way, they were fond of experimenting on their kid. And then his powers kicked in, and things changed.

This is where "Jessica Jones" and the previous Marvel Netflix series "Daredevil" are similar. We have a monstrous villain, who when we learn their origins, we are made to feel sorry for them. And I feel sick about it. They made me feel sorry for one of the most despicable and immoral monsters in the Marvel Universe.

While Kilgrave sits in the trap, tortured by these home movies of his parents' experimentation on him and other children, life goes on outside. Jeri is still being screwed by her wife, Hope is being offered a plea bargain, and Trish has her hands full taking Will to the hospital. He got blown up by Kilgrave, along with his boys and Jessica's old neighbor. He's in pretty bad shape but insists he can only see a doctor named Kozlov. This doctor makes us wonder if Will is pre-Nuke or post-Nuke as weird red, white, and blue pills are prescribed and seem to make him a new man. Curiouser and curiouser.

Hours pass and Jessica, Trish, and Jeri take turns with temptation guarding Kilgrave. Jess manages to track down his parents after studying the films and doing a modicum of detective work. Not for the first time nor for the last time in three consecutive episodes I have no idea just what the hell Jessica is thinking. She puts his parents in the cell with him. Kilgrave tries to kill them. Seriously, did no one see that coming??

The whole situation goes to hell very quickly after that. Kilgrave is loose on the streets once more. I'm nine episodes in, but at this point, I'm soured. I will march on however. What began as brilliance has decayed to bullshit. Don't worry though, I'll watch it so you won't have to...

Next: 1,000 Cuts