- Lost Hits of the New Wave
- The All Things Fun! New Comics Vidcast
- The Cape
- The Following
- Bionic Nostalgia
- True Blood
- Doctor Who
- The Flash
- Agents of S.H.I.E.L.D.
- Agent Carter
- Avengers Assemble
- Age of Ultron
- Legion of Super-Heroes
- Jessica Jones
- Young Justice
- Guardians of the Galaxy
- Legends of Tomorrow
- Civil War II
- Luke Cage
Wednesday, November 27, 2013
2nd Annual Women to Women Event (W2W2). Women to Women is an advocacy group with the mission of bringing female artists together to share a night of music while raising awareness and funding for Women’s causes, locally and nationally.
This unique event features talented female performing artists from all over the Tri-state area, from all walks of life, to share their love fro their craft, MUSIC! Performers include… Janet Bufano, Kathi Cooley, Megan Knight, Stephanie Davis, Britt Marie Zammer, Rachel Evans, Arianna Burmeister, Sandy Hall, Chrissy Hartline, Susan “Sooze” Lake, Tina Brand, Nikki Zammer, Kate Bradshaw, Danielle Denning, Carolyn, Christine & Cynthia Barbadoro, and The Bride, Jennifer Walker.
Providence House, Burlington County. Last year W2W Successfully raised $4700 for Breast Cancer Research for the ACS with the generous support of our local music community.
Our chosen charity, Providence House Domestic Violence Services provides comprehensive and confidential services to individuals experiencing or impacted by domestic violence. These services include a 24-hour hotline, emergency shelter, individual and group counseling, advocacy and support in the courts, information and referrals and PALS (Peace: A Learned Solution) Program for children who have witnessed abuse.
We hope you will come join us for a great night of entertainment while enjoying basket raffles, door prizes, with a 50/50 lucky ticket drawing.
The event happens Saturday, November 30, 2013. Doors at 7, and the music starts at 8. See you at The Indian Chief Tavern, 212 Route 70, Medford, NJ 08055.
Tuesday, November 26, 2013
The phrase references when a TV series has hit its pinnacle and is on it's sharp sometimes fast decline down. It's the moment of a sudden drop in quality, rationality, and popularity. It can even be defined as an act of desperation by the powers that be to 'save' or 'freshen' the series.
Brian, Brian Griffin, died the other night. Brian the family dog who walks erect and talks, has conversations with, is apparently the only one who hears baby Stewie's dialogue, and is notably the only rational thinking character on the animated show, was run over by a car and died in the vet's office surrounded by the Griffins.
It is worth mentioning that creator Seth MacFarlane has very vocal with his feelings about "Family Guy" going on too long, being tired, and most good TV shows end after seven seasons ("Family Guy" is currently in its eleventh). Perhaps MacFarlane has thrown in a monkey wrench by killing beloved Brian in such a way.
There are of course, tricks to this one. Stewie could always travel back in time and save Brian. Perhaps it's a long arc, or perhaps this will all be forgotten next week. Seth MacFarlane has never been one to shy away from exposing television clichés in that way. I guess we'll have to wait and see, if we're still watching, and McFarlane is still doing the show. Either way, I'll miss Brian.
Monday, November 25, 2013
Six months ago, we witness The Undertaking from inside Iron Heights. We watch as The Count walks out, but first releasing the Dollmaker. I wonder how many other notable criminals got out the same way. We've seen what the Dollmaker was up to, now we find out what The Count has up his sleeve. Oh yeah, poisoning the city, and apparently Vertigo is the cure. And best of all for the comics folks out there, he has finally taken on the name, Count Vertigo. He also for the first time names our hero Arrow.
There is a final duel between the two, with Felicity's life at stake (life or is it simply Vertigo addiction?). The Count has found out Oliver's secret identity, and admits to a higher up who set him up and sent him after Arrow to kill him. It works out the other way around, with The Count taking three arrows to the chest and falling several stories to his death. Looks like The Hood's killing career might not be over after all.
I should also take back what I said about dry courtroom dramas in the opening of this review. Writer and showrunner Marc Guggenheim, besides being a comic book writer and lawyer, also worked on shows like "Law and Order," "Eli Stone," and "The Practice." This was anything but dry, especially when it leads to a not guilty verdict... the return of Malcolm Merlyn... and the revealation that Thea is his daughter!
Our other comic book references this week would be the news on Channel 52 talking about the new particle accelerator in Central City. It's no coincidence that next week's episode is called "The Scientist," and introduces Barry Allen. And is that Deathstroke... in the present? I think Oliver's life is about to change... in a flash...
Friday, November 22, 2013
Biff Bam Pop!. You can read it here.
While you're at the site, don't forget to also check out my regular reviews of "Marvel's Agents of S.H.I.E.L.D.," "Avengers Assemble," and Marvel Comics' latest crossover event Infinity.
If you like pop culture, you will love Biff Bam Pop!, check out all the terrific articles and reviews there.
And don't forget, soon, their Holiday Gift Guide will be featuring the new and the cool for the holidays, look for it!
Wednesday, November 20, 2013
It's a classic timeless song, and now Dylan has made what was and remains one of the greatest songs ever into a mind-blowing, forward-thinking, interactive music video that not only must be seen to be believed, it must be experienced, and you might never see it the same way twice.
Check it out now, here.
Tuesday, November 19, 2013
Quisp was my favorite cereal when I was a kid way way back when. Way before Frosted Flakes and Rice Krispies, I loved me some Quisp. The cereal was what I would munch while watching the Saturday morning cartoons and beg for in the supermarket because it had a toy inside. I have a distinct memory of my big sister building the toy flying saucer from inside the box. That's right, a toy so complex it had to be put together. She even attached a thread to it so it would appear to fly on its own.
Yeah, we're talking about real cereal, it's even made mostly of corn and sugar, in the shape of little flying saucers. It even took its name from the little alien who was the cereal's mascot, who was featured in a series of animated commercials during Saturday mornings, by Jay Ward, who also did "Rocky and Bullwinkle." Can you get more retro than that?
On Saturday mornings back in the day, the commercials were a little longer, not thirty-second buy-me blasts, but sometimes multi-minute-to-be-continued-on-a-later-break stories. The ads for the original G.I. Joe Adventure Team were like that, and so were the adventures of Quisp and Quake.
While Quisp was a little alien dude, Quake, his default friend and active rival was a big burly miner (later a superhero-like swashbuckler), and they would argue, fight, and compete over whose cereal was better. Ironically, they tasted the same, but had different shapes, Quisp in the shape of tiny bowl-like flying saucers, and Quake was, I think, big rock-shaped cereal. I really couldn't say, I always got Quisp.
I remember vividly in 1972 when an election took place where you could vote for your favorite of the two cereals. A nation of kids, wrapped up in the same type of election fever that gripped their adult counterparts, voted for Quisp as the chosen one. Quake won. As his punishment, besides dealing with Quisp's gloating, Quake became the sidekick to Simon the Quangeroo, who got his own cereal, albeit an orange flavored version.
When another election, one I don't actually recall, was held in 1976, Quisp won again and Quangeroos were vanquished, ahem, I mean discontinued. The ironic thing is shortly thereafter, all three cereals seemed to vanish from not only television screens, but also store shelves.
Quisp returned in the 1980s briefly and then again in the 1990s as available online only, before coming to select stores. I'm glad it's now available closer to home, and I'm sure we'll be getting it more often.
Monday, November 18, 2013
Skinn Jakkitt. The first stop is at The Southern Girl's Guide to Life by Whitney Coble, and you can check it out here.
Upcoming stops will be at the blogs of Tim Marquitz, Becca Butcher, Kristyn Phipps, Jennifer Walker, and Robin Renee. I'll be hosting the tour right here at Welcome to Hell on December 1st.
Please visit Skinn Jakkitt's website, hear them at ReverbNation, Like them on Facebook, and Follow them on Twitter.
Friday, November 15, 2013
Before we get to the album, Lady Gaga has also released an app to go along with the album called, what else, Artpop. It's very psychedelic and possibly, if you'll excuse the pun, drug driven, and attempts to interact with the user and allow them to interact with other little monsters.
You begin your journey with the album's opening song and concept, "Aura." The app appears that it should be able to play other tracks from the album as well, but that never worked on my iPhone at least. I guess this is a bit fun, and useful if you want connect with other monsters, but otherwise it's only fun in an "Oooh, shiny" kinda way.
On to the actual album, Artpop, I have to say I'm not all that impressed. That said, when I first heard the advance single "Applause," I hated it, then days later it had grown on me to me my favorite song of that moment. "Venus" hit me the same way, at first dislike, but then growth. Weird.
Not fond of the second single, "Do What U Want" with R. Kelly, either. The love song to "Dope" kinda stands out because of Gaga's comments, but doesn't seem like a hit to me either. Only "MANiCURE" and "Gypsy" show any first listen promise to my ears. Artpop is sadly full of fairly standard and substandard dance music. I've been a little monster since the beginning, but unless all the other songs on this collection start playing fungus and growing on me, I think she may have stumbled with this effort.
Thursday, November 14, 2013
At last, we're going to find out where Oliver got his Russian mob cred, and where he got that Bratva tattoo, as the crew takes a trip to Russia. Almost sounds like an "I Love Lucy" episode, doesn't it? Just not as funny.
In our opening sequence, after some Lucy style secret identity shenanigans with Summer Glau's Isabel Rochev, Arrow and his sidekick, um, snitch, um, sidekick, Roy Harper bust up some counterfeiters in short order. In the midst of it, and here's where it gets good, Diggle gets kidnapped.
Waller, who Diggle identifies as being with ARGUS, tells him that Lyla has vanished after following up some leads in Russia. Specifically Lyla was tracking Deadshot for Diggle. Waller, who also knows what Diggle and Oliver Queen do with their nights, wants Lyla extracted. So much for sightseeing in Russia, it sounds like it's all business.
Or is that Miraclo? With the recent announcement of an Hourman series possibly in development, I can't help but wonder if The Flash isn't the only back door pilot being prepped here... For those who don't know your Golden Age comic lore, Miraclo is the drug that Hourman takes to gain super strength, super stamina, and yes, even regenerative abilities for one hour.
Dylan Neal's dad next door portrayal of Anthony Ivo is extremely creepy when you think about this guy was up to in the comics, and what he's probably up to here. There is just this very scary chord of quiet menace in his performance. Factoid: Neal played a character ironically linked to Amanda Waller back on the CW's "Smallville." And could the sadistic Captain of the Amazo… be the future Amazo??
We do get the goods on how Oliver is a Bratva captain. Anatoli Knyazev, known as the KGBeast in the comics, was his prison mate on the Amazo boat. Oliver saved his life, and was rewarded with tattoo and rank. Anatoli helps them find Lyla and Deadshot, beginning Diggle's brief prison movie inside the show. In the end, everyone gets saved, but Diggle can't kill Deadshot.
H.I.V.E. Not in the comics, but in the "Teen Titans" cartoon, the H.I.V.E. was run by a guy called Brother Blood. Da da dum.
On the subplot track, Jean Loring makes her third appearance as Moira Queen's attorney. This is the first time however I was aware of her name. This is Jean Loring?? I was very surprised. Teryl Rothery is a beautiful but older woman, but based on the character's previous mention ('Ray and Jean'), I would have assumed she was younger, much younger, a contemporary, a peer, of Laurel and Oliver. Let's just hope she's not being paid in white dwarfs or black diamonds...
Speaking of dumb and waste of time, it seems that Felicity is being groomed for the role of Oliver's romantic interest, or worse than that, his fawning crush. She tells him he deserves better, regarding Isabel. I'd like to tell the producers that Felicity deserves better than this kind of crap. Come on. Make Felicity a strong female character on television, not another one of Oliver's failed attempts at a relationship.
Next week: The return of (The) Count (and) Vertigo!
Wednesday, November 13, 2013
There is great voice work here as well as interesting takes and personalities on the different Guardians. Hugh Jackman, being chief among the voicers, is extremely good. Jude Law as the villain, and Alec Baldwin's Russian Santa Claus are also good. Very entertaining, I wish I'd caught it in theaters so I could have seen it on the big screen.
a Superman movie should leave you. Maybe we can hijack those writers for the next chapter in that franchise.
Rise of the Guardians was a breath of fresh air and good entertainment for the whole family, recommended.
Tuesday, November 12, 2013
Man of Steel ~ We've been on this ride before, a new Superman movie. I remember the thrill and awe of the first two movies with Christopher Reeve, and the disappointment of the following two as well. And then two decades later we got Superman Returns, and while I had huge issues with the 'super stalker' and 'deadbeat dad' subplots, Brandon Routh wasn't bad as the man of steel, Kevin Spacey was brilliant as Lex Luthor, and the plane rescue had to have been the single greatest superhero special effects scene filmed up until that point. I enjoyed quite a bit of it. And if I enjoyed it… you know what Hollywood has to do, change it.
I have talked before about how I feel about origin stories, no need to chew on that again. But the fact is they (writer David Goyer and director Zack Snyder) have changed Superman's origin. If not for the fact that everyone knows Superman's origin I wouldn't have a problem with it. It's the Moses story, the Jesus story, the immigrant story, the perfect origin for a perfect hero, and they had to tamper with it.
In this new version, there is no requisite scene of Jor-El and Lara holding each other as krypton explodes and their son rockets away to safety and his destiny. It reminded me of the latest movie version of Spider-Man where Uncle Ben never says, "With great power comes great responsibility." Why? If it's not broke, don't fix it. Some traditions should stand.
Instead of a tender tragic moment, Man of Steel delivers the Kryptonian Civil War, General Zod murdering Jor-El, and Lara on the stuffy Science Council (although unnamed as such in this flick). At the last minute, almost as an afterthought, they go, oh by the way, Krypton is doomed, and about to go boom. We spend a good twenty minutes or so on Krypton, not a frozen crystalline weirdness that it's been on film for decades, but almost something resembling the comics Krypton. I loved the wing machine, Kelex, and the jungles and cities. I would have squeeed if we'd gotten the actual Scarlet Jungle or a thought beast.
Zod here is a military leader who attempts a coup on the council, and with his underlings (the also unnamed Black Zero terrorists, a name only learned from movie affiliated toys), is sentenced to do time in a space singularity. Again, we don't hear the words 'Phantom Zone' until much much later. What is Goyer's resistance to using correct terms for people and things?
We did get a few little tidbits in the flick. No after credits scene or cameos or even mentions of other DC characters really. We did see a LexCorp truck at one point. I was thrilled seeing the names of real Phantom Zone character names in the credits - had I heard them out loud in the film, I would have loved this movie a lot more. Jax-Ur! Dev-Em! Nadira! We're talking fanboy heaven here. Comics fans like Easter eggs, why not give us a few?
The cast was surprising, both good and bad. Amy Adams as Lois Lane is the plucky reporter from the 1940s Fleischer cartoons, wonderfully updated not to a 2013 standard but to a respectful current version. She won't seem dated to audiences a few decades from now as Margot Kidder does in her then highly acclaimed tour as Lane. Watching her performances now just scream 1970s so loud. Adams is amazing for the most part, only briefly falling into annoying mode once or twice.
Henry Cavill as Superman lacks heart, he lacks love. Superman loves the human race, he believes in the human race, and he wants to make them better, to inspire them to greatness. I never believed Cavill in the role except for one or two brief moments. Let's face it, and I'm not saying this to be old school - put Christopher Reeve in this exact film, in this same role, with the same dialogue and direction, and I would believe him, Cavill I would not, and do not.
Speaking of fathers, Russell Crowe's Jor-El leaves the movie early, as I mentioned, a victim of General Zod. He returns later in a method similar to the earlier Superman films, as a hologram, or more accurately an interactive artificial intelligence. What boggled my mind is the fact that Crowe as Jor-El had more chemistry with Adams as Lois than Cavill's Superman did.
I was a bit iffy about Michael Shannon's Zod at first. He can be brilliant but sometimes he's a one note actor. If we're judging Shannon as if he was playing Terrence Stamp's general Zod, he fails miserably, but the thing is he's not. This is a different Zod. He is almost a heroic figure. He is commissioned with the responsibility of continuing the Kryptonian race, and Kal-El actually stands in his way, a war criminal of sorts, the one keeping krypton from flourishing again. Really, how can we root against a man with that new MO and motivation? Despite his methods, this is one of the good guys, right? Shannon's portrayal is good, only falling into cartoon mode once or twice.
Yes, something similar happened in the comics. John Byrne had Superman execute Zod and two other Phantom Zone villains in the post-Crisis continuity, and I hated it then as I hate it now. With over seventy-five years of source material it hurts me deeply that the hero's darkest hour is what some people think should be brought to the screen. There are much better stories, people, probably hundreds, if not more.
One thing that superhero movies have brought to the screen recently, especially the billion dollar blockbuster, Marvel's The Avengers, is the level of destruction. Well, super powers, the wrath of gods, can bring wholesale destruction down on us all, and now with the special effects available and the popularity of superheroes, we can now show combat on a scale similar to what is sometimes shown in comics.
In conclusion, Man of Steel was a good movie, but it wasn't a good Superman movie. I look more forward to Batman Vs. Superman, or maybe the much anticipated Justice League film, than I do ever seeing this one again.
For other perspectives, including my own, below is the Biff Bam Popcast featuring Andy Burns, JP Fallavollita, Jason Shayer, and special guest, Michael Moreci of the Hoax Hunters comic series, done at the time of the film's theatrical release:
And then there's also JP Fallavollita's review of the film at Biff Bam Pop! here for a very different view.
Monday, November 11, 2013
Things certainly did heat up last night. Lots of zombie killing, characters' lives at risk, Rick being a man for the first time in a long time, Carl being even more so, and of course, the return of The Governor. Will that be enough to realign old fans? Maybe, maybe not. I think the problem goes just a bit deeper.
This may also be why so many people have become attracted to Daryl Dixon, played by the offscreen sexy Norman Reedus. It not just the ladies and gentlemen digging his down home sex appeal, it's because he's a badass, in Rick's absence. If you have zombies, someone's gotta be killing 'em, and Daryl is doing more than his share. But still, he is a flawed hero. Not because of his racist brother, or his emotional distance either - it's because he's not our point of view protagonist. We've never been in his head, never suffered or triumphed through him.
Rick did it for himself, not the group. It is a small distinction, but an important one. Had he done it for the group, it would have been a step back toward being the leader, being a man, being the bad ass hero that we want back. Doing it for himself is selfish and whiny. And getting rid of Carol is not a wise move to begin with. Here is a character who has evolved from whiny battered wife herself to a strong leader. Is Rick sending her away because he fears that reverse evolution in himself? Is he sending himself away?
And don't forget to check out the weekly "The Walking Dead" recaps of fellow writer Marie Gilbert at Biff Bam Pop!.
Sunday, November 10, 2013
One thing I was happy to see, that even though the Marvel superheroes are now part of everyday pop culture and even your grandmom is aware of Thor, the powers that be aren't afraid to mine the source material for ideas rather than going off on a weird Hollywood tangent. One of the best Thor runs in the comics, other than the classic Stan Lee/Jack Kirby originals, would be the Walt Simonson run in the 1980s. Simonson did so much in his short run. He brought the character back to his roots, removed Don Blake from the equation, turned our hero into a frog, froze the planet, brought on both Surtur and the Midgard Serpent - and he also created Malekith and Kurse.
Sadly, what I said about source material goes by the wayside quite quickly. In the comics, Malekith releases Surtur and opens the Cask of Ancient Winters amongst other evils, but here, it is a mysterious aether that is the MacGuffin and magical weapon of choice. I really got the sense, especially when seeing that a different group of folks wrote the screenplay than wrote the story, that this was a plot from something else that had been transplanted into this Thor movie - sort of like how 1987's Masters of the Universe flick was a rewritten abandoned New Gods script.
Thor The Dark World was really cool, I'd see it again, and I'll definitely get it for home viewing when it comes out. I didn't think it needed much improvement, but female friends we ran into after the flick, as well as The Bride, all commented on the same thing regarding Chris Hemsworth. More bare chest. And butt, more butt. On that note, don't forget to stay for the after credits stingers, this time there are two.
The sampling of classic rock tunes may drive some older listeners away. I know more than a few folks my age that not only dislike rap and hip hop, but completely lose their minds when rappers sample music of their youth. I say, deal with it, and listen to how it's been altered, re-imagined, and in same cases, improved.
Tuesday also saw the release of the new album from Adam WarRock, The Middle of Nowhere. I love me some nerdcore, and Adam WarRock is my favorite of the genre. While he is the king of the genre sound, he's also trying to break into more mainstream hip hop, but no matter how he tries, the nerd is still at the core, and I love it.
Tracks like "High School Reunion," "Internet Crush," and "Shoulda Beens" hit close to home in a essentially non-nerd way, but the real thrust here is comics as per usual (not that there's anything wrong with that). "Sinestrocore," "J.A.R.V.I.S.," and "B.S.F.X." fill the nerdcore void with flair and pizzazz, and Tribe One, MC Frontalot, and Schaffer the Darklord, among others, also drop by. Love this album, and can't wait for more. Check out Adam WarRock at his website, Twitter, and YouTube.
And then there's Skinn Jakkitt's self-titled album, including the song "Epiphany," seen below:
For more of Skinn Jakkitt, you can check them out on Facebook, Twitter, and YouTube.
Thursday, November 07, 2013
After the attack, in the Arrowcave with Diggle and Felicity, we get the lowdown. After the boat went down, Sarah was rescued and trained by the League of Assassins. The guy who attacked was called The First (who trained Merlyn), and was sent to take out Sarah. And, da da dum, the outfit of The Hood was first worn by Shado. I wonder where that little tidbit will go.
To protect her father, Sara reveals herself. She brings him to her watchtower and tells him she took the name Canary. There Sarah, her dad, and Oliver, just a little bit take down the assassins come to kill them. Good fight, but really it's Sarah's fight, and Quentin's. Oliver just kinda watches, then shoots an arrow or two, like, "Hey, I thought this was my show."
Amazo is a giant eight-foot tall android that Ivo created, super strong, near invulnerable, and a sociopath. As if that wasn't good enough, he has these energy absorption powers, which allowed him to gain the powers of the Justice League, all of them, even Superman. Armed with a replica of Green Lantern's power ring and Wonder Woman's golden lasso, and all those powers, Amazo has terrorized the Justice League for decades. Yeah, that's the legacy of Professor Ivo.
This kind of makes me wonder… how many big bads will we have this season? We have Brother Blood, possibly Ras al Ghul, possibly Suicide Squad coming, maybe Metamorpho, hell, maybe Trigon. And who knows what things will be like once the Flash shows up. One wonders how big this could be, will the rumored "Amazon" show, and the just announced "Hourman" series tie in as well?
I didn't know what to think of the special mini-adventure "Blood Rush" with Felicity and Roy. In the space I took to explain it, it's over, so at this point, it seemed a waste of time. Perhaps it would be better as a webseries?
Next week: The return of Deadshot, Amanda Waller, and maybe… the Suicide Squad??
Tuesday, November 05, 2013
This past week legendary radio host Art Bell quit his radio show. Again. The current incarnation, "Dark Matter," broadcast on satellite radio by Sirius XM, is over. Bell cited technical concerns, as well as a small audience. In other words, it was hard.
And it's not like he hasn't done it before either. He's quit before, or left under mysterious, sometimes highly suspect, circumstances, with little advance warning, or concern for his audience - no matter how big or small. As a matter of fact, he may well be more remembered for his vanishing acts than his radio act when history is done with him. He quits so often, it's almost an industry joke.
Yeah, I'm angry, but that doesn't dispel the man's talent as a broadcaster, talk radio host, and interviewer. I would rather listen to bad Art Bell reruns than the best George Noory interview on Coast to Coast AM. At least Art would study up on his guest, ask intelligent questions, and not nap during the interview.
Art has left me high and dry once again. I should have seen it coming. I hope Sirius XM saw it coming, and wrote that contract appropriately. I hope the quitter pays. Thanks, Art, for six weeks at least.
Monday, November 04, 2013
Here is the official press release from DC Comics:
"We are saddened to learn of the passing of Nick Cardy, one of the industry’s greatest artists. A talented draftsman with a knack for layout and energetic cover design, Cardy’s art leapt off the page and helped redefine some of DC Comics’ most lasting characters for a new age.
"Like many early comic pros, Cardy began his career working under the tutelage of the legendary Will Eisner, as part of the Eisner and Iger studio. But it was his arrival at DC Comics in 1950 that saw the artist begin to show signs of the legend that would soon form around him.
"Cardy’s smooth line and dynamic sense of action graced the first appearance of the Teen Titans in THE BRAVE AND THE BOLD #60, not to mention almost 40 issues of AQUAMAN during the character’s initial Silver Age solo series.
"Cardy continued his relationship with DC’s teen team for the entirety of TEEN TITANS 43-issue Silver Age run, redefining the collection of sidekicks through his innovative and yet still classical brushstroke, with a dash of post-modernist design and 60s swagger.
“We’ve lost one of the artistic pillars here at DC,” said Diane Nelson, President of DC Entertainment. “Nick’s work on Aquaman, Teen Titans and beyond helped define how we look at these characters today. Our thoughts go out to his family, friends and many fans.”
“Nick Cardy was a wonderful artist and person, but I’ll always remember his amazing covers,” said Dan DiDio, DC Entertainment Co-Publisher. “From the classic “Is This My Foe?” AQUAMAN #42 image that featured a victorious Black Manta hoisting Aquaman above him to the first appearance of the Teen Titans, Cardy just knew how to get a reader’s attention – and that is a talent that can never be understated. He was my definitive DC cover artist for the 60s.”
“Nick Cardy’s work helped define some of the things we see in comics today and take for granted,” said Jim Lee, DC Entertainment Co-Publisher. “He broke out of the mold in terms of covers and layout and created a truly interactive experience for the reader that directly points back to his time with the Eisner studio. His versions of Aquaman, the Teen Titans and Bat Lash – to name a few – remain iconic today. Our sympathies go out to his family during this difficult time.”
When I think of the Teen Titans, I think not of Marv Wolfman and George Perez' wonderful New Teen Titans, I think of Nick Cardy's Titans. The heroes of the comic my big sister read, on which I learned to read, the ones that even taught me about Shakespeare, and slavery, and the Civil War, and the civil rights movement. We have lost a comics legend, and I have lost a piece of my childhood.
To see a few more of Nick Cardy's covers, check out my Tumblr here.