The Live PD Phenomenon

The Bride and I are hardcore "Cops" fans, for well over two decades.  We have even had "Cops" parties watching best of tapes (yes, tapes).  The show is one of the reality television genre that actually is reality as cameras follow law enforcement as they do their jobs.  Certainly however there is an editing process to produce the half-hour program with its three segment formula. 

Still we love it, The Bride to see the good guys doing their job, and myself with the darker sense of humor just for the schadenfreude, a German word meaning taking pleasure in the misery of others.  I have no shame as I know I’m not alone.  If I was alone, no form of reality TV would thrive at all in this country.  We’re all sick voyeurs to one degree or another. 

This past summer we discovered a new series on A&E that goes "Cops" one better.  On Friday and Saturday nights, the busiest of the week for police officers, "Live PD" follows various law enforcement from across the country live as they do their jobs.  This is not an edited down version of a week spent on camera, this is the police on the job, live.

Hosted in the New York studio by Dan Abrams, a legal consultant for ABC News, and veteran police officer Tom Morris, Jr., the show is pulled from precincts across the country as they happen.  Dan and Tom are sometimes joined by Sean “Sticks” Larkin, an officer from the Tulsa Gang Unit and fan favorite, as well as officers featured on the show live, who offer color commentary and explanations during breaks. The hosts and the cops have become stars in their own right. 

The show has become so popular that A&E not only repeats it constantly but has also spun off two or three shows from it, some postscripts to what happened in the real show.  Ironically the show being live, sometimes it ends in the middle of it getting good.  We have waited a whole week sometimes to find out what happened after the cameras go black. 

The Twitter phenomenon of "Live PD" however is something else altogether.  Imagine if "Cops" was not only live, but interactive. That's what is happening here. On Friday and Saturday nights, Twitter is on fire with this show as thousands of viewers Tweet as they watch, they have even helped the police, seeing things on television the cops on the scene missed, like a baggy of drugs thrown out a window in a police chase. Don't forget to use the hashtag #LivePD.

Various places on the show, like bars and hotels and stores in the precincts monitored have become famous, and a bizarre and fun bingo game has developed based on what happens typically on the show. Google LivePD Bingo for a variety of different versions and cards to play along.

"Live PD" returns Friday, so get ready, get your phone out to Tweet along, and your Bingo cards printed up to play along. It's a blast!

Sigmund and the Sea Monsters

I remember when the original show of "Sigmund and the Sea Monsters" aired, not the first episode, but the preview for NBC's new Saturday morning line-up the Friday night before it officially debuted.  I don't just miss Saturday morning kids TV, but also those preview specials, both for the kids shows and the prime time line-ups as well.  I watched the preview and I watched the first episode the next morning, along with the first version of "Super Friends" and the animated "Star Trek."

And yeah, I watched Sigmund regularly, probably mostly because everyone else did - it was popular.  Comics were twenty cents a piece, you could ride your banana seat bike just about everywhere, and "Delta Dawn" and "Brother Louie" were on the AM radio all day, why not watch Sigmund?  It was wild and vivid (I can't say colorful, we didn't have a color TV yet), and even though we weren't old enough to know about drugs yet, we knew the guys who came up with this stuff were a bit out of their heads. 

The premise of the show, developed by Sid and Marty Krofft, the then-kings of live-action Saturday morning, who swear no drugs were involved in any of their shows, was that two boys had found a sea monster at the beach and kept him in their clubhouse, hilarity ensues.  In the title role was Billy Barty in a leafy seaweed covered rubber suit, supported by Johnny and Scott, having misadventures running from Sigmund's family while the boys kept him a secret from their domineering housekeeper (the parents never seemed to be around). 

Beyond its popularity, I might have also watched because of lead actor Johnny Whittaker.  As Jody on "Family Affair," he was a kid of roughly the same age growing up just like us.  The show had its moments, especially in the all the puns of the sea monster world.  They watched shellavision, and Sigmund's father was a bit of an Archie Bunker type, good fun. 

The show had its flaws as well in the boys' absentee parents, the weird genie character Rip Taylor played in the last season, and Johnny Whittaker trying start a singing career.  I guess he thought if the Patridges and the Bradys could do it, so could he.  The show lasted three seasons then fell into the obscurity of syndication. 

Sigmund lives on in the memories of those who watched however, my wife among them.  The Bride is a huge Sid and Marty Krofft fan.  We own all of their varied TV projects, on VHS, and DVD.  I know hardcore.  The popularity beyond the 1970s and Saturday morning are probably what spurred Amazon to produce a reboot.  The first episode is available now, with more to come. 

The new series has essentially the same premise.  The kids have a Disney channel vibe, David Arquette plays a creepy sea captain who believes in sea monsters, and the monsters themselves have been given a bit of an upgrade, slightly.  Let's face it they still look like rubber suits, but with a bit more life and more abilities.  Johnny Whittaker, looking every bit of four decades wear, even makes a cameo.  And to be honest, Arquette's not looking so great either. 

Like the original, it's not bad, and it's probably doing just what Amazon hoped it would - be great for fans of the 1970s version who are now sharing it with another generation.  Even The Bride didn't mind it, wanting to see another episode before giving a final opinion.  I kinda dug it.  What did you all think who've seen it? 

Rediscovering Dick Cavett

Recently, one of the nostalgia channels we get started showing old Dick Cavett shows, and when I say old shows, I mean all of them. Not every episode, to be clear, but selected episodes from each of Dick Cavett's talk and interview shows, as he's had one or more in several decades, from the 1960s, the 1970s, the 1980s, and the 1990s. I myself recall seeing Dick on TV before I could read.

Dick Cavett had also recently started a radio tour pushing his two latest books and was telling great stories on the air, and he was booked on the most recent TCM Classic Cruise. So the man has come back into my life in a big way. I bought the books and was reading them, watching the shows (which were unfortunately minus live musical performances per rights), and anticipating his appearance on the Cruise. I was buried in Cavett.

On the Cruise, he introduced several movies including The Third Man, a couple Marx Brothers flicks, where he discussed his friendship with Groucho Marx, and he sat down with TCM interviewers a few times during the trip to answer questions from them and the audience, always telling the most wonderful stories. The Bride even rode an elevator with him one day on the ship.

One of the highlights of the Cruise however was the showing of a few episodes of his original 1960s show, specifically one where Dick interviewed Orson Welles. In this 1970 interview with the man who rarely gave interviews, Welles turns the tables on Cavett, interviewing him and casting some not so nice aspersions on Jerry Lewis, also a guest on that Cruise. Welles was amazing, owning the show, having fun, and making Cavett good naturedly squirm.  Good stuff. 

I have a newborn interest and respect in Dick Cavett - the man and his career. I can't recommend his shows or his books enough, check them out.

Wonder Woman 2017

Wonder Woman ~ I hated the first two film entries in the DC Extended Universe, absolutely hated them. Man of Steel and Batman v. Superman: Dawn of Justice were seriously bad enough to put me off DC superhero movies forever. That said, I gave number three, Suicide Squad a chance, and while it wasn't great, it wasn't bad. Maybe DC movies weren't cursed after all. I sincerely hoped not, because number four in their film plan was very special to me. Wonder Woman is one of my favorite characters in comics, and a misstep with this one would cut the cord for me and DC Comics movies. I shouldn't have worried. Wonder Woman was amazing and astonishing, better than any of us could have hoped.

Free Comic Book Day 2017

Having recently moved to Florida from New Jersey and not getting that many comics any more, I was at a loss as to what to do for Free Comic Book Day this year. I dearly miss All Things Fun! up in my home state, along with Ed, Dina, and Allison, who I did the All Things Fun! New Comics Vidcast with (which you can still see here), but it's just too far a drive these days.

The Bride and I decided to drop in at a newer comic shop here in downtown Lakeland, Uncanny Heroes. They had Darth Vader, Chewbacca, George Lowe from "Space Ghost Coast to Coast," and a DeLorean parked out front, I was sold, let's stay a while. Having Max 98.3 FM broadcasting live and barbequed hot dogs and burgers was just a bonus as far as I was concerned – Uncanny knows how to celebrate Free Comic Book Day. I picked up a handful of the free comics, a cool Krypto shirt, and Batman/Shadow #1. Here's what I thought of some of the books:

Batman/Shadow ~ I was wary of this one as my friend and podcast partner Ray thought I might like it. Anyone who listens to The GAR! Podcast knows that's never a good sign. I can't say I hated this, but I didn't like it either. The Shadow is the antagonist here, not the way I want it, and Scott Snyder and Steve Orlando get it right except which side of the law the Shadow is on, and I did love the Maniaks reference. This book earned a second issue and a second chance, but a tentative one.

From the free comics I picked up Riverdale, which was very readable but in the long run not as enjoyable as Archie Comics of the past. Very hooked into the CW show of the same name these two tales are set in that continuity. And if you dig the show, there's a cool character guide in the back of this one.

In anticipation of the upcoming live-action The Tick series on Amazon (I loved the pilot) I picked up that comic, fun but not as good as it used to be. Hmmm, seems to be a pattern. Underdog, from American Mythology, the company that currently publishes Eagle, was fun, with both a new story and an old one. I just may pick up the new Underdog comic based on this. And then there's Wonder Woman. I was not a fan of Greg Rucka when he wrote the character before and I remain unimpressed.

The Bride picked up a few of her own as well. The nice thing about Uncanny Heroes is they had no limit on how many free comics you could get. It's important to note that even though the comics are free to customers, the stores till pay for them, so remember that every Free Comic Book Day and buy as well as get free stuff. Jenn picked up four books from the FCBD selection.

The first was Avatar, which didn't do much for me, but I am excited for the film sequels and the new park in Disney's Animal Kingdom. The next one was also Disney-related, a manga version of Descendants from Tokyopop that was interesting, but I prefer the movie. Next was Doctor Who from Titan Comics with a fun tale of four Doctors that I dug quite a bit.

The Bride's final choice was All-New Guardians of the Galaxy as a dessert to seeing the movie the night before. The comic wasn't bad, pretty much in line with the real series of the same name, but what really irked me was the second story of this Marvel FCBD book - Defenders. So Bendis is writing a book called Defenders featuring the Netflix version of that team, nothing I can do about that, I guess, it's typical Bendis, but do they have to use the original logo? To me that logo means the real Defenders – Doctor Strange, Hulk, Sub-Mariner, Nighthawk, Valkyrie, Hellcat, etc., not these guys. How about a new logo, huh?

Marvel had two other offering for the day, one a reading chronology for the "All-New, All-Different Marvel" that is basically a glossy and pretty book of ads for Marvel's trade paperbacks – in correct reading order to be sure – but still a book of ads. And then there's Secret Empire, a heart crushing addition to the Captain America as Hydra agent saga where the villain (Cap, as hard as that is to believe) defeats the Avengers by wielding the hammer of Thor. Yes, it defies logic, like all of this story. Thankfully it's followed by a sneak peek at Peter Parker: The Spectacular Spider-Man featuring Spidey, the Vulture, and the new Trapster. That's kinda fun at least.

For the most part, a fun Free Comic Book Day, thanks to Uncanny Heroes.

La La Land

La La Land ~ Already garnering awards and attention from critics since its soft release over the holidays, this is not only one of the best films of the year, quite possibly one of the best in quite a while. When I saw this recently with The Bride, we were literally smiling as we watched. When was the last time any of us saw a film that legitimately brought us joy? This is that movie. We laugh when they want us to laugh, and we cry when they want us to cry, and yet, we don't feel manipulated. The feeling is sincere.

First of all, this is not a traditional movie as we know it. La La Land is a throwback to the Hollywood musicals of old, yet taking place today, with now characters and now sensibilities. Emma Stone (who I usually do not like) and Ryan Gosling play an aspiring actress and musician couple in a love story with ups and downs, song and dance, and charmed me almost immediately. John Legend also impresses with an economy of screen time.

The film has a jazz vibe that will make fans and non-fans of the art form love jazz again or for the first time, and you will never hear "I Ran" by A Flock of Seagulls the same way ever again. The music is so important and so wonderful here. Draped in vibrant color and unassuming three dimensions, should you choose to see it like that, this is a mesmerizing spectacle of sight and sound and emotion. Funny, sad, bittersweet, and uplifting, La La Land is the movie of the year. See it, just see it, highly recommended.

Moana

Moana ~ The Bride is a theater rat, and it's one of the few things we don't share often. I find Broadway dreary and boring. Oh sure, there are quite a few songs, even a few shows that I dig - West Side Story and Jesus Christ Superstar come to mind, but that's really it. I slept through Starlight Express, Les Miz made me want to claw my eyes out, and Cats made me question my love of those fuzzy felines. I'm not a Broadway guy.

However, there's one show I really want to see, and yet The Bride refuses, touting her dislike of rap as the cause, and that's Hamilton. I love it and would pay top dollar to see it. Of the only five albums I purchased this year, two were the soundtrack to Hamilton and the Hamilton Mixtape. I'd hoped this would bridge the gap, but the only show I want to see is the only show she won't see.

Then came Moana.

We both share a love of Disney, so much so we do a semi-regular podcast about all things Disney called The Make Mine Magic Podcast (and keep an eye out there as we'll both be reviewing Moana on the 'cast sooner or later), so we were seeing their newest animated feature the first weekend it was out. Much to my delight, and her surprise, the film featured more than a few songs by Hamilton mastermind Lin-Manuel Miranda. That said, the music is amazing, and we both loved it – the soundtrack another purchase for 2016.

The film itself has its origins in the animator/directors researching Polynesian mythology and history (both of which Moana is a gateway drug to), from which Maui the demigod emerges. Played flawlessly by The Rock, Maui is a very different kind of Disney hero. He considers himself almost literally the gods' gift to mankind as his theme song, "You're Welcome," deliciously illustrates. Originally conceived as a tale of Maui, it soon transformed into a more traditional journey for a more traditional Disney princess, Moana. Together, though at first in conflict, they save her people's way of life.

The story is not so different, but the animation improves as it always does from flick to flick, but let's be real – the music is the real star here. Several songs are written by Lin-Manuel Miranda, and even a couple sung by him. As a bonus for folks who buy the soundtrack, there are also demos of these tunes and even a couple outtakes of songs not used in the movie. I loved this film, I loved the soundtrack, and maybe now I might be able to talk The Bride into Hamilton. And Moana is highly recommended.

Zootopia

Zootopia ~ As with a few other recent Disney features, Brave immediately comes to mind, this flick is not at all like what it first appears to be. Initial trailers depicted a world of funny anthropomorphic animals, highlighted by the sloooow sloth at the DMV, but once in the theater watching the film one learns the movie has other agendas. Not as much a comedy as it is a buddy cop film, but one that holds a dark secret - that it never forgets what it is really about.

Zootopia, the city from which the film takes its title is a special place, as is its world. An evolution has happened that turned savage beasts into tamed civilized creatures that can live peacefully together, predators and prey, side by side. Zootopia never forgets its world, and even as Nick Wilde the fox and Judy Hopps the bunny struggle to work together, the predator/prey vibe is always in the subtext. When this case they're working on moves into the territory of predators going savage, it's gets a bit close to home.

This movie is about a lot of things - sexism, racism, prejudice, stereotypes, and power, and sloths too. It's a lot of fun, but it's also very serious, and it's must-see. Not what you expect, and highly recommended.

You can also listen to me, and The Bride, chat about the film here on The Make Mine Magic Podcast, and don't forget to check out our Biff Bam Pop! Podcast Network partners, Gobbledygeek, with their take on Zootopia right here.

The Escape Room Challenge

While not necessarily a new thing, the escape room challenge concept has been sweeping the country of late. The Bride and I recently saw one place featured on one of the myriad reality TV shows she favors, and we were both intrigued. So when we noticed that an escape room, The Escape Room Challenge, had opened in our home town, Marlton NJ, we had to check it out.

The basic concept is that you and a group of friends or strangers are trapped in a room, and using clues at your disposal, or given by the room masters if asked, you solve puzzles and/or mysteries to earn your escape from the room in an allotted amount of time. Otherwise, you are stuck in the room for that amount of time.

Of course I'm not going to tell you what we had to do at the Marlton site, because that would spoil the fun for you folks should you go and attend this great night out (or is it a night in?), but I will say that this room had a Cold War theme, and it was a distinct advantage that The Bride and I were older than our younger co-habitants. It was great fun, and highly recommended.

More rooms with different themes will be coming to the Marlton location, and if you wanted to do the same room again, they keep track, and the puzzles will be different. The same clues will never work the same way twice. Anyone in the area, or if you have one nearby, should definitely check out the Escape Room Challenge.

Star Trek Beyond

Star Trek Beyond ~ The trailer for Star Trek Beyond is one of the things that kept me going when I spent this last December in the hospital. Beyond of course The Bride, my friends, my family, and a short video of my kitty Snowy, there was the first trailer that broke.

My friend Andy Burns posted it at Biff Bam Pop! on a day when I was feeling a bit better and I showed that YouTube clip set to the Beastie Boys' "Sabotage" on my iPhone to everyone who came into my room that day. I was psyched. One reason I was going to get out of that hellhole was certainly to see Star Trek Beyond in July.

It's July, and I'm out. I saw it, and I loved it. Star Trek Beyond is one of the three best movies out this year so far. And the other two - Captain America: Civil War and The Legend of Tarzan respectively - actually have a lot in common with Star Trek Beyond.

Like Civil War, this carefully structured script by Simon Pegg and Doug Jung, gives all of the many characters in this venerable cast equal time. Everyone has something to do and no one gets the short end of the stick. No matter who your favorite is, he or she gets a spotlight. Speaking of the script, Pegg and Jung are masterful in creating adversaries and situations that are absolutely geared to defeat the crew of the Enterprise, but never once does it degenerate into a when-is-it-time-for-the-good-guys-to-win scenario. There is no desperation, we are always rooting for our heroes.

And while we're on the topic of heroes, the similarities to Tarzan become apparent when as a viewer I realized that this was not the new crew, or new actors, but the real thing. This was Star Trek, and it was bringing it for a new generation without losing that which made it cool to begin with. I not only loved the traditional characters, but the new ones as well, and look forward to a fourth installment - something I could not have said after Into Darkness sadly.

This new Trek was fun, exciting, and triumphant. Highly recommended, and worth living for.

RIP Garry Marshall

Award winning television and film icon, director, writer, and producer Garry Marshall passed away yesterday from complications of pneumonia, after having a stroke. He was 81 years old.

Garry Marshall's name was one of the first I was aware of that worked behind the camera on television, the other one was Norman Lear, and yeah, I realize I'm probably dating myself. I knew that Marshall was behind "The Odd Couple" which I got to stay up and watch on Friday nights, and I knew his sister Penny was on the show too. Listening to the adults talk, the big word I learned was 'nepotism.' Nothing wrong with that, and she was funny too.

His name next caught my attention on Tuesday nights with "Happy Days," one of my favorite shows, that would soon create a phenomenon of 1950s nostalgia in the 1970s. The adventures of Fonzie, Richie, Potsie and friends would soon spawn "Laverne & Shirley" and "Mork and Mindy, which launched the career of Robin Williams. Like the aforementioned Lear, Marshall was a master of the spin-off in the seventies. I even remember the ones that no one does - like "Blansky's Beauties" and "Out of the Blue" - and even "Joanie Loves Chachi."

Later Marshall turned to film, perhaps most famously for Pretty Woman, Beaches, Runaway Bride, and the Princess Diaries movies. I admit a weakness myself for his first, Young Doctors in Love and The Other Sister. We just recently watched Marshall act in A League of Their Own, his sister Penny's film, and one of The Bride's favorites.

Garry Marshall was always one of my favorites. I have his second memoir My Happy Days in Hollywood on my Kindle unread, but not for long now. We've lost one of the great ones.

Dr. Jekyll & Mr. Hyde (1920)

Dr. Jekyll & Mr. Hyde ~ We saw this on last year's TCM Classic Cruise, which of course is the way to see any movie, in the company of passionate like-minded individuals, introduced by industry professionals, and in this case - of a classic silent film - accompanied by a live orchestra.

The Mont Alto Motion Picture Orchestra is no stranger to this kind of stuff as their name might imply. They've produced soundtracks, and performed live similarly, for The General (I even bought the DVD with their score while on board), The Mark of Zorro, and one of my favorites, as well as one of the first, movie serials - Les Vampires.

The Mont Alto Motion Picture Orchestra compiles and performs the film music, called 'photoplay music' in the lost vernacular, just as it was done back in the day. Silent films never had official soundtracks as we know today. Each theater had a house band that had a repertoire of various types of music appropriate to each scene. Mont Alto continues the tradition.

I can't tell you all what an amazing experience it was to arrive early for the showing in the Walt Disney Theatre to get a good seat and see and hear them performing. Wonderful to both see and hear them before they recessed below the stage so the film could be seen. The music played came from an assortment of composers like Gabriel Marie, Gaston Borch, and Wilson Smith.

The music was seamless. The Bride noted at times she had forgotten there was a live orchestra performing because the film and the score interacting in concert was so involving. Of course the music merely set the background for perhaps one of the most thrilling and frightening of the silent horrors - Dr. Jekyll & Mr. Hyde from 1920.

New York passes well for Victorian London, but then again, it had to. Shot around John Barrymore's schedule to accommodate his title role as Richard III and you can see the character in both his Jekyll and Hyde, as well as a hearty dose of overacting. The work schedule must have been crazy, wearing pounds of armor on stage every night and then filming this flick during the day with so much strenuous physical acting.

His transformations are wonderful and his Hyde with the scarily long fingers and his simian Yeti-like head is terrifying. Notably, each transformation was designed to make Hyde appear more dominant and monstrous, but that first transformation was all Barrymore - no make up, just him. Bad girl Nita Naldi is hotness embodied, for me at least, and good girl Martha Mansfield is suitably porcelain and unspoiled, for the moment at least.

It's not just that this is the 1920 silent version of the story, or that it's John Barrymore giving one of his greatest performances, this one showing on the TCM Classic Cruise on board the Disney Magic was special for another reason - its score was being performed by a live orchestra. This was not just a classic film, this was a once in a lifetime experience.

The Unauthorized Full House Story

Full disclosure up front here, I don't think I've ever seen an entire episode of "Full House." The Bride was/is a fan, so a full episode may have been on while I was in the same room, but... it just was never my thing. I just wasn't watching all that much TV in the late 80s and early 90s, especially sitcoms.

I was aware of the show however. How could I not be, right? It was huge, even before the Olsen twins exploded. And I knew John Stamos, from "General Hospital" of course. But to me, it just seemed like another innocuous sitcom. I like sitcoms, don't get me wrong, but not the unsurprising formula ones like this - or so I've heard.

After the success of the 'unauthorized' treatment of "Saved by the Bell" by Lifetime, it seems as if this type of production will be appearing more often on the network. What's really frightening about this one is that every actor seems to be doing really bad and over the top impressions of the celebrities. But then again, earlier unauthorizeds for "Three's Company" and "The Partridge Family," among others, have done much the same.

Here's the thing though, "Full House" has something special other previous unauthorizeds did not - a unified cast currently working together on a new version of the show to comment on this movie. The cast is presently working on the new Netflix update of the show, "Fuller House." They expressed mostly disdain and disappointment. Having watched it, I'd have to agree.

So where was Alanis Morissette? Wasn't "You Oughta Know" about Dave Coulier? If there's one story from behind the scenes at "Full House" that needs to be told it's that one...

The Silverball Museum

After seeing this place on the New Jersey episode of "Anthony Bourdain: Parts Unknown" (which we talked about on The GAR Podcast right here), I just knew it would be the perfect place to surprise The Bride with. So the following Sunday, we embarked on a mystery road trip to the Silverball Museum Arcade in Asbury Park NJ.

Set on the Boardwalk, this place is an old-fashioned arcade, just like the kind that used to be around in the 1970s and 80s. Dominated by pinball machines from every era, there were a handful of videogames and even a few skeeball lanes as well, there are well over two hundred amusements there. Each pinball machine had a placard over it detailing its history, completing the museum concept, the perfect please-touch interactive museum. We paid a small flat fee and were able to play any machine we wanted for a couple hours, which was awesome.

The variety of pinball machines was incredible, as I mentioned they spanned several decades. There were licensed properties like "The Sopranos," "The Simpsons," Star Trek, Indiana Jones, Rocky, "Doctor Who" (featuring all the Doctors, including a paper doll of Peter Capaldi some true fan must have added), "Charlie's Angels," Elvira, even Playboy, and my favorite, one based on the 1994 film version of The Shadow.

There were pinball machines featuring made-up superheroes like Capt. Card, Golden Arrow, and Fireball. They had music-based machines like Beat Time with the Beatles, and Capt. Fantastic with Elton John, as well as KISS from 1979 and Ted Nugent from 1978. The actual soundtrack of pinball must be Journey because we heard four of their songs on the overheard speakers in the two hours we were at the Silverball Museum. The Bride was in heaven - pinball and Journey.

Some of the videogame machines were not just one game, but many in one. One could say that even though the machines were few in number, some had entire arcades from the 1980s in them that one could choose from. I was sad to learn that I have completely and embarrassingly unlearned everything I know about playing Mario Bros., Joust, Gyruss, Road Blasters, Elevator Action, and other games I used to be good at and play for hours, but I still have it with Qix, Galaxian, Galaga, and Tempest. Among the pinball games I played were old favorite Flash from 1979 and one I didn't remember, the new wave looking Oxo, which was ironically from 1973.

They also had many of the pinball machines that had gimmicks, like Whirlwind, which had a fan on top of it that blew a pleasant breeze when you hit the right combination. Folks with memories might recall that arcades weren't usually well ventilated or air-conditioned, so this was cool for a couple of reasons. The aforementioned Shadow game had a pistol to shoot the ball, which would have been cool if it had more power behind it. And Demolition Man had guns for flippers, plus regular buttons on the side for folks who think that's dumb, which would be all of us.

All in all, it was a terrific afternoon, we even had fries! We're already planning a return trip.