Bionic Nostalgia - The Legacy

Fairly quickly after the television debut of "The Six Million Dollar Man" the word 'bionic' entered the lexicon permanently, going from a science fiction term to a science fact in recent years.  While no one has been granted super-strength, speed, or senses from their bionics (that we know of), cybernetic replacement of limbs, as well as things like cochlear implants are almost everyday things. 

As we've seen, the television universe was too big to have just one bionic man.  Soon Steve Austin was joined by the Seven Million Dollar Man, the Bionic Woman, and Maximilian the Bionic Dog.  In 1976, during Lee Majors' bad mustache phase, Vincent Van Patten became the Bionic Boy in a backdoor pilot that failed to go to series.  Both series, "The Six Million Dollar Man" and "The Bionic Woman," left the air in 1978, but would return in just under a decade. 

Three TV movies would follow starting in 1987.  The first, simply and awkwardly called The Return of the Six Million Dollar Man and The Bionic Woman, was similar to the Bionic Boy in two ways - it was a failed pilot and involved a young man getting bionics, in this case, Austin's illegitimate son. The last two, coming in 1989 and 1994, were Bionic Showdown and Bionic Ever After?. 

The legacy of Martin Caidin's Cyborg novel, and the "Six Million Dollar Man" television series that was based on it continues to today. There are novels, comic books, jigsaw puzzles, the "Bionic Six" animated series (among dozens that feature bionics within them), a new, if short-lived, "Bionic Woman" show, and of course the always-threatened-but-never-announced theatrical film. Bionics remains a part of our lives and pop culture decades later.

Check out the rest of my posts in this series here.

Class

This is the "Doctor Who" spin-off that was originally planned for BBC's streaming access earlier this year. It has been broadcast after "Doctor Who" on Saturday nights after its mother show on BBC America. It's set in Coal Hill Academy (formerly School), the school that the original "Doctor Who" series began at, and recently returned to a couple seasons back.

The premise surrounds a group of students and teachers at the school, who all have their own various secrets and backstories. The school, as background of so many "Doctor Who" adventures, has become a structurally weak point in the universe, both dimensionally and temporally, allowing all manner of nasties to enter.

I was expecting something along the lines of "The Sarah Jane Adventures," a show about kids, for kids. I was very surprised at watching the pilot episode, which of course guest-starred Peter Capaldi as The Doctor, because it was so dark. And by dark I don't mean the monsters which were living shadows, this was a mature show. This is a mature show for mature viewers, much more in line with "Torchwood" than "Sarah Jane."

So you've got high school students, doing high school things, and mixing in with, and mixing it up with some pretty nasty aliens. Most of the kids for me are interchangeable. If I'm being honest I wouldn't know if they switched them around every week, but there is one character who does stand out. That's Miss Quill.

Teacher Miss Andrea Quill, played with precision and a bit of charismatic madness by Katharine Kelly, formerly of "Coronation Street" and "Mr. Selfridge." She is a shape-shifting alien bonded to one of the students, and she's smart and mean and infinitely watchable. Really Kelly is the only thing worth watching in "Class" as far as I'm concerned. Even the ongoing Shadow King subplot doesn't grab me, these monsters in particular are a bit hokey, reminding me of the clay people in Heavenly Creatures more than anything else.

If "Class" isn't renewed, I hope that Miss Quill might join The Doctor as a companion, or better yet, as an adversary. Until then, "Class" is really only worth watching for the most hardcore Who fans.

Alan Thicke 1947-2016

While I was never a big fan of his most famous claim to fame, the TV series "Growing Pains," I'm going to miss Alan Thicke, who passed earlier today. The actor, writer, and TV host was known to me for other reasons. As a game show geek, I knew he had composed the themes to such shows as "Joker's Wild," "Celebrity Sweepstakes," and "Wheel of Fortune," among others. He was huge in his homeland of Canada, and was the father of Robin Thicke, but that's not what I remember him for either.

Two accomplishments made Thicke loom large on my radar, first as a writer on the hilarious and sadly forgotten "Mary Hartman, Mary Hartman" spin-off "Fernwood 2-Night," and then as the host of the late night American talk show, "Thicke of the Night." The latter exposed me to many bands, that today I still love (Midnight Oil springs to mind), and Thicke's insistence on giving viewers what they weren't getting from Johnny Carson made it all stand out. I was in the minority, but I loved it, and was sad to see it go.

I'm even sadder to see Alan Thicke himself go. I just recently saw him in a horrendous film parody called RoboDoc, in which he was the best thing. No matter what he was in, and he was in everything as he never stopped working, he was always great, and never lost his sense of humor. Alan Thicke will be missed.

RIP Garry Marshall

Award winning television and film icon, director, writer, and producer Garry Marshall passed away yesterday from complications of pneumonia, after having a stroke. He was 81 years old.

Garry Marshall's name was one of the first I was aware of that worked behind the camera on television, the other one was Norman Lear, and yeah, I realize I'm probably dating myself. I knew that Marshall was behind "The Odd Couple" which I got to stay up and watch on Friday nights, and I knew his sister Penny was on the show too. Listening to the adults talk, the big word I learned was 'nepotism.' Nothing wrong with that, and she was funny too.

His name next caught my attention on Tuesday nights with "Happy Days," one of my favorite shows, that would soon create a phenomenon of 1950s nostalgia in the 1970s. The adventures of Fonzie, Richie, Potsie and friends would soon spawn "Laverne & Shirley" and "Mork and Mindy, which launched the career of Robin Williams. Like the aforementioned Lear, Marshall was a master of the spin-off in the seventies. I even remember the ones that no one does - like "Blansky's Beauties" and "Out of the Blue" - and even "Joanie Loves Chachi."

Later Marshall turned to film, perhaps most famously for Pretty Woman, Beaches, Runaway Bride, and the Princess Diaries movies. I admit a weakness myself for his first, Young Doctors in Love and The Other Sister. We just recently watched Marshall act in A League of Their Own, his sister Penny's film, and one of The Bride's favorites.

Garry Marshall was always one of my favorites. I have his second memoir My Happy Days in Hollywood on my Kindle unread, but not for long now. We've lost one of the great ones.

Fear the Walking Dead

New territory. That's what AMC's "Fear the Walking Dead" is about. More than the bottom line of greed and money and cashing in on the idea of a companion series to the wildly successful "The Walking Dead," it's about unbound, source material-free storytelling.

As most folks know, "The Walking Dead" is based on the black and white Image Comic from Robert Kirkman. When he brought the series to television he made sure that it was different from the comics. While some of the characters, situations, and storylines are similar to the comics, they are not the same. Kirkman's thinking follows two lines of thinking - first, the television series is an alternate universe to the comics, and second, if the viewers knew what was going to happen, why would they watch?

Still, in AMC's "The Walking Dead," if you read the comics, you did have some idea of what to expect, whether it played out that way or not. "Fear the Walking Dead" would be a whole new game however. The series would be clearly taking place in the same universe, but be happening in Los Angeles as opposed to the Atlanta area, and would also be more of a prequel.

"Fear" would occur while Rick Grimes was in a coma in the early days of the 'zombie apocalypse,' (and yes, I know there's no Z word in this world) before the original series. We may even learn how this all started, something that has never been fully explored in the comics. New territory.

From the previews, it would seem to be a subtle and gradual zombie takeover (how long was Rick's coma anyway?) that simultaneously conjures images of both Ferguson unrest and 1970s Battle of the Planet of the Apes. We're looking at military vs. walkers and a family caught up in the transformation of mankind from top of the food chain to prey on the run, at least from the quick cuts we've seen.

I'm looking forward to seeing Kim Dickens. I loved her in "Deadwood" and "Treme," but hated her in "House of Cards" and "Sons of Anarchy," so I'm also looking forward to finding out which Kim Dickens we're getting. I've always been a Ruben Blades fan and it will be fun to see Elizabeth Rodriguez in a starring role outside of "Orange Is the New Black."

So I'm excited for some new territory with "Fear the Walking Dead," maybe some answers, and maybe better stories than we have seen the last few seasons of "The Walking Dead." The series begins tomorrow night, and Marie Gilbert will be covering it for Biff Bam Pop!, watch for it right here.

Bionic Nostalgia - The Bionic Woman

Esquire (formerly G4TV, which I wish they'd bring back) has been showing old reruns of "The Six Million Dollar Man," a show I loved as a kid, along with most of my generation probably. Recently I got a chance to see the two two-part episodes "The Bionic Woman" and "The Return of the Bionic Woman," the precursors and eventual backdoor pilot to the spin-off series with Lindsey Wagner - "The Bionic Woman." I don't think I've seen these since they aired in 1975.

Toward the end of the second season of "The Six Million Dollar Man," as it was enjoying amazing popularity, the showrunners decided to do something different, and not only give some much needed background on astronaut Steve Austin, but also introduce a new character that eventually would prove more popular than the bionic man himself, Jamie Sommers. We got to visit Steve's hometown and meet his parents as he was getting tired of the spy game and needed a break. While there, the other famous citizen of Ojai was also in town, tennis pro Jaime Sommers, played by Lindsay Wagner.

The two had enjoyed a relationship in their younger years, which they rekindled rather quickly within the space of one one-hour episode. So hot was this rekindling that Steve popped the question and the two were engaged. Then, when Jaime was nearly killed in a skydiving accident, Steve, who knows that bionics can save her, begs Oscar Goldman and Rudy Wells to do what they do so well. Soon, Jaime recovers with a bionic arm, two bionic legs, and a bionic ear - price tag classified.

Tragedy strikes when Jaime's body begins to reject the bionics, and she dies. This eleven year old remembers shedding a tear then. It was one of the saddest moments of the series so far, and for kids all over America when the bionic woman died. And to cap it off, the second episode even ended with Lee Majors singing the mournful "Sweet Jaime" song. The showrunners had created a monster, one that would not die - ratings were through the roof.

When "The Six Million Dollar Man" came back for its third season, it was with a much-anticipated two-parter called "The Return of the Bionic Woman." Jaime wasn't dead, but did die on the table the year before, but was saved by an 'experimental biochemical cryosurgery.' Neither Oscar nor Rudy told Steve until he came across her himself, but sadly she had no memory of what went before, no memory of a relationship with Steve. Talk about heartbreaking. Remembering her life before causes Jaime pain, so Steve stays away, letting her move on, so she won't be in pain. Wow.

From there, "The Bionic Woman" television series spins off on its own, running two seasons on ABC and a third on NBC, becoming a unique item in TV history - one of two shows on two different networks to share the same cast as Oscar and Rudy appeared on both. Often on "The Six Million Dollar Man," Oscar was shown as Steve's buddy, but at this point, even as a child I realized he really wasn't. This was a business arrangement. Oscar was Steve and Jaime's boss, but he was friend to neither. Friends don't keep secrets like that.

Jaime abandoned the tennis pro career and settled in Ojai as a teacher. One of her kids was even Oliver from "The Brady Bunch!" From this home base she went on missions for the OSI. She would fight the Fembots, female robots from the mad scientist who sicced John Saxon on Steve Austin in his first season. And at NBC, she would gain a canine comrade in Max the Bionic Dog. One of her most dangerous missions was against a sentient doomsday machine whose inspiration was obviously Hal from 2001 A Space Odyssey.

Occasionally Steve and Jaime would cross paths with comic book-like crossover events, where part one would be on one show and part two on the other - making syndication very difficult. One such occasion dealt with the return of Bigfoot and another when Oscar had been kidnapped. Although both series were canceled in 1978, "The Bionic Woman" had proved more popular than the series she spun off from.

Three reunion movies aired years after the shows ended, as always with series in mind, but nothing ever came of it. A few years back in 2007 Kenneth Johnson tried to reboot "The Bionic Woman" for NBC with a grittier, darker version. It lasted eight episodes. More to come.

Copycat Kitchens

They say that imitation is the sincerest form of flattery. When I look at the Food Network lately, I have to wonder about that. I'm a big fan of "Chopped," and I really can't get enough of it, but trust me, this isn't what I meant. It seems like almost every new show coming out of the Network lately is just another variation of the show.

"Chopped" has four chefs preparing three meals from three mystery baskets of ingredients. It’s a competition that eliminates one contestant every round until there is a winner of a cash prize. I love it, it’s challenging, it's creative, and most of all it's fun. And yes, I know that "Chopped" itself is sort of a derivation of "Iron Chef" and that it has spun off a Canadian version. Those are okay, it's the other shows I'm talking about.

The shows in question are "Cutthroat Kitchen," "Guy's Grocery Games," and "Kitchen Casino," just to name the main perpetrators. They are all essentially "Chopped," with slight derivations to the rules. "Cutthroat" adds obstacles to the contest, and is the most entertaining. Guy Fieri's "Grocery Games" adds a bit of "Supermarket Sweep" to the formula. And "Kitchen Casino" puts, what else, a casino into the equation. And "Rewrapped"? More "Chopped" than spin-off of "Unwrapped."

The thing is, while they are all entertaining to some extent, why not just make more "Chopped," rather than dilute the idea with substandard programming? None of them are as good or fun as "Chopped," so why not just do more "Chopped" instead?

Puss in Boots

Puss in Boots ~ Each time there has been a Shrek sequel, even when I've enjoyed it, I find myself hoping it's the last one. With this Shrek spin-off film about the fairy tale cat portrayed by Antonio Banderas, I find myself hoping that the hardest.

A prequel to the Shrek movies, this details Puss' life before meeting up with the famous ogre and his friend Donkey. Salam Hayak is on board as Puss' rival/romantic interest but adds little as do the rest of the talented cast who bring to life other fairy tales like Humpty Dumpty, Jack and Jill, and Jack and the Beanstalk in typical but unfunny manner. When you have Zach Gilafianakis, and he's not funny, you're doing something wrong.

The animation is good, as is the score, but everywhere else, it's a fail. Aside from one of two chuckles, and an inside joke or two, and of course the few fleeting good seconds that we have all seen in the previews and commercials, this is a wash. It's predictable, and where it tries to be an homage to other 'real' films, it fails.

Also, if you must see Puss in Boots, save yourself twenty bucks and see it in 2D as opposed to 3D, there's nothing to see here. Wait for free TV. No matter how hard the kitty gives you the eyes.