DC's Legends of Tomorrow S01 E06: Star City 2046

I reviewed the two-part pilot for "DC's Legends of Tomorrow" over at Biff Bam Pop! right here. There was a lot to like, so many heroes, time travel, it was a bit like being a fanboy let loose in a comic shop. Two problems persisted, and continue to persist as the show keeps going. It's predictable, and has far too many characters, forcing the stories to split teams and only concentrate on a few at a time.

However, it has its good points as well. Victor Garber as Professor Stein, and especially Wentworth Miller III as Captain Cold are gold, and the latter is perfect in the role and damned fun to watch. Miller alone as Cold makes the show worth watching. So when a Green Arrow-centric episode came along, seeing as I review "Arrow," I figured I'd write about it.

The concept is time traveler from the future Rip Hunter recruited Hawkgirl, the Atom, White Canary, Firestorm, Captain Cold, and Heat Wave to save the future by fighting Vandal Savage in the past. In mid-mission they crashland in Star City in the year 2046 and need parts for repairs. Star City is under siege however by Grant Wilson, the son of Deathstroke, and his army. The city's only defense is a new Green Arrow named Connor Hawke.

And this is why time travel, mixed with arbitrary TV changes, makes my head hurt. In the comics, Deathstroke did have a son by that name who died on his first mission at the hands of the New Teen Titans. Connor Hawke, in the comics at least, is in fact Oliver Queen's son, by Shado, who's dead on the television series.

Soon it's revealed that Connor Hawke is only the name that John Diggle Jr. took when he became the Green Arrow. Oliver Queen lost an arm when the new Deathstroke took over and quit. Stephen Amell makes a couple cameos as the three decades older Queen. His return is triumphant, and predictable.

As always, and it's a good thing, Cold steals the show clashing with his partner Heat Wave. In this future Star City, the hot tempered criminal could have been a king, but Cold is too invested in stopping Vandal Savage. This is a turning point in the characters and the partnership that will change this dynamic forever. Notably in the comics, Captain Cold and Heat Wave are enemies and grudging colleagues.

Another tidbit from the comics is that this isn't the first time Oliver Queen has lost an arm in the future. He's also in this state in the future of Batman: The Dark Knight Returns. See you back in 2016, on "Arrow."

For my other reviews of the entire "Arrow" series, click here. And if you'd like to discuss this episode and anything else in the Arrowverse, please join the Arrow Discussion Group on Facebook.

Terminator Genisys

Terminator Genisys ~ There's a joke we have frequently when I run superhero role-playing games, because it's a storytelling device I use so often, and that's "Time travel makes my head hurt." The line is even spoken in this film. That's pretty much the phrase that best describes Terminator Genisys, because its continuity exists in a reality where things have been so messed up by repeated time travel that no one can keep the 'real' reality straight any longer.

We've got at least four movies and a short-lived TV series full of continuity that has been changed and reset more times than a videogame. Play. Reset. Play. Over and over again so that much of what you know is different every time you hit the reset button. Add to that the concept of alternate timelines, alternate pasts, and alternate futures, it just gets worse. For all those "Doctor Who" fans out there quoting David Tennant's 'timey-wimey' monologue, you get the picture.

Kyle Reese and Sarah Connor are still trying to destroy Skynet to prevent the machines from killing the human race, and a variety of Terminators are out to get them. That's all still true, it's the rules and variables that are different, and of course it's been updated. There are surprises, young Arnold, old Arnold, Lee Byung-hun as a T-1000, and... well, that would be telling. But then again, that's one of the big problems with this flick, all the big surprises were given away in the trailers.

Like earlier Terminator films, it's action propelled, thrills as heroes race against time, and stunts and special effects galore. Arnold Schwarzenegger is perfect, former Doctor Who Matt Smith (billed as Matthew Smith) rocked, and JK Simmons is fun in his much-too-small role. All are good except for the real lynchpin of the flick - Emilia Clarke, the Kalissi from "Game of Thrones," as Sarah Connor, is worse than bad, she's completely unbelievable. HBO has her right, the less dialogue, the better the performance.

I really could have done without the 'lesson' that technology is bad for us, and that being plugged in and online is a bad thing. Perhaps that is another reason this flick did not do as well as it could have - the anti-internet message of the Genisys application. Bad idea, folks, don't alienate the young demographic, don't bite the hand that feeds...

Here's the bottom line. I saw this flick for free on the TV loop in my stateroom of a recent cruise. It was enjoyable for free to watch as I pleased or not. If I'd had to pay for it, I think I might have been mad. See at your own risk.

12 Monkeys The TV Series

When I first saw Terry Gilliam's 12 Monkeys on the screen back in 1995, I was a bit confused. I was amazed by the quirky performances of Brad Pitt and Bruce Willis, and intrigued by the odd time travel story. I liked the film, but for the most part didn't really 'get it' until I saw Chris Marker's short film La Jetee on which it was loosely based.

Tomorrow night (Friday, January 16th) the new "12 Monkeys" television series debuts on Showcase and Syfy. I had the chance to see the nine minute preview recently, and let me just say that while the film had me intrigued, this extended clip had me hooked. You should definitely check it out.

You can see those first ten minutes right here:



And don't forget to check out Biff Bam Pop!'s Marie Gilbert's interview with "12 Monkeys" star Amanda Schull right here.

La Jetee

La Jetee ~ This is an interesting little film, and by little, I mean it. It's just under a half-hour long. Written and directed by Chris Marker, it was apparently the inspiration for 1995's 12 Monkeys. This is how I first encountered it. When 12 Monkeys was in theaters, I was working in a video rental store and everyone wanted to see the inspiration for the flick. Needless to say, there were not a lot of customers who were happy with this award-winning twenty-eight minute black and white art film from 1962. That's not to say its not good, let's just say it's different, and not what they expected.

La Jetee is almost exactly the stereotype we mainstream American movie goers think of when we think of a French film. It's arty, subtitled or dubbed (from two different languages), avant garde, hard to understand, and makes 1980s jeans commercials seem to have more depth. And then there's the weirdness of it not actually being a 'motion picture' at all - it's composed of all still shots with voiceover.

Want to give an unsophisticated American Brad Pitt and Bruce Willis fan a headache? Here you go, all in one half-hour package. I remember I had several customers raise a stink not wanting to pay for the rentals for reasons ranging from 'it's not a real movie' to the more direct 'it sucks.' Sorry, no refunds, even for this.

Not being what one would expect is not necessarily bad. La Jetee is just different, very different from 12 Monkeys, but thematically so however. We're still dealing with time travel, just not traditionally so, like its American cousin. In post-nuclear World War III Paris, scientists are trying to send people to the past and to the future in order to save their present, prevent the war, and save civilization. Paradoxes occur and our hero is on the run, haunted by a childhood memory, but eventually things come full circle in an ending that would make O. Henry smile.

If you remove 12 Monkeys from the equation and from your head, La Jetee can be quite compelling and you'll forget all the obstacles that may at first seem hard to get over. The twenty-eight minutes fly by as you're pulled into this world and this man's journey. Marker blends striking imagery with an intriguing storytelling style to create a startling vision. Worth seeing, those long ago video store customers didn't know what they were talking about.

X-Men: Days of Future Past

X-Men: Days of Future Past ~ I'm an Avengers guy. I have been aware of the X-Men for decades, but very rarely have I sampled those titles. The only time I did regularly read and collect X-Men comics was the original Chris Claremont/John Byrne era (yeah, I'm that old). The best and greatest story of that run, just behind the Dark Phoenix saga, would be the two-part "Days of Future Past" story in X-Men #141-142. Oh sure, I realize that the storyline has been revisited time and time again, many slipped past my notice, but I think the first was the best. That said, I was really looking forward to the film version of X-Men: Days of Future Past.

Warning - spoilers ahead. If you have not seen the movie yet, it might be a good idea to wait until you have before reading further. You've been warned.

I can't go any further without mentioning how groundbreaking this movie actually is. There were three official X-Men films, and two Wolverine spin-off films, and then there's X-Men First Class, a film that I loved, and one that effectively rebooted the franchise. The film took place in the early sixties, and other than some of the characters, it was recast younger, and showed the beginnings of the X-Men. Had a sequel been made directly to this movie, I don't think anyone would have been disappointed if they completely ignored the other three X-Men flicks, or even the two Wolverines as well.

They could have done it easy, but director Bryan Singer, returning to the franchise had other ideas. He chose to blend the continuities, and mold a story that would include both of the franchise's two casts, young and old. If it worked, it would be brilliance, and if it didn't, a confusing mess no one would want to see. The plan worked beautifully. This is just as a good a crossover film as Marvel's The Avengers was. Fact, comic book folks know how to do crossovers on film.

The plot is the only part where it might become a bit convoluted, but as time travel movies go, this is child's play. The future is overrun by robots called Sentinels, programmed to hunt and destroy mutants, devastating the Earth as they do it. The remaining X-Men send Wolverine's future mind back to his 1973 body to try to convince Professor X and Magneto to work together to stop Mystique from assassinating a weapons dealer. His death is what starts the dominos falling toward the creation of the Sentinels. Changing time is not as easy as it sounds. Wolverine has to first straighten out a wasted Xavier, and then break magneto out of a concrete prison below the Pentagon. Not that easy at all.

There are changes from the original comics of course. Wolverine goes back in time instead of Kitty Pryde. It's arms dealer Boliver Trask who's the target instead of Senator Robert Kelly because Kelly, played by Bruce Davison, had already been used early on in the movie series. There's no Brotherhood of Evil Mutants in the movie, and the Sentinels are more like Super-Adaptoids programmed using Mystique's shape-changing DNA.

The cast is superb. Professor X and Magento, past and present - Patrick Stewart and Sir Ian McKellan, James McAvoy and Michael Fassbender - are all superior actors and perfect in this film every moment they are on screen. Hugh Jackman just about is Wolverine at this point. Halle Berry insisted on much higher billing than she deserves, but at least she wasn't awful. Ellen Page as Kitty Pryde and Nicholas Hoult as the Beast are terrific, and I wish Anna Paquin's Rogue hadn't been cut from most of her shots in the flick. Shawn Ashmore's Iceman has as much screen time as Berry's Storm, but is much more charismatic and memorable. I wanted more Iceman, but was meh on Storm.

Peter Dinklage of "Game of Thrones" is clearly wasted in the film as Bolivar Trask. He is seen but rarely heard. This is a sad waste of a terrific actor, who also has a fan base that would bring folks to the film. On the same note, seeing how Mystique was a major character in the story, I was hoping that Jennifer Lawrence would have been given more to do. She looks good, has amazing action sequences, but as an Oscar nominated and winning actress, it would have been nice to see her actually, you know, act. Now don't get me wrong, I liked them both, I just wish there was more of them, just like Rogue.

The breakout performance of the flick however is Evan Peters as Quicksilver. For my money, he was the best part of the movie. This is teenaged Quicksilver, a smartass, but not the prime jerk he becomes as an adult in the Avengers. I was reminded much of the upcoming "Flash" TV series on the CW, because this is a character who enjoys his speed and using his powers, sooo refreshing. And again, much like Mystique and Trask, why not more Quicksilver?

And more Quicksilver would have made perfect story sense. At a point when Professor X was powerless, the beast was reluctant, and Wolverine only had bone claws, wouldn't a super speedster be a much needed helping hand? It must be noted, but when the only complaints I have are wanting more of what we got, is it really a complaint?

I did have another quibble - the Kennedy thing. I just thought it was too easy. Not the idea that Magneto killed JFK, the whole idea of the bullet that changes course is a great and clever inside joke, but it's the concept that Magneto was captured while protecting the President. Charles believes Erik much too easily when the villain says he was trying to save JFK because he was 'one of us.' Prof. X might well have already known that the President was a mutant via Cerebro, but this exchange changes the two's dynamic too easily, too quickly. Charles just drops his anger at Erik like rock. Too easy.

X-Men: Days of Future Past is a dark film, and there are long stretches of that is-it-time-for-the-good-guys-to-win-yet, but it pulls together in the end. There's a pay-off that makes the long periods and the darkness well worth it. Like Bobby Ewing stepping out of a shower, the film does what all good time travel movies should do. It fixes what was broken as a bonus. When Logan returns from the past, Jean Grey and Cyclops are alive, and uncredited but still played by Famke Jansson and James Marsden. Bryan Singer fixed the crappy ending of X-Men: The Last Stand.

Be ready, just like the Marvel films, this Fox X-Men flick has an after credits sequence, something The Bride and I have named an 'afterburner.' This one depicts the villain of the next X-Men film - Apocalypse, so wait through the credits, it's good, and will make you tingle with anticipation for the next chapter. I still think First Class is the best of the X-movies, but this one comes close, recommended.

For more of The Bride's and my thoughts on X-Men: Days of Future Past, you can listen to this week's Make Mine Magic Podcast, with our special X-Men episode that you can hear right here.

11/22/63 on 11/22/13 at Biff Bam Pop!

Fifty years ago today, we lost one of our greatest Presidents to an assassin's bullet. To mark that anniversary, I've reviewed Stephen King's amazing and award winning time travel novel 11/22/63 over at Biff Bam Pop!. You can read it here.

While you're at the site, don't forget to also check out my regular reviews of "Marvel's Agents of S.H.I.E.L.D.," "Avengers Assemble," and Marvel Comics' latest crossover event Infinity.

If you like pop culture, you will love Biff Bam Pop!, check out all the terrific articles and reviews there.

And don't forget, soon, their Holiday Gift Guide will be featuring the new and the cool for the holidays, look for it!

Looper

Looper ~ This is one of those movies that's hard to explain, and once you explain it, as complicated as it is, you go wow, that's a great idea for a movie. Looper is like that, only then it turns everything upside down and plays with possibilities. Plus time travel. And it's awesome.

Loopers are assassins sent into the past to dispose of targets from the future. Eventually their future selves are sent back, killed by themselves, whereupon they are retired and can live happily for thirty years until their loop is closed when they are sent to the past. Got it?

Joseph Gordon-Levitt is living the life of a looper, and everything is perfect until Bruce Willis, his older self, shows up, and escapes. That's when all hell breaks loose. That's when all the rules of time travel you thought you knew get turned in their ass.

Writer/director Rian Johnson has fun with this time travel twisting thriller, and puts both JGL and Willis through their paces. It's full of shocks and surprises, and even Emily Blunt comes off looking good. If you think you know time travel, this will put your Terminator and Back to the Future philosophy to the test. Good stuff, worth watching.

Men in Black 3

Men in Black 3 ~ This movie beats the odds several ways. First it's fun and entertaining, which for a sequel, let alone a second sequel, let alone a second sequel almost fifteen years after the original, and a decade after the lackluster first sequel. To be a good movie, and do well, against those odds is definitely an achievement.

The Men in Black concept is based on the brief and rarely seen Malibu Comics feature by Lowell Cunningham, which is in turn based on the ufology myth of the men in black from the government who cover up alien encounters. Through three movies now, Tommy Lee Jones as senior agent K and Will Smith as junior agent J have protected Earth from the scum of the universe as part of a top secret organization who do what you would expect them to do - kicking alien ass and erasing everyone's memories of said ass-kicking.

The films have been successful mainly because of Jones and Smith's almost perfect extreme buddy cop chemistry, as well as the sharp humor of the writing, and of course the cutting edge special effects. Even with all that, the first sequel was a weak entry almost ensuring MIB3 would not happen, but here we are.

The plot of Men in Black 3 bucks the odds even further, as it's about time travel. The common thinking in Hollywood, even in scifi movies, is that time travel makes people's heads hurt. Only when it is done well, like in the Back to the Future or Terminator series, does it come off successfully with mainstream audiences. MIB3 does it as well.

An alien villain, Boris the Animal (played by Jemaine Clement from HBO's "Flight of the Conchords" although you'd never guess it), escapes prison and goes back in time to 1969 to kill K before he can put him in jail. K vanishes from the present, so J must go to 1969 to save him and put time right. And here's where we hit the third odds-breaker. The younger K, played by Josh Brolin, is Will Smith's partner for most of the movie. His impression of Tommy Lee Jones as K is dead on, and half the entertainment of the flick. The chemistry is intact despite a new actor in an old role.

This movie is so much fun, captures the spirit of the original, and covers new territory while being funny, exciting, and fresh. The only thing that could have made this better would have been a Will Smith theme song. Recommended. I wouldn't have thought I would say this, but bring on Men in Black 4.