RIP Family Guy

The Great Gazoo. Cousin Oliver. A new class of students like on "Fame" or "Glee" or "DeGrassi." The consummation of a relationship like Dave and Maddie, Master and Jeannie, Lois and Clark. Or Carrie getting pregnant on "Homeland." It's called 'jumping the shark,' as in when Fonzie waterskied over a shark on "Happy Days."

The phrase references when a TV series has hit its pinnacle and is on it's sharp sometimes fast decline down. It's the moment of a sudden drop in quality, rationality, and popularity. It can even be defined as an act of desperation by the powers that be to 'save' or 'freshen' the series.

Get them married, get them pregnant, adopt a kid, change locale, or kill a major character. All acts of desperation. And sometimes sabotage, when the creators are tired of the same old crap week after week. Could this be what happened on "Family Guy" Sunday night?

Brian, Brian Griffin, died the other night. Brian the family dog who walks erect and talks, has conversations with, is apparently the only one who hears baby Stewie's dialogue, and is notably the only rational thinking character on the animated show, was run over by a car and died in the vet's office surrounded by the Griffins.

It is worth mentioning that creator Seth MacFarlane has very vocal with his feelings about "Family Guy" going on too long, being tired, and most good TV shows end after seven seasons ("Family Guy" is currently in its eleventh). Perhaps MacFarlane has thrown in a monkey wrench by killing beloved Brian in such a way.

I feel that Seth is giving us all a big middle finger. He's almost saying, "You really still like this show? Well, now the dog's dead. How you like it now?" He even went so far as to replace Brian with a new dog character, just as likable but different, as if teasing the audience to see how much they can take before turning away. As the episode ended, I was left puzzled, waiting for the gag that never came. And perhaps that's MacFarlane's goal.

There are of course, tricks to this one. Stewie could always travel back in time and save Brian. Perhaps it's a long arc, or perhaps this will all be forgotten next week. Seth MacFarlane has never been one to shy away from exposing television clichés in that way. I guess we'll have to wait and see, if we're still watching, and McFarlane is still doing the show. Either way, I'll miss Brian.

Sherman Hemsley 1938-2012

Sherman Hemsley was found dead this morning, presumably of natural causes. The television, stage and film actor was 74.

Hemsley was best known for playing George Jefferson, Archie Bunker's neighborly nemesis on "All in the Family" before moving on up to his decade long rein in the spin-off "The Jeffersons," also by Norman Lear. Later Hemsley played Deacon Frye on "Amen."

I'm a bit more out there when it comes to my favorite roles for Sherman Hemsley. I loved him as the Steel Condor in the Disney superhero satire Up, Up, and Away. I also dug him as the Toyman, along with "Jeffersons" co-star Isabel Sanford, on "Lois & Clark: The New Adventures of Superman." He was also the star of my favorite story from the second incarnation of "The Twilight Zone" called "I of Newton."



A bit of trivia about Mr. Hemsley is that he was a huge prog rock fan and expert. He loved bands of the early seventies like Yes, Genesis, and the more obscure Gentle Giant. Sherman Hemsley even collaborated with Jon Anderson on an unreleased album.

Sara, Dean and the Professor

Gypsy 83 ~ Sara Rue, late of ABC’s “Less Than Perfect” is a Stevie Nicks-obsessed Goth girl who takes a cross-country jaunt with her gay Goth guy-pal to see ‘the Night of a Thousand Stevies.’ No, I shit you not. It’s actually pretty good and Sara gives an impressive performance except for one moment that invalidates the rest of the flick. In a scene that out-camps Phoebe Cates doing her Christmas and Lincoln’s Birthday speeches in the Gremlins movies, Sara tells of a talent show in high school where she pees herself on stage. The subplot of the Amish hitchhiker exploring the outside world for the first time is sometimes more intriguing than the main plot itself. And Karen Black is also here, not as creepy as usual, and definitely not as creepy as in real life. Great soundtrack and worth seeing unedited, as opposed to how it’s shown on Logo.

BOA ~ Here’s what OnDemand has to say about BOA: ”It’s the future. Deadly criminals shipped off to high security prison in Antarctica. But there’s a presence there more dangerous than all of them combined: A giant, prehistoric snake hibernating under the facility. Gee, I hope nobody wakes him up.” Wow, not much I can add to that, eh? Dean Cain is actually funny and watchable here, more so than he’s been since “Lois and Clark” probably.

Quatermass and the Pit ~ I first saw this one as a child, when it was called Five Million Years to Earth, and it scared the hell out of me. When I saw it for four bucks at Walgreens the other night I had to pick it up. While all that remained in my memory for three decades was the devilish image at the end of the film, I fully expected it not to live up to expectations – especially in the discount rack at a drug store, but I was wonderfully surprised. This is a very sophisticated sci-fi thriller that I’ll probably watch again and again. I also look forward to checking out the rest of the Quatermass films. A definite winner.