2012 ~ A close friend of mine said the other day that she would watch John Cusack read the phone book. I have to wonder if she’s seen this gem…
The real star here is the special effects. It seems like co-writer/director Roland Emmerich just didn’t get to destroy the world enough in Independence Day and The Day After Tomorrow (and that’s not even mentioning how he destroyed Godzilla, grrr…) and had CGI effects leftover. That said, this wannabe Irwin Allen has created stunning disaster imagery that is almost worth the price of admission (or rental), if only a story went along with it.
The film’s structure revolves around the solely Western idea that the world will end when the Mayan calendar ends in the year 2012. To me this always seemed absurd. The calendar ended because the guy carving it got tired and just ended it on the last cycle. Remember no keyboards or pencils then, just chisels – it was hard labor. Anyway, the world’s going to end, cue special effects and let your butt get numb.
John Cusack is writer Jackson Curtis (who just happens to have written a book about Mayan ‘prophecy’) who struggles in the midst of the disaster to save his estranged family. The hilarity, and unbelievability factor, ensues from there. I have to wonder however if John had some gambling debts or alimony payments we don’t know about he had to cover with this flick. It certainly couldn’t have been the script that lured him in. Woody Harrelson, on the other hand, is actually quite a hoot as an ersatz Art Bell type radio show host.
The chase scenes will certainly make your heart race, and if only this would have been in IMAX... See it for the effects, and only if you don’t have to pay for it.
Glenn Walker is a writer who knows pop culture. He loves, hates, and lives pop culture. He knows too freaking much about pop culture, and here's where he talks about it all: movies, music, comics, television, and the rest... Welcome to Hell.
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Wednesday, April 21, 2010
2012
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