Batman: Assault on Arkham

Batman: Assault on Arkham ~ I had this one tucked away for a while before I actually ever looked at it. The reason being I thought it was connected to those awful Batman Arkham videogames that I can't stand. I knew it was an animated feature, but the idea that it might be based in that weird game universe really put me off. However when I did finally get around to watching it, I was pleasantly surprised. This is nothing like I expected.

Assault on Arkham is not even technically a Batman feature, it's about the Suicide Squad, possibly a preview to hip folks as to what to expect in the upcoming film of the same name. And it's also not strictly a superhero flick either. This has the flavor and style of a heist movie circa the turn of the century, slick, cool, very new age Oceans 11. The villains are gathered, begrudgingly work together, and pull off what they need to despite clashing personalities. Yes, it has standard Suicide Squad procedure, but the way it's pulled off is so well done and heist genre. I loved it.

There were places where I was pulled out of the story, notably some weird anime bits, characters who looked too much alike, the Joker mugging for the camera, and of course the creepy Penguin with a British accent and eating fish whole, bones and all. The characters have chemistry, and the dual stories of them breaking into Arkham while Batman searches for the Joker's dirty bomb and follows them in, are enticing.

This was better than I thought it would be, highlighted by "Batman The Animated Series" voice veteran Kevin Conroy, and Hynden Walch, who does a wonderful approximation of Arleen Sorkin's Harley Quinn. An entertaining 76 minutes with a wild score by Robert J. Kral, and some great lines - worth the time.

I have to say however, if the upcoming Suicide Squad movie, despite how that trailer looks, is anything like this, I can't wait to see it now.

Daredevil S01 E13: Daredevil

We open this final episode of the first season of "Marvel's Daredevil" with the funeral of Ben Urich. His death last episode makes the bloody credits sequence all the more poignant. This was a shocking death as Ben is still alive and well in the comics. And if you don't cry when Karen meets Ben's wife, I just can't help you.

Later in this finale written and directed by Steven S. DeKnight, Fisk confronts Owlsley over recent events. He knows he was behind the poisoning. The Owl thinks he has leverage but Kingpin doesn't care, and throws him down an elevator shaft. I guess I was right about Owlsley's son quite possibly being the real Owl. And Fisk, wow, between Urich, Owlsley, and Vanessa, he's got quite a mommy complex.

On the positive side, it's good to see Charlie Cox and Elden Henson bringing that great chemistry they have back to Nelson and Murdock, and Deborah Ann Woll's Karen just completes that triangle. This works, I wish it didn't have to break before it works again. With most of the cops on the take, the FBI is brought into the equation, and in that way, the good guys win the way Matt wanted it - through the law. Even Senator Cherryh is brought in. Only Fisk remains, and thirty minutes in, they have him too.

It's nice that the good guys win, but where is the superhero action, and especially the kind of action that has highlighted this series from the beginning? DeKnight knows this kind of action even when he doesn't show it. One of the more intense fight scenes is shown only in the subtle reactions on the blood-spattered face of actor Daryl Edwards as crooked cop Hoffman. We see nothing, but we feel everything.

After Wilson Fisk, in custody, on his way to confinement, tells his two guards the story of The Good Samaritan, all hell breaks loose. Vincent D'Onofrio, channeling Samuel L. Jackson from Pulp Fiction, speculates on which character from the tale he is. He used to think he was The Good Samaritan, but now he feels he is the ill intent that befell the man. That's when the NYPD ambushes the FBI... and we find that the Kingpin owns people everywhere.

With a showdown approaching and armed men in the streets, Matt goes to retrieve his body armor finally from Melvin Potter. In payment, he promised to keep Melvin's Betsy safe from Fisk. I've a feeling this might not be a promise Matt can keep and we'll be seeing Gladiator in the future especially after getting a glimpse circular saw blueprints. Either way, finally, it's our hero as he's most recognizable.

I don't like the costume. After seeing the lycra outfit that is so flexible and easily movable in, this plated body armor looks bulky, fake, and distracting. I had trouble believing he could move well in it. I don't believe leather and metal can bend like that. And I would have liked some explanation of the billy club, what it does… and how he got so good with it. I know I'm the guy who always wants the superhero trappings, but here, after a dozen episodes in simpler more believable garb, I just don't buy it. I should like it, but I don't.

Fisk has an escape plan, and a countdown to a meetup with Vanessa where they'll leave the city together. I don't think Daredevil will let him get away that easily. The combat is intense, but I have to say I was distracted by the costume for much of it. Besides Fisk, there are happy endings all around yet no explanations of how the police force was cleaned up, if it was, or any of that mess. I guess we'll have to wait for season two, and perhaps Fisk's trial.

At this point all we really know about season two is that there is one, sometime in 2016, and that Elodie Yung will be playing Elektra, and Jon Bernthal, formerly of "The Walking Dead," will be playing the Punisher. As someone likes the Punisher even less than Daredevil, I don't care much about that last one. There have been rumors of Bullseye too, but I already saw that in the Ben Affleck film. Personally, if I get Gladiator and the Stilt-Man, as teased in this series, I'll be happy.

If the rest of these Netflix series are as good as "Daredevil," I will be very happy. I really really dug this. Highly recommended.

SDCC 2015

Some of us didn't get to go to the San Diego Comic Con, and have to live vicariously through those posting to social media (#SDCC2015 for comics fans on Twitter, and weirdly #ComicCon for those folks who don't know comics are involved, or at least that's how it seems), "Conan," and the reports from EW Radio this weekend.

For those who missed out, here are a few of the previews that dropped, including "Doctor Who," "The Walking Dead" (courtesy of Biff Bam Pop! right here), and its spin-off/origin story/prequel "Fear the Walking Dead."







Also, speaking of Biff Bam Pop!, super-cool Emily McGuiness has some great SDCC 2015 interviews up on the site, with Darin Henry, Jim LuJan, Lonnie Millsap, and Leen Isabel and Nguyen Dong. Check them out!

And if you are lucky enough to be in San Diego, enjoy!

The Silverball Museum

After seeing this place on the New Jersey episode of "Anthony Bourdain: Parts Unknown" (which we talked about on The GAR Podcast right here), I just knew it would be the perfect place to surprise The Bride with. So the following Sunday, we embarked on a mystery road trip to the Silverball Museum Arcade in Asbury Park NJ.

Set on the Boardwalk, this place is an old-fashioned arcade, just like the kind that used to be around in the 1970s and 80s. Dominated by pinball machines from every era, there were a handful of videogames and even a few skeeball lanes as well, there are well over two hundred amusements there. Each pinball machine had a placard over it detailing its history, completing the museum concept, the perfect please-touch interactive museum. We paid a small flat fee and were able to play any machine we wanted for a couple hours, which was awesome.

The variety of pinball machines was incredible, as I mentioned they spanned several decades. There were licensed properties like "The Sopranos," "The Simpsons," Star Trek, Indiana Jones, Rocky, "Doctor Who" (featuring all the Doctors, including a paper doll of Peter Capaldi some true fan must have added), "Charlie's Angels," Elvira, even Playboy, and my favorite, one based on the 1994 film version of The Shadow.

There were pinball machines featuring made-up superheroes like Capt. Card, Golden Arrow, and Fireball. They had music-based machines like Beat Time with the Beatles, and Capt. Fantastic with Elton John, as well as KISS from 1979 and Ted Nugent from 1978. The actual soundtrack of pinball must be Journey because we heard four of their songs on the overheard speakers in the two hours we were at the Silverball Museum. The Bride was in heaven - pinball and Journey.

Some of the videogame machines were not just one game, but many in one. One could say that even though the machines were few in number, some had entire arcades from the 1980s in them that one could choose from. I was sad to learn that I have completely and embarrassingly unlearned everything I know about playing Mario Bros., Joust, Gyruss, Road Blasters, Elevator Action, and other games I used to be good at and play for hours, but I still have it with Qix, Galaxian, Galaga, and Tempest. Among the pinball games I played were old favorite Flash from 1979 and one I didn't remember, the new wave looking Oxo, which was ironically from 1973.

They also had many of the pinball machines that had gimmicks, like Whirlwind, which had a fan on top of it that blew a pleasant breeze when you hit the right combination. Folks with memories might recall that arcades weren't usually well ventilated or air-conditioned, so this was cool for a couple of reasons. The aforementioned Shadow game had a pistol to shoot the ball, which would have been cool if it had more power behind it. And Demolition Man had guns for flippers, plus regular buttons on the side for folks who think that's dumb, which would be all of us.

All in all, it was a terrific afternoon, we even had fries! We're already planning a return trip.

Lost Hits of the New Wave #39

Substance by New Order

Of the New Wave era, greatest hits collections tended to be rare. Oh sure, afterward, they were plentiful, but very few stand out during the day. Among them were Standing on the Beach by The Cure, Eponymous by REM, and this one - Substance by New Order.

Similar to The Cure's greatest hits package, Substance, or Substance 1987 as it's known in some circles, not only contains the 'greatest hits,' but also their B-sides, and just as with Standing on the Beach, the B-sides are also just as cool. And after all, some of these A-sides and B-sides match up wonderfully, so this is a terrific collection. This is one of those CDs/cassettes (I've worn out both) that I used to listen to over and over again.



The only thing missing is my favorite Joy Division song, "Love Will Tear Me Apart," so I would invariably tape the album and add that one. I love all these songs, but I have to single out favorites "The Perfect Kiss," "Confusion," "Shellshock," "Ceremony," even the overplayed but still much-loved "Bizarre Love Triangle" and "Blue Monday," and the new song, "True Faith."



And if you'd like to hear about how this album changed the life of my friend and fellow Biff Bam Pop! writer JP Fallavollita, check out this excellent article here.