This is the second of the rebooted James Bond series starring Daniel Craig as the classic Ian Fleming character. I have always had trouble with the concept of having to tell the origin of the hero. Think of the old movie serials, no origins, we were just dropped into a good exciting story, given a one or two line synopsis of our hero, and rolling with it. In many ways, it’s what we have been doing with James Bond for decades.
Here in Quantum of Solace, which takes place just minutes after the closing of Casino Royale (2006), we are still dealing with a assumedly green Bond, whose first mission ended in death and defeat. Not what I want at all. Sure, there may be such a beginning for Bond, but I want my confident, capable and virtually indestructible super-spy, not his wet-behind-the-ears baptism-by-fire wannabe starter. Furthermore, the Bond we get here is a vengeful killer, not the man of honor and action or the gentleman assassin we’re used to. He didn’t even get this bad when his wife was murdered years ago. Surely this Vesper chick wasn’t more special than Diana Rigg?
The cinematography is equally inappropriate. Bond is not Bourne, nor should it be. I don’t think the fast cut, moving camera effects are suitable for Bond. Just my opinion, but when one goes to see a Bond film, after more than twenty in the can, there are certain things one should expect. Shaky cam isn’t one of them. I’m not liking the stylized title cards for places at the start of scene changes either. Too… comic booky, especially in a franchise trying to remove itself from a camp perspective. And why the need to riff on the opening of Goldfinger in oil? More tacky than homage, and it barely makes sense in the story anyway.
Killer song this time out, “Another Way to Die” by Jack White and Alicia Keys, and it’s probably the best thing about this movie. And that’s sad. I found the music video included on the DVD to be more entertaining than the film’s title sequence, and that’s even sadder. When you can’t even get a Bond title sequence right, that’s bad.
Finally, the last thing I should feel while watching a James Bond movie is bored, and I felt it here. It had action, it even had a couple trademark outlandish Bond chases scenes but for the most part I found myself bored and distracted by this latest entry in the series. I’m unsure if I’m looking forward to the next one. Daniel Craig impressed me in Casino Royale, but not here. Any chance of Pierce Brosnan coming back? Hell, I’d take Roger Moore at this point.
This isn’t just a bad James Bond movie. It’s a bad movie, period.
.
Glenn Walker is a writer who knows pop culture. He loves, hates, and lives pop culture. He knows too freaking much about pop culture, and here's where he talks about it all: movies, music, comics, television, and the rest... Welcome to Hell.
Pages
- Arrow
- Lost Hits of the New Wave
- Daredevil
- The All Things Fun! New Comics Vidcast
- The Cape
- The Following
- Bionic Nostalgia
- True Blood
- Doctor Who
- The Flash
- Agents of S.H.I.E.L.D.
- Agent Carter
- Avengers Assemble
- Age of Ultron
- Infinity
- Legion of Super-Heroes
- Jessica Jones
- Young Justice
- Guardians of the Galaxy
- Legends of Tomorrow
- Civil War II
- Luke Cage
- Supergirl
Umm, D.C."s Q of S was not as bad as T.D's License to Kill. LTK was god awful especially after the first movie, The Living Daylights held out as promising....much like D.C's Casino Royale.
ReplyDeleteYou rally need to rate it in Bond mode and not Movie mode. Bond films only have so much "original" material to work with, kinda like.....like, Star Trek.
Heh, heh! Betcha didn't see that one coming....