Showing posts with label wayward pines. Show all posts
Showing posts with label wayward pines. Show all posts

Tuesday, January 31, 2017

Riverdale

The newest of the loosely based comic book shows debuted last week on the CW. One might say, don't they have enough of those over there already? And while DCTV mastermind Greg Berlanti is one of the executive producers, this isn't a DC Comics show, it's Archie Comics.

Now Archie and the gang have been translated to the small screen many many times, but only animation seems to stick, the live action attempts have flailed in the ratings and vanished. This time the showrunners have the characters and concepts solidly into the adult 21st century. Behind this is specifically Roberto Aguirre-Sacasa - the award winning writer from "Glee," "Big Love," the remakes of Carrie and The Town that Dreaded Sundown, dozens of comics, and one of the current heads of Archie Comics.

From the opening moments the first episode is very Lynch-ian, as if the intent was to do "Twin Peaks" rather than the Archies. Most of the characters are here, and well cast, but mood is very Blue Velvet and Shadow of a Doubt, a small town where innocence only hides darkness. The high school vibe borrows much from a "Beverly Hills 90210" feel, which is painful for us old folks as Luke Perry plays Archie's dad. Ooof. I'm old, but so is he.

Feeling old isn't the worst this show has to offer though. Before the opening credits even roll, we learn that Archie had a torrid summer sex encounter with Ms. Grundy. Yeah, they go there, but before you gouge your eyes out, this Grundy teacher is young and hot. Future episodes tempt us with Betty and Veronica kissing and Josie and the Pussycats doing a modern remake of "Sugar Sugar," I'm not sure which is the bigger outrage… I have to say I also kinda dug Jughead as the creepy loner/writer with the Silent Bob vibe.

All that said, the show is compelling and worth watching, especially for viewers out there cold turkeying for the new "Twin Peaks" and the lesser "Wayward Pines." However, other than a couple cool Easter eggs, and characters with the same names, there's not much here for Archie fans. I'll give a few more episodes. What did y'all think?

Thursday, May 07, 2015

Wayward Pines


I'm an M. Night Shyamalan fan. Yes, I admit it, and I've continued to watch and have faith much longer than many folks. When I first heard he was moving to episodic television with a limited series that was reminiscent of "Twin Peaks," I put it on my watch list.

My friend, editor over at Biff Bam Pop!, and a "Twin Peaks" authority, Andy Burns, got around to seeing and reviewing "Wayward Pines" before me. He was unimpressed, and you can read his thoughts here. I have to say we're pretty much in agreement. This story of a Secret Service agent, waking up after a car accident while in search for two other agents, and finding himself in a small town full of strange characters and paranoia, is nowhere near as good as it could have been.

"Wayward Pines," or the pilot at least, had potential. The books it's based on - The Wayward Pines Trilogy by Blake Crouch - I have not read but have heard are quite good and recommended for folks who dug "Twin Peaks" because of the similarities and vibe. Between that and the M. Night connection I was starting to look forward to this. Add in that it was going to be on Fox, who had brought the TP mood from "Broadchurch" in their American remake called "Gracepoint," I could definitely see it working.

Andy Burns had good things to say about the cast, not their performances, mind you, but their casting. If I'm being honest, other than Melissa Leo (and she is hands down the best part of this show) and Toby Jones, I thought the casting better suited to a parody of a drama than an actual drama. Speaking of drama, lead Matt Dillon to me has always been the real life version of his brother Kevin Dillon's character Johnny Drama on "Entourage," and I've never been able to take Juliette Lewis seriously.

The rest of the cast stumble through this mess like zombies overacting in a school play. Terrence Howard is an embarrassment, and unbelievable as the potential heavy. This could have been good. There is more "Lost" and "The Prisoner" to this stinker than "Twin Peaks," and M. Night does little to distinguish himself or improve his rep here. The pilot is it for me, I won't be watching further. Consider this a case of having me watch something, so you won't have to.