Lost Soul

Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau ~ A friend had recommended this documentary to me, and realizing this writer/director's body of work consisted of a movie I remembered loving, and two I had not seen, I did a bit of homework first. Hardware stood the test of time. Dust Devil was very pretty, but unwatchable. And The Island of Dr. Moreau was, wow, just terrible.

Now it was time to take a journey into the madness of the man's movie-making. There is a solid Jodorowsky's Dune vibe going on throughout. Stanley had/has a big vision powered principally by the source material of the original novel. He felt there had never been a faithful adaptation, but weirdly enough he took the tact of modernizing it, bringing it into the present day. That was one thing I disliked about the finished product. Stanley's ideas and storyboards are stunning however, and might have convinced me otherwise.

One thing I was happy that was brought up, and something I talked about in my review of The Island of Dr. Moreau, was the similarity to Joseph Conrad's Heart of Darkness. Stanley wanted to pay homage to the connection rather than shy away from it, pulling characters and situations from Conrad and putting them into Moreau. Of course casting Marlon Brando, who played Kurtz and would play Moreau, brought it all home.

Of course that's not what this documentary is really about though. As the film moved into pre-production, we watch the revolving door of the lead actors, the make-up process, and the gradual isolation and edging out of the project of Richard Stanley. The writer/director wasn't all that together either. His belief in witchcraft and superstition made it clear, to him at least, that forces were aligned against him.

Stanley, in the best of possibilities, was in over his head with this film. Everyone on the set knew it. He had a problem communicating with the cast, didn't attend meetings, and was getting more paranoid by the moment. There was a death in Brando's family, and the set was hit by a hurricane. What else could go wrong?

Richard Stanley was fired as director, probably had a bit of a mental breakdown, and was put on a plane off location. John Frankenheimer was brought in, contemptuous of what came before, and basically just got the job done - no vision, just get it done. No one was happy, especially in the end, the audience.

The last third of the doc chronicles the film as a Frankenheimer production, the dueling egos of Brando and Val Kilmer, the parties of the crew and extras, and the eventual destruction of what could have been at least an interesting movie. The ironic part is that apparently Richard Stanley has found his way back to the set as an extra, a perfect end to the doc.

I really dig this, an incisive look at how Hollywood works, how it doesn't work, and how it destroys people and ideas. Definitely worth seeing.

The Island of Dr. Moreau 1996

The Island of Dr. Moreau ~ In prepping to watch Lost Soul, the documentary about writer/director Richard Stanley's aborted attempt to make this very film - I sought out and watched the 1996 version of The Island of Dr. Moreau for the first time. I must confess that I have not read the H.G. Wells novel it's based on, one of more than a few holes in my Wells reading, but I have seen the 1977 version, and I know the basic story.

First, this is a period piece that has been updated to modern times, introducing the idea of genetics into simpler concepts of Wells' beast men. Sometimes change is not good. Other than the idea of genetics this updating does little for the story. I was disappointed in the make-up, primitive even for 1996, face masks not much better than the 1977 movie.

With the inclusion of Marlon Brando as the titular role of Dr. Moreau, comparisons can't help but be made with Apocalypse Now, in both character and story. In fact, these similarities drove a wedge between once friends H.G. Wells and Joseph Conrad, who wrote Heart of Darkness, on which Apocalypse is based. The presence of Brando, as well as his performance, do not help that situation one bit.

I was also very disappointed in the cast, Val Kilmer and Fairuza Balk simply walk through the film. David Thewlis, so wonderful as Remus in the Harry Potter movies, has no charisma as our POV character, and the great Marlon Brando is... is... I don't know what the hell Brando is in this movie. I never realized until seeing this how dead-on the "South Park" parody of Dr. Mephesto was. Wow.

I was also surprised that I saw nothing special or spectacular here visually. I usually enjoy John Frankenheimer's work, in fact, I think this is the only one of his movies I did not love. Now I can't wait to watch Lost Soul, to see what may or may not have gone wrong. Because this, is so wrong.

RIP Michael Gough

For a couple generations of movie-goers, Michael Gough is best known as Alfred Pennyworth in the Tim Burton and Joel Schumacher films in the Batman franchise, but he has had a long and distinguished career in television and film. Today, at 94, he passed away of old age in London, surrounded by family and friends.

Gough appeared in over one hundred and fifty productions including several Hammer horror films, animated and live action features by Tim Burton, Trog, Konga, The Age of Innocence, "Doctor Who," "The Avengers" and many BBC mini-series. He'll be missed.

Red Planet

A Video Review of "Red Planet"

Copyright 2002 Glenn Walker

Val Kilmer as a janitor, now why does that appeal to me so much? Because of his performance in Batman Forever? Nope, contrary to what one might think, Kilmer is quite good in that piece of crap, better than his predecessor Michael Keaton, I thought. I even liked him in Thunderheart and The Doors (and I hate Oliver Stone) and even the universally panned Top Secret!. It's his decimation of "The Saint" that makes his suffering in Red Planet so pleasing to me. Don't ever ruin TV icons, dude, or I'll root against you.

Red Planet has some great cinematography, great scene fades and the red tinge to all the Mars stuff is ingenius.



Carrie Anne Moss puts in a good performance but her appearance here (and in Memento) convinces me she's really nowhere near as hot as she looks in The Matrix. The Wachowski brothers must have used one hell of an airbrush in The Matrix.

The story is astronauts crashland on Mars and play a game of survival until only Kilmer and AMEE, a robot probe gone a bit whacko, are left. Now the previews made this out to be a suspense thriller with these two playing cat and mouse but that's not the case, not until the last fifteen minutes, that is.

And while I rooted for AMEE, Kilmer is still good here and Red Planet is still worth seeing.