Glenn Walker is a writer who knows pop culture. He loves, hates, and lives pop culture. He knows too freaking much about pop culture, and here's where he talks about it all: movies, music, comics, television, and the rest... Welcome to Hell.
Pages
- Arrow
- Lost Hits of the New Wave
- Daredevil
- The All Things Fun! New Comics Vidcast
- The Cape
- The Following
- Bionic Nostalgia
- True Blood
- Doctor Who
- The Flash
- Agents of S.H.I.E.L.D.
- Agent Carter
- Avengers Assemble
- Age of Ultron
- Infinity
- Legion of Super-Heroes
- Jessica Jones
- Young Justice
- Guardians of the Galaxy
- Legends of Tomorrow
- Civil War II
- Luke Cage
- Supergirl
Tuesday, October 27, 2015
Paul Blart Mall Cop 2
Paul Blart Mall Cop 2 ~ The film seems to take the first few minutes to completely undo the happy endings of its predecessor, almost as if it didn't want to think about it, or acknowledge it, or possibly the flick was written without knowledge of the first movie. This struck me as a bit odd as both were written by star Kevin James and frequent collaborator Nick Bakay. It's okay however, as this is a whole new adventure for Paul Blart.
Despite its juvenile comedy reputation, I was quite fond of the first Paul Blart Mall Cop movie, with its cunningly subtle remaking of Die Hard. In this installment, six years after the original, Kevin James' Blart has been invited to a security officers convention in Las Vegas. He thinks he'll be a star because of his actions in the first movie, but that was a long time ago. He's joined by a cadre of oddballs in his field, including his former "King of Queens" cohort Gary Valentine with a very disturbing hairpiece.
Besides dealing with his daughter trying to leave the nest, a less than exciting B plot, there is also something funny going on at the Wynn Hotel (getting lots of free publicity), as a gang of art thieves are planning a major heist. Yeah, hilarity ensues, and only Paul Blart Mall Cop and his new comrades can save the day. Kevin James is adequate, Valentine steals all the scenes he's in, but Ana Gasteyer and Loni Love are criminally underused here.
I did have a hearty laugh a few times at Blart's comic book superhero kryptonite weakness of hypoglycemia. And I loved the Mini-Kiss cameo. Beyond that however, this was still a decently amusing passage of time. The heist scenes are top notch. Good for the kids.
Don't forget to check out my interview with the director of this flick, Andy Fickman, here at Biff Bam Pop!, and be sure to see his new movie, The Scout's Guide to the Zombie Apocalypse.
Thursday, October 04, 2012
Hotel Transylvania
Hotel Transylvania ~ I gotta be up front with this one. It's not bad, but honestly I was expecting so much more from Genndy Tartakovsky's first foray into big screen animation. "Samurai Jack," "Dexter's Laboratory" and especially the most recent "Sym-Biotic Titan" are among my faves on Cartoon Network. Yeah, I know he also worked on "Star Wars: Clone Wars," but let's get real, it is sooo not in the same league.
Hotel Transylvania is not bad, but it's not that good either. Simplistic, and borrowing more than a little from Rankin/Bass' Mad Monster Party? from decades ago, it struggles more than it needs to by using the voice talents (and I use the word 'talent' very loosely) of Adam Sandler as Dracula. It's like listening to Sandler's annoying Opera Man voice for almost two hours. Where there's Sandler, there's also Kevin James as Frankenstein, as well as a cornucopia of unfunny "Saturday Night Live" veterans.
This one is good for the kids, but might be a bit much to take for the adults. Be warned, the end breaks into a rap celebration that must be missed. Embarrassing for all involved. Seeing Steve Buscemi involved in this movie tells me he owes somebody a big favor, or he needs to fire his agent. As for Genndy Tartakovsky, his next project is rumored to be a big budget animated Popeye. I'm hoping for the best, and not more of this.
Thursday, July 30, 2009
My Secret Shame
Paul Blart: Mall Cop ~ Often when I’m writing I will have the TV on as background noise. For fiction I usually require a soundtrack or a playlist, but non-fiction I just need background noise. In the afternoons I set the channel and just leave it run – turns out by cosmic design or just dumb luck I have involuntarily absorbed quite a lot of “The King of Queens.” It seemed like the show was always on, too, whether it was TBS or the CW, its programming was almost endless. The scary part, and this is confession time here, folks, I started to like the show. Yes, it’s true, Kevin James grew on me like a fungus.
So when I started seeing ads and previews for Paul Blart: Mall Cop, aired conveniently during the show that’s always on, “The King of Queens,” my interest was more than piqued. Yeah, as bad as it looked, I wanted to see it. This is my secret shame. I waited until it hit DVD so I wouldn’t feel so dirty.
It’s not bad, one might even say it’s good. Don’t get me wrong, we’re not talking Citizen Kane here, folks. We’re not even talking Mothra Vs. Godzilla, but it’s a matter of expectations. Mall Cop has that warning label on it, you know, the one that says this is a Happy Madison film, indicating that Adam Sandler was involved – always a bad sign.
As far as expectations go, I was fairly correct in my assessment as the movie started. It’s so formulaic and almost painful to watch – until – until it becomes Die Hard in a mall. And I’m not saying “Die Hard in a mall” the way those pitchmen in Hollywood would try to get a flick made – but I mean it in a literal way. Paul Blart: Mall Cop truly is Die Hard in a mall. And I just don’t mean if the bad guys were acrobats on X-bikes and Bruce Willis is a fat guy on a segueway.
Mall Cop follows its inspiration in plot and theme and at moments in duplicating shots. It’s really something to behold. It’s like watching Mel Brooks pay tribute to old movies, there’s a respect that is truly sincere. Again, Paul Blart: Mall Cop is not a great film, but as far as expectations go, it’s a good film. Check it out if there’s nothing else on.