Robin Renee Blog Tour. Tonight, I wanted to share a few odds and ends that had to be edited for space in yesterday's interview with Robin at Biff Bam Pop!. Here you go, enjoy!
Robin on Covers
We both have a deep love of covers, and I wanted to say that your quiet subtle version of Nick Lowe's "Cruel to be Kind" is beautiful. What made you decide to do this song?
Robin Renee: Well, there’s a funny story. When I was in junior high school, I had a Ouija board. When my parents found out, they got all mad and took it away, thinking something evil would come through it or something. After that, I was pissed off and determined to have a Ouija board. I decided to make one by writing out all the letters on a chalkboard I had (in heavy pencil or some kind of ink). Next, I needed an indicator. I had the 45 record of “Cruel to be Kind.” I loved that song, but wasn’t crazy about whatever song was on the B-side, so I wound up using the record as the Ouija indicator with the B-side scratching against the board.
Robin on Devo Dan
Now you have done other covers of another type. Do you want to talk about Devo Dan?
Robin Renee: Devo Dan… Strange you should ask me about Devo Dan. From time to time, some people have told me I kind of look like him and some think I sound like him. I don’t really get it. But I finally looked him up and I like it a lot! It’s kind of synth pop meets the smooth sounds of the 70’s, or something like that. I found his story here and my favorite Devo Dan song is here.
Robin on the Mutant Mountain Boys
How about the Mutant Mountain Boys?
Robin Renee: I absolutely love being part of the Mutant Mountain Boys! We come from all over the country, so we get together when we can. The band is the brainchild of Samantha, whose musical favorites are Devo and Charlie Poole. She put the two together, added some Church of the Subgenius, and Presto! You’ve got a Devo-gone-bluegrass, SubG gospel band! We have so much fun, and I really hope we can figure out a way to get together and play more often. We need some nerds and geeks to invite us to play their favorite venues and conventions (hint, hint).
Check out "Look Away from the Pinks" and a few other Mutant Mountain Boys tunes.
Robin on the Holidays
You have also released a couple terrific and unique holiday songs over the years, "(Almost Had A) Holiday," "The Yule Song," and "Hare Krishna Christmas." What can you tell us about these great tunes, and especially the video for that last one?
I wrote “Hare Krishna Christmas” (“Holly Jolly Christmas” parody) around the time I was first getting deeply into kirtan and bhakti. It was Christmastime and I was just in this really intense place of diving into something new while trying to uphold all the traditional stuff and holiday obligations. So, I was kind of laughing at myself and that song just came out while I was doing my holiday decorating. For the video, I asked friends to send me all kinds of holiday pictures, I had a few, and we used some royalty-free images, too, to come up with something kind of funny and also clearly embracing all winter holiday traditions.
Robin on Her Background
If I'm not intruding, could you tell us about your upbringing?
Robin Renee: I was born a poor, black child (Somehow that line was funnier when Steve Martin said it.)
But seriously, folks… you aren’t intruding at all. It is a ginormous question, though. I grew up in Southern New Jersey and I was lucky in that my interest in music showed up pretty early and my parents were very supportive of that. They also encouraged my interest in science and I got to travel since I was fairly young, which I really appreciate. My parents are (were, actually – they are both deceased) my maternal grandmother and her second husband, who raised me from the beginning and adopted me when I was about five. She was black and he was white, so I had a completely biracial upbringing, though it took me a long time to recognize that as a big part of my identity. I’m really happy I understand that now. They had an interracial marriage several years before Loving v. Virginia, and while it was not illegal in New Jersey, I think it was courageous of them and probably wasn’t always easy early on.
There was always a lot of music in the house, and my parents were pretty metaphysical in their outlook. They were Christian, and also into Edgar Cayce, so I learned about meditation and other broad and alternative spiritual perspectives early on. My brother was there, then off at college & other travels, but we grew to have certain things in common like some musical tastes and love of cartoons. My grandmother (i.e. biological great-grandmother) lived with us, too, and she really was the overriding mother figure. I have often reflected that I think my relationship to Grandmom has been the purest of my life – there was just so much love without complication. My mom was pretty political, so I probably inherited the activist gene from her. Of course there is so much more, but I’m not sure what else I could say without writing a book here.
Tell us about Wigheads.
Robin Renee: I kinda have no idea. I love them. I find mannequins in general to be strangely compelling and beautiful – maybe that’s the New Wave/Gary Wilson aesthetic. Somewhere along the line, something moved me and I discovered that wig display heads are my canvas for now. I love making 3-D collages with them, and as I work it’s as if they start to tell me their story. Songs and other writings do that, too – they change and grow in the process. I’d like to make more wigheads, and to make photographs from them. I have a lot of other practical and artistic projects that seem to be ahead in line, but I haven’t forgotten them. One day, I’d love to do commissioned wighead works, like create them for clubs and other interesting spaces.
More to come!