Friday, February 28, 2014

Arrow S02 E14 "Time of Death"


In the Silver Age of comics, before Green Arrow grew a beard, changed his costume, and became the voice of the left, he was a more traditional superhero. Perhaps too traditional, he was basically a blank slate whose major gimmick he was Batman with a bow. And like Batman, he had a large, if derivative and unimpressive, rogues gallery.

The foremost of these baddies, in the Silver Age 1960s, was the Clock King. Like most Batman villains, the Clock King's crimes and gimmicks were themed, in his case, clocks and time. Though he wore a rather simple costume and cape, William Tockman's full face mask was a clock, both simplistic and disturbing. In my first encounter with the villain he had imprisoned Green Arrow and Speedy in a gigantic hourglass deathtrap.

Later, when Green Arrow grew a beard and became a liberal, and comics became most 'realistic,' the Clock King was unfortunately treated as almost a joke before fading into obscurity. He was a member of the laughable Injustice League in Keith Giffen and J.M. DeMatteis' comedy Justice League comics, before being murdered as a member of the Suicide Squad. Notably he has reappeared in the New 52.

Ironically the villain's two previous television incarnations were as a Batman foe. Walter Slezak portrayed the Clock King on the 1966 "Batman" TV series, trapping Batman and Robin in the very same hourglass that held Green Arrow and Speedy in the comics. A slicker, cooler, differently powered Clock King menaced the caped crusader in the 1990s animated series.

Here in "Arrow," William Tockman, played by Robert Knepper, who has a villain pedigree from "Heroes," is a bit different. He's a criminal mastermind whose crimes are timed to the exact second. A tech genius, in the opening, he successfully engineers a robbery at Kord Enterprises by remote, guiding his henchmen as smoothly as Oracle used to do with the good guys in the comics.

Like his comics counterpart, he's obsessed with time and clock gadgetry, and unlike him, he's a killer. Happily, he's called the Clock King on the show, unlike many villains who know that's who they are but are never referenced as such aloud. He's also very resourceful and prepared, hacking Felicity's communication in his first encounter with our heroes.

With Sara revealed to be alive, we have a bit of a Lance family reunion this episode. It doesn't go well, as expected. Laurel is the obvious pooper, what with Sara ruining her life and all, but Dad wants it to work, especially between him and Dinah, so an attempt is made. Too bad Oliver is there too. Well, I guess someone has to play a-hole.

Quite honestly I wish they'd give Alex Riversong Kingston something more to do, much like I feel about David Ramsey's Diggle. But the latter may be changing, more on that later. I know Felicity wishes she had more to do, other than feel insignificant next to Sara. Seems Sara makes a lot of our female leads feel that way.

I am loving seeing (Green) Arrow and (Black) Canary as a team. We're finally getting some superhero action in this superhero show. For all those folks who gave up on this show early last season, come back, it's gotten sooo much better. That said, we need more of this and less of the soap opera.

On Flashback Island we learn what the real connection between Canary and Sin is, and it's just too convenient, much like most of the wrap up for this episode. Sara and Laurel make up. Oliver and Felicity make up. Clock King beaten, and Team Arrow repaired. All too convenient. Maybe sticking with the superhero action would be keeping in what the show does right, as opposed to the soap opera which is, like here, sometimes awkward.

Further comics shouts include Central City, the Flash's hometown, Kord Enterprises, owned by Ted Kord, the second Blue Beetle, Blue Devil movie ad on the side of the bus? Coming 'this summer' too, maybe we'll see more? And there's also the fictional MacGregor's Syndrome that almost took out Alfred in Batman Forever, and similarly affects Tockman's sister, as it also did Mister Freeze's wife.
and of course, Quentin Lance's callback code - delta charlie fifty-two. Yeah, I winced at that one too - DC 52. But who else saw the

Now while we've been away, and just today as well, there's been lots of "Arrow" news, mostly in the way of two photos on the internet. The first is of the television version of the Suicide Squad, set to appear in the March 19th episode, imaginatively titled "Suicide Squad."

They've been building to this for a while, and now we're there. It looks from the photo that our Suicide Squad roster will include the scary thin Amanda Waller, Deadshot, Bronze Tiger, Shrapnel, possibly Lyla Michaels (who we know in the comics as Harbinger from Crisis on Infinite Earths), and Diggle. One has to wonder if this isn't a switching sides for Diggle as he's had very little to do on Team Arrow of late.

The other pic burning up the internet all day is that of Grant Gustin, whose Barry Allen was terrific, but this time he's in costume as we finally get a peek at him as The Flash. A tad dark, I'd rather have wings than lightning bolts, but I like it. Can't wait, bring it on!

Next week: finally, Deathstroke!

Thursday, February 27, 2014

February Faves at Biff Bam Pop!


For the past month at Biff Bam Pop!, we've been running a theme called "February Faves" where we've been asking our staff and regular contributors to list their favorites in a variety of orthodox and sometimes unorthodox set of categories.

So far we've had Favorite 1980s Songs, Television Villains, Single Issue Comic Books, Recipes Made for Your Soul, Sci-Fi Shows, Break-Up Songs, X-Men, Wicked Women, Movie Marathons, Performances by Seth Green, Performances by Comedians in Serious Roles, Musicians in Movies, Winter Blues Songs, Pop Culture Massacres, and Early Performances You May Have Missed.

And my contributions to February Faves included my Favorite Reboots, Superhero Sidekicks, Favorite Avengers, Cover Songs Better than the Originals, and tomorrow I will be closing out the month with my favorite Avengers stories, look for it!

If you'd like to see everything Biff Bam Pop! has offered for February Faves, you can click here. Thanks for clicking, and reading, Happy February!

Wednesday, February 26, 2014

Lost Hits of the New Wave #31


Remember Karin Begin? I do. I was unaware of her local, and then much later real, demise however. This blog entry started off as one about Beat Planet, a local WXPN radio show that was influential to me back in the day. I may get to it at some point in the future, but in researching it, I came upon the sordid tale of Karin Begin.

In the late 1980s and early 1990s I loved WXPN, the radio station of the University of Pennsylvania. They were the successful adult version of what passes for most college radio. They were not just different and sophisticated, but they were cool too. Hell, they were the coolest. They had wonderful specialized music programs like Amazon Country, Joe Frank, Gay Dreams, Star's End, Sleepy Hollow, Yesterday's Now Music Today, and the aforementioned Beat Planet. And they also had regular deejays as well.

Afternoon drive was where I discovered Karin Begin on XPN. She was quirky, edgy, fun, and played great music. And she was a redhead, and I've always had a thing for redheads. I always enjoyed listening to her. But music was changing, and around then new wave was becoming alternative, and alternative was becoming mainstream. A shiny new station called WDRE caught my attention for a couple years, and I missed what happened to poor Karin Begin.

Karin Begin became so hot, a Philadelphia magazine did a story on her, one that went from feature to expose when her background turned out to be falsified. When it further came out her entire resume was made up, XPN fired her. Upon reading about it, I did remember some of the details. She intimated she and Kiefer Sutherland had been an item, and was in his movie The Bay Boy. I remember renting it to see her, but couldn't find her.

While I cheated on XPN with DRE, Karin moved to one of my favorite radio stations, Z Rock in Baltimore, as Shannon Rock. There she was interviewed for "48 Hours" for an episode about lying, which resulted in her dismissal there. Does anyone check resumes any more?



Karin next resurfaced in San Francisco as Darian O'Toole doing mornings and competing with the syndicated Howard Stern with her own brand of talk, rock, and raunch. She did well for a while with her 'ovaries with attitude' identity there, and her propensity for untruth continued to be part of her repertoire as well. Eventually she list that job too.

In 2008, at the age of 40, Karen Begin died of respiratory failure, complications from, believe it or not, a broken leg. A real shame. She might have been a compulsive liar, but from what I remember, and what I read, a very cool and resourceful lady. Perhaps, in her own way, she was another lost hit of the new wave.

Tuesday, February 25, 2014

Godzilla!



My friends over at Biff Bam Pop! debuted this earlier today. You can check that out here.



Godzilla is back, baby! I cannot wait until May 16th!

Monday, February 24, 2014

RIP Harold Ramis


Actor, writer, and director, Harold Ramis passed away today, much too young, at the age of 69. The name might not ring a bell at first for some folks, but for others, the man defined comedy for a generation.

I first became aware of Harold Ramis from "SCTV." In my youth, the show aired a 1 AM, right after the original "Saturday Night Live," and was known by me and my friends as 'the secret SNL.' We called it that because most folks turned off the TV when SNL was over, they didn't know about this treasure. "SCTV" was a skit show set under the premise of a fictional Canadian TV network, and featured performers from Chicago's improv troupe, Second City, from which coincidentally half of the original SNL cast was from as well.

Harold Ramis was the head writer of the show, as well as working for Playboy and National Lampoon. From this starting point, he began form his comedy technique, and began writing film. Animal House, Stripes, Meatballs, and Caddyshack (which he also directed) all came before Ghostbusters.  

Ghostbusters was huge when it came out, I don't know if anyone remembers how big it was. At the time it had a pop cultural impact similar to Star Wars, everyone knew the lines, and everybody had the t-shirts, and everybody was humming the song that would eventually make Huey Lewis richer.

Later he would come into his own as a director and producer as well, with such films as Vacation, Analyze This, a favorite of mine, Someone to Eat Cheese With, and The Ice Harvest. He would also do his final film with Bill Murray, probably their best film, Groundhog Day, a piece of brilliance that the two men disagreed on how it should be done. To this day, it's probably what has kept Ghostbusters 3 from happening.

We've lost one of the greats, both behind and in front of the camera, who made us laugh and made us think. Harold Ramis will be missed.