Saturday, May 12, 2012
Dark Shadows 2012
The story for those who don't know is that of Barnabas Collins, cursed by an ex-lover, also a witch, to become a vampire in the 18th century, imprisoned, released and awoken in the 20th century. This was the basis for the last few years of the late 1960s/early 1970s ABC soap opera cult classic "Dark Shadows." Tim Burton, a supposed fan of the series, has decided to remake it as a camp comedy horror drama, emphasis on the camp and the comedy. Not that "Dark Shadows" wasn't camp, mind you, it was, it just wasn't planned to be. Like all good camp, it took itself deadly serious. That's not the case here at all unfortunately. Often, as with most of his films, what's funny to Tim Burton is rarely funny to everybody else.
I dislike Johnny Depp's Barnabas Collins quite a bit. As he sometimes does, it seems as if he made up a character in a improv class and then built a movie around it. Depp might be better off getting together and making movies with that Borat guy rather than raping my childhood with substandard remakes of old soap operas. He does have Jonathan Frid's speech patterns down however. I have to give props to Helena Bonham Carter's Dr. Julia Hoffman for the same reason. Her voice is perfect, but her over the top dye job alcoholic drag queen version of the doctor not so much. Fans of the show will laugh their asses off at her, it's both hideous and hilarious.
Another of my favorites, Jackie Earle Haley is cast brilliantly as groundskeeper Willie Loomis (and yes, I bet that's where "The Simpsons" got the name from). He is one of the highlights of the flick, both dramatic and comedic. Don't blink or you will miss the two second cameos by surviving cast members of the soap opera - Kathryn Leigh Scott, David Selby, Lara Parker, and the recently late Jonathan Frid - as guests at the ball/happening with Alice Cooper.
The problem is that it's not all bad, and that this really could have been a good movie, and not just that, a good movie, a respectful remake, and it didn't have to resort to low brow comedy. The credits sequence in the beginning, set to the Moody Blues' "Nights in White Satin," with Victoria Winters coming to Collinsport, is so ABC telemovie that not only would Dan Curtis (creator of "Dark Shadows" as well as more than a few movies of the week) would have been proud, but I was half-expecting to see Kim Darby, Kate Jackson, or Karen Black make an appearance.
There was a lot of stuff to love set amongst the comedic ruins of this flick. I loved both the inside and the outside of Collinwood, the town of Collinsport they built on the set, including the Blue Whale. The bit with Alice Cooper, which in the previews appears to be a one note joke, turns into brilliance by the inclusion of "The Ballad of Dwight Frye" as background for a couple scenes.
All in all, except for the last quarter of the movie, I did enjoy it. It's not "Dark Shadows," it's not the cult classic gothic soap opera of my youth, but I did laugh, I did smile, and I still have my memories. Worth seeing for the curious, the fans, and for those with no point of reference whatsoever. I just would have rather seen the movie it could have been, as opposed to the one it is.