Marvel's Doctor Strange

Marvel's Doctor Strange ~ I was first introduced to Doctor Strange during the Avengers/Defenders war in the early seventies as he was the leader of the latter superhero team. I knew he was Marvel's 'magic guy' and that he'd been around since the beginning of the Marvel Age and was created by Steve Ditko and Stan Lee, the same team that brought us Spider-Man originally, but little else.

While my impression was usually the Sal Buscema Defenders leader, as I grew older I started to read the Ditko stuff, and it was out there, very weird with outlandish villains and bizarre mindscapes. I never dreamed anything like it could be brought to the screen, and yet the previews seem to indicate it can be done. But then again, I never imagined we'd have an Avengers movie, let alone three - Marvel is just full of miracles.

Beware spoilers hereafter.

I am not a Cumberbitch. I'm comfortable enough with my sexuality that I'm not afraid to say when a man is attractive, but I have never understood what women and men see in Benedict Cumberbatch. I love "Sherlock," but he's so unlikable a character there, and let's face it, his Khan was one of the worst things about Star Trek Into Darkness. So I was not sold when I heard Cumberbatch was cast as Doctor Stephen Strange. He proved me wrong. After seeing the movie, I can't see anyone else in the role.

The story is thematically the same as the hero's first appearance from 1963's Strange Tales #110, which I had first read more than four decades ago in Stan Lee's Origins of Marvel Comics. Arrogant surgeon Stephen Strange gets in a car accident that damages his hands. Unable to continue as a surgeon, Strange searches the world for cure, eventually coming upon the Ancient One, who gives him a new vocation with magic. Long story short, of course.

All the elements are here, the desperation, the salvation, but a few things are turned on their head. I'll start with the good and move to the ugly. We get more insight on major Doctor Strange enemy Baron Mordo, fellow student of the mystic arts under the Ancient One. I really liked Chiwetel Ejiofor here, easily one of the best performances of the movie, especially as he changes in the space of the film, beginning as an ally then by the end credit sequence, more villain than the actual villain of this piece.

Let's talk about Mads Mikkelsen and the character he plays, Kaecillius. I realize now that Kaecillius is an old school Silver Age foe of Strange, although essentially a henchman of Mordo's, but until the movie I had no idea who he was, and had to look him up. Why was he chosen as our hero's first foe? I wouldn't normally mind such an unknown entity if the actor behind him was worthy, and he is - Mads is a major heavy with incredible talent, but they really do very little with him or Kaecillius here. It's all posturing and posing, no real depth. All we get is Mordo, and we really have to wait for the sequel to see his evil turn.

And then there's the Ancient One. I have nothing against Tilda Swinton or her performance, she's amazing, and funny, and ominous, and tragic. But she's white. It's her casting I still have a problem with. With Mordo, a black man was cast into the role of a white character to wonderfully add diversity to the painfully white Marvel Age of the early sixties. But the Ancient One is actually one of the few Asian characters in that same age, and the producers chose to cast a white woman in that role.

In old Hollywood, this was called whitewashing. Taking an Asian role and casting white actors to play Asian. Movies that I love, like The Mask of Fu Manchu, The Good Earth, and Mr. Wu, are stained by both this practice and the racial stereotypes depicted. Sidebar to the stereotypes, Wong, Doctor Strange's servant is treated well and as an equal if not a better to Strange in this film, gracefully and cheekily by Benedict Wong. Notably the character was also treated equally well in the often forgotten but quite good 1978 television movie/pilot of Dr. Strange. Back on point, which is worse, the color blind casting of Mordo, or the whitewashing of the Ancient One?

Rachel McAdams is merely a plot device in the film, who could have been more, but doesn't live up to potential. If they were going to use Night Nurse in this film, why not use Rosario Dawson from the Netflix Marvel Television Universe? But then again, I admit my bias toward her, but why create another Night Nurse character - isn't the comics continuity confusing enough? I would have rather had Clea, perhaps we'll get her in the sequel.

Strange's journey into the magic world is wonderfully depicted, I even dug the Inception-like special effects of turning one's surroundings into a weapon by altering its structure (up is down, shifting buildings, moving gravity, and Escher nightmares). This was one of the ways the film depicted magic, and it made the fight scenes phenomenal, something we'd never seen before. I liked that the Cloak of Levitation was like a wicked stepbrother to the Rug from Disney's Aladdin and seemed to have a fun sentience. And then there's the rings.

The concept that certain items are imbued with magic and aid in the casting of spells is a solid and revered concept. Much of the Doctor Strange comics mythos comes from this - the Cloak, the Eye, etc., and then there's the Sling Ring, created for this film. The Sling Ring helps to cast portals, and without it, a portal cannot be opened. It actually plays well in some of the fight scenes I mentioned. When Strange says, "Sling Ring, do your thing" at one point, it completely removed me from the film.

Back in the bad old days of the 1970s when there really wasn't all that much comic book superheroism on television, and what there was was changed or made silly, there was a Saturday morning cartoon called "Fred and Barney Meet the Thing." Yes, that Fred and Barney. One of the program's segments featured a teenaged Ben Grim who could transform into the Thing by bringing two rings together and saying, "Thing Ring, do your thing." It took a while to recover when that happened in the film.

While I wished that Dormammu had a bit more fire (less Zemo, more Dormammu), I loved his representation here, and even the uncredited fact Cumberbatch did his voice. The way Strange beats him is brilliant. Casting problems and Thing Rings aside, I really did enjoy this movie. Of course stay through the credits for the two extra scenes, one a set-up for Mordo, and the other a seemingly mismatched piece directed by James Gunn that prologues Thor: Ragnarok. Highly recommended, as are most of the Marvel films.

Daredevil S02 E03: New York's Finest

The first episode of "Daredevil" Season Two ended with our hero shot in the head, and the second with his radar sense failing and the Punisher closing in. When the police arrive seconds later, both combatants are gone. So far, the cliffhangers are hot. But where did Daredevil and the Punisher go? Something tells me I don't want to know.

As we open in the pre-credits scene, Matt is hallucinating from his Catholic upbringing, until he slowly awakens in chains on a rooftop with the Punisher. This apparently right from the comics, from Garth Ennis' Punisher #3, but I can't comment much, having never read the issue before, but it's been praised for the philosophical discussion between these two protagonists. Daredevil's compromised position forcing him to engage his foe verbally as opposed to with his fists.

So I dug up the comic in question, and found it to be much what I expected, and worse. Garth Ennis is an extremely talented writer, but with one serious flaw, especially when working in the world of comic books - he hates superheroes. Unlike other comic book writers who hate superheroes, like Frank Miller, Ennis doesn't usually write superheroes, unless they're twisted parodies like The Boys or dark anti-heroes like Preacher, John Constantine, or, the Punisher.

In this dark and dreary world of Ennis' Punisher, no one is happy, as masterfully illustrated by the late Steve Dillon, rest in peace. Punisher lives in a skewed vision of our world where misery reigns, where he is the twisted mirror of heroism, and Daredevil is a clown that must be shown the error of his ways. On the rooftop chains of the comic book source material, the Punisher must remake Daredevil in his own image. If it wasn't so ridiculous, it would be horrifying.

I read comic books for escape from the real world, to see heroism as it should be, to be inspired to be a better person. Superhero comic books are supposed to make you want to be the hero and change the world. Reading Punisher #3 made me depressed, and most of all, it made me hate the Punisher more than I had before I opened that damned miserable comic. I do appreciate the talent and skill it takes to evoke such a reaction from a reader, but trust me, it will be a very long time before I ever read another Punisher comic.

But that was the comic, I hope the Netflix episode that is aping it can do better. Here it is also, as I described, a philosophical discussion between the two protagonists, but a far more sensible one. While the Punisher goes about his business, Daredevil (or Red as he calls him) remains in chains talking the shades of gray in what they do. It's a difficult chat, each exchange like pulling teeth, and even though they vehemently disagree with the other's method, there is a hint of hatred-tinged bromance at work. I get the feeling that under different circumstances Frank and Red could be friends.

There is some prime acting here, and while Charlie Cox's Daredevil plays a very good counter to Jon Bernthal's Punisher, but the latter is the star here. His performance is spellbinding, saying volumes with an economy of words and gestures. I wasn't impressed when I'd heard Shane from "The Walking Dead" was going to play the Punisher, but he is amazing in the role. The only thing Shane and Frank have in common are we love to hate them both. Serious props.

The bottom line of the debate is killing. Frank will and Red won't. The difference is when Daredevil hits a bad guy they get back up, maybe come back, and when the Punisher hits 'em, they don't. Simple as that. Daredevil's reluctance to kill makes him a "half-measure," a coward who won't finish the job he started. And then it all turns to sh!t, as the ghost of Garth Ennis ruins everything.

The Punisher duct tapes a gun into Daredevil's hand then produces Grotto, beating the man senseless until he confesses to the murder of an innocent. The terms of this ridiculous trap - Daredevil must 'man up' and kill the Punisher before he kills Grotto, and at this moment is when I really started to hate this show. Where are the Owl, Gladiator, and the Stilt-Man when you need them? I really hate what comics and their related media have become...

In a world where Captain America knows that the Winter Soldier murdered Tony Stark's parents, I guess it shouldn't surprise anyone that Daredevil is too late to save Grotto. The nearly six-minute fight sequence that follows as Daredevil battles his way down several flights of stairs against the Dogs of Hell motorcycle gang with a gun taped to one hand and a chain around the other is phenomenal and spectacular - topping the hallway fight from last season even - but it in no way makes up for how this turn of events made me feel.

Meanwhile back in the real world, Karen and Foggy bring the only real light and hope to this dismal situation. As Karen fights the very different evil of District Attorney Reyes and learns more about the Punisher's past, Foggy has a heart-to-heart with Night Nurse and breaks up a gang fight in an already insane emergency room. Both are more heroic than the two 'superheroes' we watched for most of the episode.

I always love seeing Rosario Dawson, and Jon Bernthal deserves serious accolades for his performance, and that stairway fight sequence is one of the most amazing I've seen - but I still hated this episode. I may have to take a break before I come back to the second season of "Daredevil." This was rough.

Daredevil S02 E02: Dogs to a Gunfight

In this season's first episode of "Daredevil," we were introduced to Grotto, the Dogs of Hell, and the Punisher, and it wasn't bad. We were left with quite a cliffhanger with Daredevil appearing to be shot by the Punisher and falling from a rooftop, but first I wanted to say a few words about the Dogs of Hell motorcycle club, who meet their demise at the hands of the Punisher late in this episode.

Did they seem familiar? Well, it's not what you're thinking, they're not from the comics... they're from the Marvel Television Universe, specifically the one outside Netflix. The Dogs of Hell, Nevada branch at least, first appeared in the "Yes Men" episode of "Marvel's Agents of S.H.I.E.L.D." They were the slaves of Lorelei when Asgard's Lady Sif came to Earth to retrieve the sorcerous super-villainess. One could hope the New York branch isn't quite as dumb, but one would be wrong.

The pre-credits scene opens on the aftermath of the still-as-yet-unnamed Punisher's rampage through Metro General Hospital. Metro General has been a centerpiece of the Marvel Netfilx Universe so far, and this sequence is proof positive that Claire Temple, Night Nurse, does in fact have days off. Elden Henson shows his acting chops once again here searching rooftops for his friend Matt, and oh, the panic and fear when he finds him.

Like I predicted, Daredevil's not dead, just shot in the head. That is one strong cowl Melvin Potter built for him back in season one. I love the bromance/friendship between Matt and Foggy as seen here, brothers, spouses, lovers, they are all of them, and it's beautiful. Henson is at his best here, both caring for and chastising his friend at once.

Here also is the determination that the as-yet-unnamed Punisher is something different, something dangerous, a beast unlike what Daredevil has faced before. They see it each from their own perspective, their own angle on what this monster could do to their lives. I like this.

Karen and Foggy, while Matt is on forced 'sick leave,' are at the police station trying to get Grotto, wonderfully played by McCaleb Burnett, into witness protection. Officer Mahoney, Foggy's pseudo contact from last season, while namedropping Detective Clemons from "Jessica Jones," tells them the police know who this one-man army is, and he's bad news. Not like Daredevil at all, he makes people think twice about the whole hero/vigilante thing.

In the witness protection process, Foggy and Karen come up against a new adversary, but a familiar face. Michelle Hurd plays District Attorney Samantha Reyes who previously and briefly clashed with Jeri Hogarth and Jessica Jones in the last episode of her series. Foggy stands up to her like a champ - he is on fire this episode - and easily would make that Hogarth serpent take notice.

The next scene shows us for the first time close up the man Reyes' associate says is called 'the Punisher.' At a pawn shop he buys a police monitor to pick up encrypted codes, an illegal if fair purchase, but when the slimy clerk tries to up-sell the Punisher a little girl, he gets a bit upset with an aluminum baseball bat. I get his motivation, but his methods are what put the Punisher in the villain book for me.

Meanwhile at home, Matt is learning that getting shot in the head has seriously messed up not only his radar sense, but also his hearing. Eventually it comes back, but by then he has a visit from Karen to deal with. She relays what they've learned of the Punisher and offers her thoughts, that without Daredevil opening the door to this vigilante game, there wouldn't be men like the Punisher.

Next stop is the workshop of the aforementioned Melvin Potter, who in the comics is the Daredevil villain, the Gladiator. I so desperately want to see him as Gladiator, one of my fave DD foes, but I do like the dynamic as established here in the Netflix series. Like a blue collar Alfred Pennyworth, Potter is DD's armorer and weapons master. We rarely see superhero/civilian relationships like this that aren't master/servant or hero worship driven, and I'd like to see more. And yes, even he is surprised Matt survived being shot in the head. He'll do his best to repair the cowl, but it should be replaced. Some not so subtle foreshadowing there methinks.

One thing that television and film adaptations of comics usually fail at is showing how certain powers work. This series is one of the exceptions. Last season we got a great description of how DD's radar sense works in "World on Fire," but here as civilian Matt tracks the Punisher from the Irish bar last episode all the way to his lair, we see it in action. No dialogue, no explanation, but perfect execution.

In the midst of a trap set by Reyes to capture the Punisher, with Grotto as bait, Daredevil gets his rematch with the killer. Not only do we get an idea how smart the Punisher is, but we also get to see DD's new billy club in action as he ricochets it like Captain America's shield. It's a 'rain' fight beneath a water tower riddled with bullets for a great effect. As expected, the cowl is not great protection when the Punisher cracks him in the head with his own billy club.

As the police close in, Daredevil's radar sense begins to fail and the Punisher moves in to finish him off. When the cops get there, they're both gone. Fade to black, cue credits.

I said last time I had great reservations about this season of "Daredevil" featuring the Punisher and the as-yet-unseen Elektra, but if this exceptional episode is any indication, this is going to rock. I really loved this one.

Next: New York's Finest!

Jessica Jones S01 E13: AKA Smile

Cancel Sweet Christmas. If I was really clever, that's what I would have said at the end of the last episode when Jessica had to shoot Luke Cage in the face to stop his Kilgrave-powered rampage to kill her. We know Luke's okay, super-tough skin and upcoming Netflix series and all that, but the characters on the show don't.

Jessica rushes Luke to the closest Hell's Kitchen hospital, Metro General, which is where Claire Temple, Night Nurse, works. As other nurses struggle to give Luke medical treatment, bending needles and all (a plot complication that comes right from the pages of The Pulse), Night Nurse is there to help. I love Rosario Dawson so this is a more than welcome appearance.

The pre-Civil War antagonism is still festering, as another nurse sneers toward Luke, "he's one of those." Claire notes later that she herself is not special, but she keeps running into special. Claire gets the comatose Luke out of the hospital while Jessica contends with the Purple Man's amplified powers turning everyone in said hospital against her.

Night Nurse and Jessica have very good repartee and I would love to see them together again. At Jess' place they get Luke resting, and Jess patched up. Later a scene where Jess curls up with Luke is ruined by too much talk. Show, don't tell, folks. After a bit for Jess, it's back in the trail to Kilgrave. When Malcolm shows up (they keep writing him out but he never seems to leave), he and Claire get on well - I hope they both show up in "The Defenders."

If Kilgrave wasn't dangerous before, he's getting a real knack for the super-villain game now. Amazing what a jilted love and a couple days in a torture cell can do. A previous episode's title asks, what would Jessica do? Obviously she would turn a selfish jerk rapist into a full blown super-villain. She even found his mad scientist dad to help him modify and maximize his powers. Thanks, Jessica. And did anyone else think that, just for a second, Kilgrave was going to actually turn purple?

The horror show left in his wake at the penthouse where Dad amped him up is not for the squeamish. That last shot of amp must have messed him up good. There's a showdown with many people on his side, police and civilian, and a tense confrontation with Patsy, who should never have been there in the first place. The ending of Kilgrave is however too easy, and completely unsatisfying. And I hated it.

The closing of the series is more promising however, noir with a bit of hope. Jessica, Patsy, and Malcolm all on the road at least to being a hero. The first seven episodes, and the last two were very good, in between, not so much. "Jessica Jones" has been renewed for a second season, but first we'll have to see how "Daredevil" fares in his second...

Daredevil S01 E11: The Path of the Righteous

As Matt continues to recover from his battle with Nobu, and Fisk worries over the poisoned Vanessa at the hospital, we have what seems to be a waiting game. Rather than the one-minute break between boxing rounds, it seems we're getting two or three episodes. I want to see our opponents back in the ring, don't you? Enough foreplay!

Who poisoned the guests at Fisk's benefit? The signs point to Nobu's clan, but didn't Madame Gao say they would have their hands full with other matters? Owsley didn't seem to know at first the drinks were poisoned but caught on quickly, so I'm pretty sure it wasn't him. That pretty much leaves Gao to blame... or Wesley.

Fisk's right hand man has very recently been sidelined by Fisk when dealing with Gao and Vanessa. This would not be the first time I've questioned the exact personal nature of Fisk and Wesley's relationship. Is there more to it than business? Is it perhaps more twisted like that of Mr. Burns and Waylon Smithers on "The Simpsons"? Could this mass poisoning be both an act of sabotage and that of a jealous lover?

However we may never know. When Wesley gets wind of Karen snooping around Fisk's supposedly dead mother, he decides to take matters into his own hands. At first it seems he's going to kill Karen, then he offers her a job, which was puzzling. Why does he refer to Fisk as no longer his employer? What is going on here? Sadly this is Toby Leonard Moore's weakest work so far, and it's his last. I guess he's better in small doses. And what did Karen mean about this not being the first time she's shot someone?

I was happy to actually see Rosario Dawson return as the Claire Temple/Night Nurse hybrid character. I honestly felt cheated last episode when appeared only off-screen in a casual mention. Here unfortunately she is just more foreplay, preluding Matt's further discussion with Father Lantom who implies that sometimes the devil is a good thing, a lesson, a symbol, an inspiration to others.

If nothing else, these pep talks knock some sense into Matt, and he gets back into gear and seeks out everybody's favorite snitch, Turk Barrett. This time however, Daredevil isn't looking for Fisk, instead he wants something sensible - body armor. It would seem that the beating he took from Nobu and Kingpin did knock some sense into him. Turk sends our hero to the workshop of Melvin Potter.

Just in case you need a reminder of who Melvin Potter is, his Gladiator chest symbol is on the wall of his shop as Daredevil breaks and enters. As before, the simple armorer gives our hero quite a pounding. Nerdgasm when Potter threw a circular saw blade at DD. Again, enough foreplay, I want to see a full-on full-comic-dress fight between Daredevil and Gladiator. Did anyone else notice the Stilt-Man armor was missing since last we saw the workshop?

If nothing else, I suspect we'll finally be getting the traditional red Daredevil costume from the comics next episode. This was a slow one, highlighted by Night Nurse and Gladiator, with hopes of better coming.

Daredevil S01 E10: Nelson v. Murdock

The best friend is usually the last one to know. In the comics it seems that friendships and relationships outside the superhero business are kept in the dark far longer than those in the business. Oh sure, there are exceptions, notably employment situations as with Alfred Pennyworth and Batman, but for the most part, for every Thomas Kalmaku and Happy Hogan, there are dozens of James Gordons, Jimmy Olsens, Harry Osborns, and Etta Candys. And then there's Foggy Nelson.

Now as I've said before, I'm not a big Daredevil fan and the gaps in my comics knowledge of the character are large, but to me the character of Franklin 'Foggy' Nelson seems much more soap opera than the usual early Stan Lee fare. While Foggy is Matt Murdock's best friend, his law partner, and at the best of times, his conscience - the early comics portray him as almost a nebbishy comic relief sidekick, more of a Doiby Dickles than a Rick Jones. He was forever caught in that humiliating love triangle with Matt and Karen Page when he hopelessly pined after her while she was always in love with Matt.

And like a 1950s Lois Lane, he stupidly fell for Matt's ruse of having a twin brother Mike, to help cover up his secret identity. As lame as that trick was, I did dig the homage made in this series when Matt tells Night Nurse to call him Mike. Let's not even get into Karen's character as she also fell for Mike Murdock, and hard. But even as a kid, I looked at Foggy and I would never hire Nelson and Murdock - what if you got the dim half?

As the years go by, Foggy continued to be portrayed as ineffectual, and certainly various comics creators put him through hell. Bad marriage, unemployment, an on again/off again friendship/partnership with Matt - none of these things helped to strengthen his character. It's a sad state of affairs that he actually learns Daredevil's secret identity along with the rest of the world when he is outted by the press. And then, Foggy doesn't even believe it until he finds a beaten and battered Matt in costume, just as he did in our last episode.

I think the real turnaround for Foggy Nelson was in the much-maligned 2003 movie, and his portrayal by future founding father of the Marvel Cinematic Universe, Jon Favreau. A more gregarious personality and snappy aware dialogue saved him and made cool. And it's this version that Elden Henson mines in his Netflix version. On an interesting sidenote, Favreau also invigorated the similarly hated Happy Hogan in the Iron Man franchise. If I had my way, he'd play Steve Trevor in the upcoming Wonder Woman movie the same way.

In the last moments of "Speak of the Devil," a drunken Foggy came across the horribly beaten Daredevil in Matt's apartment, and is shocked to find its Matt under the mask. Well, at least it's better than reading it in the newspaper. We open as Matt wakes up. Night Nurse has been and gone, and Foggy is understandably angry. "Are you even blind?" launches us into the credit sequence and an "Arrow" style flashback.

Then, they were college roommates, fast friends with common backgrounds, and for Foggy, someone to look up to, and the perfect wingman. It's easy to see how betrayed he feels. The noose tightens when Karen calls and Foggy is forced to do the thing he hates Matt for - lie to someone he cares about.

Meanwhile Madame Gao, who along with Owsley is now all that's left of Fisk's legion of doom, takes a park bench meeting with the Kingpin. She delivers a warning and poses a question. Nobu's clan, who we almost certainly know is The Hand, has a long memory and will be taking their vengeance on Fisk. That's one, but more directly, Gao wants to know when Fisk will turn on her. She says he must decide if he is a savior or an oppressor, for he cannot be both.

Ben gets the bad news about his wife's care and decides to pack it in, giving all his notes to Karen. Under the premise of finding a home for Ben's wife, she has him drive her to a place far away, where she knows Wilson Fisk's mother is. This was a bit weird to me. Why didn't she just tell him, and save them both a lot of time? Speaking of Fisk, his benefit goes very bad very quickly. Poisoned champagne, with more than a few casualties, including possibly Vanessa. Somebody is going to pay...

We are also given, through the flashbacks, the last few pieces of Daredevil's origin. I was left wondering just how good friends were Matt and Foggy. At least how good a friend was Matt, while he's been lying to him for years. I have to admit to liking secret identities done realistically for once. Foggy's reaction to the truth is exactly what it should have been. I just wonder where this leaves their friendship as Foggy tosses their new firm sign in the trash.

As scenes change to address each member of the cast, one can't help but remember the last filler episode "Cut Man," where Matt was also incapacitated. This is a trick that works perhaps once a season, more than that, especially in a series meant to be binge-watched, it's a cliche. As we speed toward a conclusion, this is a solid STOP sign as opposed to merely a speed bump. Much happens and there's lot of good stuff here, but the trick is old and we can see the man behind the curtain.

There are some interesting tidbits in this episode. In Ben's office, among the newspaper clippings on his wall are those about the 'Battle of New York' and the 'Harlem Terror,' referencing the Chitauri invasion and the Hulk's rampage in Harlem, both from the Avengers movies. And in one of Foggy's flashbacks there is a case involving Roxxon, the oil corporation featured in both Iron Man 3 and "Agent Carter," which is constantly on the side of evil in the comics.

Daredevil S01 E05: World on Fire

We open on Matt moving Claire into his apartment. Moving is a tricky word as she has nothing. With the close of the last episode, Matt finally broke down the wall of blindness and confided in her, and now things between Daredevil and Night Nurse are a bit different. Downtime equals romance, and to paraphrase what someone wise once said about Captain Kirk and the ladies, ain't Matt something?

Claire asks Matt how he sees, and he complies, or tries. She asks him what he sees, and after some thought, answers with the title of this episode, "a world on fire." However true, appropriate, or literal and prophetic that may be, it signals a new beginning for the hero. Attached, no matter how casually, he no longer has nothing to lose. Matt has to be careful, or the world soon will be on fire.

Vincent D'Onofrio is emerging slowly but prominently in his role as Wilson Fisk, the Kingpin. We got a taste of his brutality last episode, as well as his management skills. His manipulation of the Russians and eventual destruction of what was left is demonstrative, and when confronted by the rest of his underlings finally, it's a lesson learned.

My first encounter with the Kingpin was not just as a Spider-Man foe, but as one wildly animated by Ralph Bakshi in the 1967 cartoon series. This intimidating well dressed fat man crime boss was frighteningly brought to life with the same psychedelic acid-induced animation with which Bakshi brought us Infinata and Dimension 5, borrowed from "Rocket Robin Hood." It was positively terrifying.

When I next encountered the Kingpin, it was in the telemovie "Trial of the Incredible Hulk," an odd pilot/spin-off for Daredevil as played by Rex Smith. Folks who've complained about the Ben Affleck Daredevil, and the first Netflix costume need to see this relic. Played by John Rhys-Davies of Raiders of the Lost Ark and "Sliders," this was a less than satisfactory Kingpin.

After that I began to see the character in comics, cartoons, and role-playing games more. Up until that time, other than Avengers, or an occasional Defenders, I didn't read many Marvel Comics so he escaped my notice. I was always puzzled however why he became a Daredevil enemy rather than Spider-Man who he had originally opposed. I mean didn't Daredevil already have a manipulative crime boss type villain in his rogues gallery? Yeah, I'm talking about The Owl.

Perhaps that is why I was thrilled to see Leland Owlsley among Kingpin's underbosses in this series. Maybe, just maybe, and I don't know yet as I'm reviewing these episodes as I watch as opposed to doing it after I've seen the whole series, but maybe he will emerge as a villain like his comics counterpart. Already, I have enjoyed Bob Gunton's performance with his owl-like gestures and facial expressions. Gunton is a great character actor, memorable from Shawshank Redemption and Evita on Broadway among others.

All that said, I can see why showrunners might shy away from the Owl as he is in the comics. A mutant with birdlike powers, motifs, and mannerisms might be too cartoonish, although Robin Lord Taylor seems to be doing quite well as the Penguin on "Gotham" doing much the same schtick. As for the comics, I suppose matching Daredevil, whose title at the time had flagging sales, with Spider-Man villain the Kingpin probably made better financial sense, even the Owl would agree with that.

The cinematography and direction continue to amaze. The brief scene in the cab as Gao's man sings in Mandarin and the camera moves slowly 360 degrees is pure brilliance. Fisk continues to romance Vanessa, and Foggy and Karen help the downtrodden and get to know each other better, while the Russians, working on fuzzy planted information from our friend Turk, declare war on the Kingpin and Daredevil.

They all play into the Kingpin's hands, right into the cliffhanger with the police surrounding Daredevil standing over the remaining Russian brother, as the city burns...