The Revelation of the Satanic Bible

When I was younger, as now, I was a big horror fan. Back in high school, thanks to books like The Exorcist, The Amityville Horror, and Hostage to the Devil, I was into the Devil, at least as a fictional monster.  I said fictional, folks, let's get that straight, I didn't believe this stuff.  It was in that spirit I picked up Anton LaVey's so-called Satanic Bible.

I can still remember the look of alarm I got from the elderly lady clerk at B. Dalton when I plopped the book on the counter to purchase it. She would always give me the evil eye after that whenever I entered her mall store. On the contrary however, when I was in college, and working at that mall, a girlfriend who worked at WaldenBooks told me they sold lots of copies of the book all the time. Maybe more folks bought their Satanic Bibles at Walden than Dalton?

Anyway, I couldn't wait to dive into this evil plain black book and learn all about the Devil.  Then I started reading, then skipping and browsing, then slowly putting it down. Man, what a disappointment.  The Necronomicon it was not.  No horns, no possession, no Biblical evil, not even a pitchfork.  What I got was a boring new age book about doing whatever you want.  Do what you will or some such crap.  This was philosophy, a self-help book, where was the evil? Where was the Devil??

Now I remember tossing that thing into the paperback trader pile, and began spending a lifetime correcting people who think Satanists are Devil worshippers.  I went back to Stephen King, Robert McCammon, and James Herbert pretty quickly.  What a misleading piece of crap. 

Lost Hits of the New Wave #36

"Do They Know It's Christmas?" by Band Aid

The original "Do They Know It's Christmas?" was written by Bob Geldolf of the Boomtown Rats and the criminally underacknowledged Midge Ure of Ultravox in 1984 to bring awareness to the famine in Ethiopia. Later overshadowed by that summer's American "We Are the World," I still think the original is the better song, and with the better stars.

Geldolf brought together a supergroup he called Band Aid to sing the song, which included Duran Duran, Spandau Ballet, The Boomtown Rats, Sting, U2, Bananarama, Kool and the Gang (a seeming oddity, there only because they shared a record label with the Rats), Ultravox, Status

Quo, Marilyn, Heaven 17, Paul Young, George Michael, Paul Weller, Jody Watley, and Phil Collins. Artists who could not be a part of the recording like Paul McCartney, Holly Johnson, Big Country, and David Bowie were included giving holiday messages on the B-side of the single, called "Feed the World," a cool groove all by itself.

I worked in a record store at the time of the release, and its re-release in 1985 and remember the flurry to get a copy. This was huge. I also remember the crowds at the mall's Heroes World that Christmas, because they had a poster of Band Aid out front with a number chart to show who was who - and everyone wanted to know who was who.



The song was re-recorded in 1989, 2004, and this year as well. Here's the new version for 2014 by Band Aid 30:

John Carter Is Awesome

John Carter ~ In the year of The Avengers , there are only a few movies that I have been anticipating with the same tension and excitement as that of Earth's Mightiest Heroes. There is Battleship, which is more a curiosity than anything else, as in how can a flick based on a kids game have such an awesome trailer? There's also The Dark Knight Rises, which falls more into the morbid curiosity category. Regular readers know how much I absolutely hated The Dark Knight, so I am curious to see how much of a train wreck this one will be. And then there's John Carter. In some ways, I have been more excited about this one than The Avengers.

First things first, all you critics and naysayers and underage idiots who think it rips off Star Wars can all just go to hell. John Carter is awesome. The books, by Edgar Rice Burroughs about John Carter of Mars are now over a hundred years old. A century, idiots, so if anything, George Lucas was mining Burroughs, not the other way around. And that goes for everything else under a hundred years old the uneducated are saying John Carter rips off. This is the original, literally the great granddaddy of pulp adventure science fiction. Everything from Flash Gordon to Superman to Adam Strange to Avatar owes a huge debt to this property.

And the other thing, yeah, that thing, I don't want to hear any crap about box office. Yes, it was an expensive movie, and yes, it did not do well at the box office. The box office folks are talking about is domestic, John Carter did quite well overseas, where also apparently folks knew who the character was, despite the "of Mars" being removed from the title, but I'll get to that in a minute. The fact is not that the movie did do well financially, it just did not do the numbers it was expected to do, that's all. Let's look at the facts - John Carter has made more money than The Artist and Hugo combined. Does that sound like a bomb to you?

There were other problems. The project got orphaned at Disney/Pixar, as nearly everyone involved in marketing was no longer with the company when it came out. So Disney only gave it the minimum promotion a motion picture of its size, budget and content should have gotten. Disney had written the film off before it even came out, and in recent weeks has even admitted it. Feeling saturated by the PR blitz of The Avengers and Brave? Well, enjoy, that's John Carter's marketing money at work.

And then there's the title. Disney had a real bomb last year called Mars Needs Moms, and decided that the word "Mars" was bad publicity, and so removed it. These are also the geniuses who wouldn't call it A Princess of Mars (the book on which this movie is mostly based) because it would confuse the little girls (and probably the parents as well) in the audience. Not only is that just plain stupid reasoning, it's also ripping the heart out of the character. John Carter is John Carter of Mars, period. It's like calling a movie about Superman just "Man." And also if they had kept the "Mars" in the title, at least some of the folks who weren't aware of the character wouldn't have at least known it was scifi of some sort.

Despite all that that, despite all of this crap that has been piled on top of the movie - I loved it. I've seen it three times. John Carter is the best movie I've seen this year. Now don't get me wrong, it's not a great movie, and there's nothing original you haven't already seen somewhere else (it has had a hundred years to be ripped off, mind you), but it is a fun movie, and I really enjoyed the two hours plus I spent in the theater each time. There hasn't been an adventure like this is some time.

Based on the first novel A Princess of Mars, yet borrowing from later novels as well, John Carter stars newcomer Taylor Kitsch ("Friday Night Lights") in the title role, genre actress Lynn Collins as the Princess, and Willem Dafoe brilliantly voice acting Carter's Thark friend Tars Tarkas. Rounding out the cast are two veteran actors from one of my favorite HBO series "Rome," Julius Caesar and Mark Antony, as well as Dominic West and Bryan Cranston who rule the screen while they're on it.

I loved this pulp adventure of a Civil War vet transported to the otherworldly Mars to fight for and against its various peoples. I read these books as a ten year old at the Camden County Library when it was part of the long gone Echelon Mall, thanks to my reading enabling big sister. They were great then, and great now, as I read the first book again before seeing the movie. A friend of mine called it adventure porn for ten year old boys. I don't find that all that offensive, I think it's right on target actually.

John Carter is a fun adventure flick - don't believe anything the naysayers tell you, go see it, go see it now.

Lost Hits of the New Wave #9

"Don't Change" by INXS



I was a big INXS fan, before they made it really big, and once they did, I kinda got sick of them. Honestly if I ever hear "The Devil Inside" again, I'll hit someone. A lot of their stuff in hindsight is a bit dated, but I still like the early stuff. And Michael Hutchence is still missed. To this day, "Mediate" and especially "Mystify" remain among my favorite all time tunes.

I have to sheepishly admit how stupid I was when I first discovered them. I went to Listening Booth at the Echelon Mall to get their album Shabooh Shoobah. I actually worked at rival Sam Goody, but everyone knew LB had all the imports, and the 'good' stuff first. If you wanted Michael Jackson, you went to Goody's, if you wanted something with an edge, it was the Booth all the way.

Anyway, I saw an album with that title, but didn't think it was INXS, because I was looking for a band I had heard pronounced as 'In Excess.' Yeah, I was an idiot. Finally bought it, and I loved it.