Glenn Walker is a writer who knows pop culture. He loves, hates, and lives pop culture. He knows too freaking much about pop culture, and here's where he talks about it all: movies, music, comics, television, and the rest... Welcome to Hell.
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Saturday, January 17, 2009
Friday, January 16, 2009
Dollhouse
Joss Whedon's new television series, "Dollhouse," starring Eliza Dushku, premieres February 13th on Fox.
Thursday, January 15, 2009
Welcome to AMC Loews in Cherry Hill, Now Go Home

Marley & Me ~ This would not have been my choice to see on a movie night but it was The Bride’s choice, so we saw it. I was pleasantly surprised. Based on John Grogan’s book of his newspaper columns that follows his life, with his wife, his family, his career and his dog. I’m a sucker for writer movies so I was sucked right in. For a change Owen Wilson and Jennifer Anniston, notoriously not my favorite actors turn in believable and entertaining performances, as do the twenty-odd stunt dogs that portray Marley. Very sweet, lots of fun and well worth seeing.
Yep, great movie, if only we didn’t have to see it at the AMC Loews Cherry Hill 24. This was one of the worst theatre experiences I have ever had. Yes, even worse than when I saw Spider-Man 3 in London – of course in that case there was inexcusable behavior both in the seats and on the screen.

We saw Marley & Me this past Friday night, and the movie has been out for several weeks, and the theatre was hardly packed – possibly thirty or so people in a room that could easily hold a hundred or so. We arrived during the previews, and although we did not see the announcements about talking, smoking, cellphones, etc., I’m quite sure they were still shown. They are always shown.
First off, people, mostly unchaperoned kids between ten and twenty, talking non-stop throughout the film. The audience, in front of us at least, was a sea of cellphone lights, as if we were at a Styx concert and Dennis DeYoung was belting out “Babe.” And yes, I know I’m dating myself there, and that in my day we would have used lighters, but I’m sure you get the point. There was more texting and talking going on in this theatre than at the mall food court.

Then there was the matter of the constantly shifting audience. I really think The Bride and I were the only ones in that theatre who paid to see Marley & Me. People, I say people, but again they were unsupervised kids, kept coming and going, sitting and watching a little bit of the film –usually talking or texting the whole time- and then leaving again. Where are the parents? Or is AMC the new babysitter?
After the movie we complained and were given a full refund plus free passes by a rather flustered and timid young manager. We were not alone in our refunds, but the other angry couple was surprisingly from yet another movie. We were told that employees do actually patrol the theatres, but only first runs where the crowds and the problems were more plentiful. Wow. Remind me not to see a first run flick at AMC Loews in Cherry Hill – apparently it could be worse...
24: The Real Redemption

In its first season, even its second and third, “24” was my favorite television series. Its concept of real time action as well as its edgy and ever-intense plots and subplots made it something special in the beginning. Then it got old, and then it got copied, and then it just got boring – a parody almost of itself.
I really wasn’t sure I was going to watch the current seventh season at all, and based on the mini-movie “24: The Redemption” that aired recently and repeated last week, I was pretty sure I was done with Jack Bauer and company. It was unwatchable, even with Robert Carlyle guest-starring and he’s one of my faves. For me, “24” was over.
On a whim, just in case, I dvr-ed the first two new episodes of “24” earlier this week. Then I started to hear good things, surprising things about it, and from folks whose opinions I usually trust. I figured I’d better check it out. Wow. Guess what, baby, “24” is back!
Wednesday, January 14, 2009
Ricardo Montalban 1920-2009

Continuing today as a bad day for genre actors and characters, actor Ricardo Montalban died this morning at the age of 88.
Mostly remembered for his roles as the villainous Khan in the Star Trek franchise or the mysterious Mr. Rourke on "Fantasy Island," Mr. Montalban had a long history in the cinema and on television.
From Mexican film to MGM musicals to the Broadway stage to selling cars with "fine Corinthian leather" to playing the baddie in the 1974 Cathy Lee Crosby Wonder Woman telemovie, Montalban was always a consummate actor and a true gentleman.
In 1970 he founded Nostros, an organization designed to help actors of Hispanic origin attain their goals.
Ricardo Montalban was one of our finest actors and he will be missed.
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