Showing posts with label luc besson. Show all posts
Showing posts with label luc besson. Show all posts

Monday, July 24, 2017

Valerian and the City of a Thousand Planets

Valerian and the City of a Thousand Planets ~ I have been waiting for this flick since my brother-in-law hipped me to it several months back.  We're both, as are millions of others, fans of another Luc Bessom film, The Fifth Element, a movie which thematically and visually Valerian resembles.  Based on that, we were psyched, as well we should have been.  This is a stunning film, with two major problems that spoiled it for me.  Still, by all means, you should see this movie.  It's a popcorn blockbuster and a treat for the eyes, and yes, 3-D is recommended if available, I don't say this often, but it’s worth it.

Based on the French/Belgian comic series Valerian and Laureline, and therein lies one of my problems with this flick.  There are two lead protagonists in this film, and yet only the male one gets title billing.  Laureline is just as much a lead and a hero, in some cases a better hero than Valerian, and yet, where is her name in the title?  Besson, and whoever else might be responsible, should have kept to the source material on this one point. 

What aggravates this seemingly small point is that this is Luc Besson, a man who in previous films like Lucy, The Messenger, La Femme Nikita, The Professional, Kiss of the Dragon, and especially The Fifth Element, has presented strong female protagonists in empowered roles. Laureline is still a strong female protagonist, yet relegated to a back seat and no billing in the movie version of the comic in which she at least gets second. Disappointing.

The other problem I have with Valerian is the actor in the titular lead role of this flick, Dane DeHaan.  He is at best a Reggie in a movie that requires an Archie.  And anyone who has seen him in Chronicle or the painful The Amazing Spider-Man 2, knows that his mischievous eyes and sneering grin are far more applicable to villainous roles than heroic.  Often here he comes off as disingenuous or hiding something.  It's just in his face and his manner - I was never able to fully trust him as the hero.  Couple this with the character's less than stellar romantic streak, and he's definitely not your usual white hat. 

And while DeHaan tries earnestly to be the hero he was cast as, Cara Delevingne pulls it off easily as Laureline, despite her previous roles.  She was in the critically acclaimed Paper Towns, and also recently and more notably played the creepy Enchantress from Suicide Squad - or was she just Junie Moon, I forget, either way, both roles were creepy.  And yet, I believe her more as the hero that DeHaan should have been. Also in the mix are Herbie Hancock, Ethan Hawke, and Rihanna shining as a shapeshifting pole dancer.

Don't get me wrong and bunch me in with the other critics who inexplicably didn't like this flick, because I loved it despite the problems I had with it. Valerian is fast-paced, exciting, fun, and visually stunning. The aliens are a spectacular special effects triumph blending Besson's Fifth Element sensibilities with Avatar caliber realism. The story of two federal agents in the future uncovering the mystery of a lost civilization in the future is as refreshing as it is simplistic, and highly watchable.

I had problems, yes, but they didn't affect the wonder and amazement I felt watching this movie. This is top of the line science fiction adventure, and if I'm being honest, I wish recent Star Wars flicks had a bit more of this and were less powered by nostalgia. Valerian is a great flick, recommended.

Thursday, September 03, 2015

Lucy


Other than being an action flick with a strong female protagonist, I have to admit that Lucy was never really on my radar as a movie I wanted to see. I do like Scarlett Johansson, both from Ghost World and as the Black Widow - yeah, I know, nerd alert - but the film's premise of someone gaining superpowers by accessing 100% of their brain just turned me off. It's just an absurd concept, even for science fiction, the ten percent brain myth is just nonsense.

Two things got me to watch however when Lucy came around to cable. Writer/director Luc Besson, who dazzled me with a similar female protag in The Fifth Element, was one reason. The other was the opinion of a female friend whose opinions on film I usually respect. She is notably an art film fan with a disdain for blockbusters, action, science fiction, and pop culture. But she loved the movie Lucy. Yep, I had to see it. And curiosity killed the cat.

While Morgan Freeman lectures on the ten percent brain theory in alternating scenes, we watch Johansson in the title role accidentally infected with an experimental designer super drug. As Lucy quickly ups her percentage and becomes smarter and more powerful, she goes to war with the drug cartel that put her in this predicament.

While she's doing that, Lucy goes after more of the drug, and seeks out Morgan Freeman to help her with her own dwindling mortality. It's at this point the story starts counting down, or up considering what percentage of brain power she's using. Among her powers are invulnerability to pain, remote viewing, telekinesis, and time travel. Yeah, this movie is a trip.

Lucy is very show rather than tell, colorful, vibrant, and visually stunning - just what one would expect from Besson. This is not a film you can casually watch as it requires your full attention. That type of storytelling requires a top-notch performance from Johansson, and she does not disappoint.

There's a whole lot of cool special effects, some wink-wink nudge-nudge philosophy, a little bit of religion, and a whole lot of back alley pseudo-science. Yeah, I kinda liked it. Lucy wasn't perfect by any means, but it was mindless fun. And no, I have no idea what my friend saw in this flick, but it's still worth checking out.

Thursday, July 10, 2003

Kiss of the Dragon

ALMOST JAMES BOND

A Video Review of Kiss of the Dragon

Copyright 2003 Glenn Walker

With its smooth hero, vicious villain, exotic location and cool action scenes Kiss of the Dragon could have easily been a James Bond movie, an old school James Bond movie from the pen of Ian Fleming.

Kiss of the Dragon is based on a short story by star Jet Li, directed by first timer Chris Nahon with screenplay by producer Luc Besson, who also directed other great action flicks like La Femme Nikita and The Fifth Element.

A Chinese police officer is betrayed by corrupt French police while trying to capture a Chinese drug lord in France and then finds himself on the run. It's a simple plot but chockfull of very old school James Bond elements and sensibilities just without the snappy banter.



It of course could have had the snappy banter though. Of all the Asian stars that have come to our shores recently like Jackie Chan and Chow Yun Fat only Jet Li actually seems to have a grasp of the English language enough to be as good an actor here as there. The highlights of the flick are his as well with his amazing martial arts skills that like those of the legendary Bruce Lee had too be slowed down for the camera. The 'lights out' scene in the orphanage is brilliantly done.

Bridget Fonda is no Bond girl but she turns in an admirable performance as a prostitute forced into the life by the manipulations of the corrupt French police inspector played by Tcheky Karyo to the hilt as a typical but inept Bond-style villain.

While in the current political environment I don't mind seeing Jet Li kicking the asses of evil French police but it would have been cooler to see old Jet taking on foes that were worthy of his delicate attention.

Very old school James Bond, don't miss it.