Legacy of the Blue Falcon

There was a dead zone in the middle of the 1970s when we really didn't have superheroes on Saturday morning television. Oh, they were there, they were just... neutered. They solved problems, fought pollution and litter, preached brotherhood, rescued kittens, and taught magic tricks and moral lessons. These are by no means bad things, but at the time, I knew all that stuff, what I wanted was for Batman to punch the Joker just once.

It was into this environment, full of neutered superheroes and teens and their dogs solving mysteries that Blue Falcon and his robotic sidekick Dynamutt the Dog Wonder were born. They were a bit of both worlds. The latter being the Scooby-Doo like comic relief and BF being the serious superhero. For me, a new superhero was sometimes better than an out of character superhero like the Super-Friends.

Blue Falcon was a wealthy socialite in Big City, Radley Crown, a loose Batman clone with more science at his disposal, well, obviously, with a robot dog. He had a great car that also flew, was summoned by a signal, and best of all, was voiced by Gary Owens. As shown by more than a couple crossovers (and sadly the Laff-a-Lympics), BF and DW were solidly in the Scooby-Doo universe.

Sometimes it was silly, but it was still superheroes on TV so I ate it up. Sadly though, after only twenty episodes, an apparent two seasons, our heroes were relegated to syndication. There were appearances, yes, on the embarrassing and aforementioned Laff-a-Lympics, and much later as a ridiculous recurring character on Cartoon Network's "Harvey Birdman, Attorney at Law."

There really wouldn't be a more serious appearance until the "Dyno-Might" episode of "Dexter's Laboratory," where Dynomutt is mortally damaged in combat and Blue Falcon brings him to Dexter to repair. Dexter of course rebuilds him to the max, into a cross between Robocop, Batman, and a mechtank. Hilarity ensues as BF, Dexter, and the old DW must stop this new threat. A bit cartoony, but not bad, it was certainly better than Harvey Birdman.

The Blue Falcon's next major appearance was very different. In the "Heart of Evil" episode of "Scooby-Doo! Mystery Incorporated," there are several landmarks of note for the character. We finally get an origin story for Dynamutt and the Blue Falcon, the hero is presented very much the same way as Batman in Frank Miller's The Dark Knight Returns, and the Hanna-Barbera shared universe is expanded to include the "Jonny Quest" characters as well with Dr. Benton Quest involved in the origin and Dr. Zin as the villain.

But this year, just as I was getting excited by a world where Jonny Quest and the Blue Falcon co-exist, they rewrote the rules. Scooby-Doo! Mask of the Blue Falcon reboots the superhero as a fictional character from comics, who had a campy TV series in the past, and now a darker edgier movie coming out now. Yeah, holy Batman, Batman. It does however make some nice points about grim and gritty superheroes and Hollywood.



The direct-to-DVD movie is not without its charm however. Many of the Hanna-Barbera superhero characters of the past appear as background as this case happens at a comic book convention. Look for cameos of Frankenstein Jr., Mightor, the Herculoids, Hong Kong Phooey, Space Ghost, Apache Chief, even Atom Ant, and others. These Easter eggs make the feature almost tolerable. Despite his name in the title, the Blue Falcon isn't really in this flick. There is a sequel in the works, set in the same continuity.

Dynomutt and the Blue Falcon live on however in our memories, and on DVD (though not yet streaming). If you remember the toon, relive it, and if you're a noob, check it out. It's an animated slice of the 1970s worth watching.

Arrow S02 E08: "The Scientist"

This is it, the episode, no, make that the two-part mid-season finale episode, we have all been waiting for. "Arrow" has been teasing us with comic book Easter eggs throughout the first season, and it has taken on a manic pace in the second - now we will see the debut of Barry Allen, destined to soon become, in a CW pilot, the Flash.

Now this isn't Barry Allen's first merry-go-round on television. He was animated by Filmation in the 1960s, and Hanna-Barbera in the 1970s. He made his first live-action appearance in the much-maligned "Legends of the Super-Heroes," and over a decade later starred in his own short-lived and low-rated TV series on CBS in the early 1990s. It was an expensive show, disliked by the comics community at the time, but it has aged well. Many look back on it fondly, myself included, but I liked it at the time as well.

The Flash was a mainstay of the DC Comics Animated Universe as a member of the Justice League, and was even in the TV pilot that some folks hated more than "Legends." Probably the less said about that the better. The character is almost a lock for a cameo at least, if not more, in the upcoming Man of Steel sequel, Batman vs. Superman.

In the comics, the Barry Allen was the first of the Silver Age superheroes, imbued with super speed after being splashed with electrified chemicals. He was my brother's favorite, and thus became my favorite. I've been reading Flash comics for almost five decades. So yeah, I'm psyched to see Barry Allen, even pre-Flash.

In "Arrow," Grant Gustin, formerly the warbling villain from "Glee," is our Barry Allen. Initially I thought he was miscast, but five minutes after he first appears I am sold. You can say he's a bit nerdy, but let's face facts, Barry Allen is a nerd, a comic book geek, and a police scientist. Gustin, except for his hair color (but then again, the 1990s version, John Wesley Shipp, also had dark hair), is perfect.

With all the myriad plots and subplots going on in this series, this episode starts with a new story. A man with super strength has stolen a centrifuge from Queen Consolidated. Similar crimes in Central City brought CSI Barry Allen to Starling City. I love that he's always late, he runs after a cab in the rain (just like in his origin story), and there seems to be foreshadowing lightning in the sky over Starling City. And he and Felicity are smitten with one another. I guess Iris West must be in another area code.

While I suspected it was one of our subplots, our perp turns out not to be Deathstroke or Solomon Grundy, but a partaker of Professor Ivo's super-serum. Oliver says Ivo is dead, as were all his subjects, but apparently someone's trying to make more. Turns out I was two-thirds right, as that someone is Brother Blood, and the guy who beat Oliver down is none other than our buddy Cyrus Gold, the as-yet-named-thusly Solomon Grundy.

Meanwhile, Barry Allen is not all he seems. He's not in Starling on assignment, but in a personal agenda. Similar to his post-Flashpoint origin, Barry's mother was murdered when he was young, by 'a man inside a tornado,' and his father went to prison for it. We know that man was Professor Zoom the Reverse-Flash. Since then Barry investigates other unexplainable cases of superhuman beings, and also idolizes folks like The Hood who could've saved his mom. Nice set-up. Outed by Oliver, he hits the road.

In the subplot department, Roy finds an overdose that was caused by Ivo's serum, The Hood tells him to stay out of it, and puts an arrow in his leg to make sure he does. Malcolm is still adamant that Thea is his daughter and he's going to take her away, but Moira puts the fear of the demon in him - by informing Ras Al Ghul that Merlyn is still alive. Oliver has one mean momma. She is positively icy when she tells Malcolm he should run.

After the ersatz Grundy (actor Graham Shiels growls and moans perfectly for the part) nearly beats Oliver to death, and our hero is accidentally jabbed with an unknown drug, Diggle and Felicity need help. In a scene reminiscent of a Bat Gas moment from the 1960s "Batman" TV show, they kidnap Barry. He wakes up in the 'Arrowcave,' secrets unraveling, cue credits.

There is also a nice shout out to Kord Industries, an indirect reference to the Blue Beetle, and the countdown has begun for the particle accelerator in Central City. I'm not sure if this will play out on "Arrow" or the new Flash series, but I can't wait. See you next week, same Arrow time, same Arrow channel.

Yogi Bear 2010

Yogi Bear ~ This is the live action and CGI big screen movie from Christmas 2010 that pretty much bombed at the box office. Much like The Green Hornet a year or so back, I have to wonder if its because the current movie going audience has no point of reference for Yogi Bear any longer.

When I was a wee toddler waaay back in the late sixties, I have great memories of watching classic Hanna-Barbera cartoon characters like Yogi Bear with my dad. It's a good memory, sitting with my father, seeing the five to eight minute adventures of Huckleberry Hound, Jinx the Cat, Pixie and Dixie, and Jellystone Park's favorite pick-a-nick basket thieves, Yogi and Boo Boo Bear.

Later those good memories of semi-good kids cartoons were ruined by parents groups in the seventies, leading them to join together to fight pollution on "Yogi's Gang," and then later were sidelined as peripheral funny animal characters on "Scooby-Doo's Laff-A-Lympics." After that, except for a handful of forgettable appearances, Yogi was, well, forgotten. Maybe, after the seventies, with good reason. Still, the 1960s cartoon shorts have a warm spot in my heart.

That said, I doubt most of the folks who saw this in theaters even knew who Yogi is, um, was. Those that did, might have been put off as I was. The CGI Yogi and Boo Boo is kinda cool, until you see them next to live action human beings. Then the reality sets in that they are bears because the size ratio is correct and troubling. Bears, even those wearing ties, sometimes tend to eat people. I can see young kids being maybe freaked out by this.

The plot is much too long and complicated for the characters who work best in ten minute increments at most. Similar structure has ruined of films of this genre like Rocky and Bullwinkle, Dudley Do-Right and even Looney Tunes and The Simpsons. Honestly, I would have been happy with eight ten-minute vignettes than one eighty-minute movie, but that's me.

Intellectually disturbing (for me at least) is the fact they acknowledge Yogi and Boo Boo are not only bears, but talking, thinking, tie wearing bears. They even acknowledge its rare, but they never explain why. That drives me nuts. Maybe it's just too meta for me to get past, but it bugs the hell outta me.

Then there's also the voice casting of Dan Ackroyd and Justin Timberlake as Yogi and Boo Boo. Timberlake is not bad at all, but Ackroyd, once you know it's him, never sounds like anything but Dan Ackroyd doing a bad Daws Butler as Yogi Bear imitation. Some folks may have enjoyed and praised us, but not me, I couldn't get past it.

All in all, Yogi Bear wasn't bad, fairly harmless actually, and did have the spirit at least of those original sixties cartoons. Anna Faris didn't annoy the hell out of me, and it had Journey music, so it couldn't be all bad. Good for the kiddies even though they might not even know Yogi or Boo Boo.

Scooby-Doo

SCOOBY SCOOBY-DOO, WHERE ARE YOU?
RIGHT HERE ON THE BIG SCREEN…

A Film Review of Scooby-Doo

Copyright 2003 Glenn Walker

Being a comics fan there is a terror that I know only too well. It is the fear that a work from one genre (usually comics, but sometimes in this case a TV cartoon) will be brought to the big screen and altered in such a way to destroy it or make it unrecognizable. Ask any comics fan what they thought of Batman and Robin or Superman III and you might get some grasp of this terror. Hollywood hates comics and cartoons, that’s just the way it is.

Scooby-Doo is the exception. Its opening scene is the cartoon series. It’s as if the characters were lifted from Hanna-Barbera land and made flesh and blood – it is beautiful. And then the unthinkable happens. They evolve. The Scooby Gang grows up, they are changed by circumstances, they become three-dimensional. This is a win/win situation. The fans get the folks they’ve already fallen in love with and new movie people get real fleshed-out (pun intended) characters.



The story concerns the Mystery Inc. crew (Fred, Daphne, Velma, Shaggy and his CGI rendered talking pooch Scooby-Doo) reuniting to investigate a haunted theme park that seems to be brainwashing the youth of America. It pretty much could have been lifted right out of the cartoon and yet fits perfectly in the movie context. The cast is perfect especially Linda Cardellini as Velma when she trades in the bulky sweater for a low cut shirt.

There are lots of nods to the cartoon like references to Shaggy’s possible drug use, Fred’s strange fashion sense, Daphne always getting captured and Fred and Velma’s questionable sexuality. All in all this was a lot of fun and really, what more can you ask of in a movie? Go see it, you’ll enjoy it.