Ghostbusters 1984

Back in the early 1980s I had the perfect job, I worked in a record store at the mall. I watched trends happen on a daily basis. I witnessed the Michael Jackson phenomenon firsthand, Madonna, Prince, Boy George, Duran Duran, the birth of Motley Crue, and the popification of Bruce Springsteen - I saw it all, including the summer of Ghostbusters.

From out of a sea of "Lucky Star" outfits and "Thriller" jackets they appeared, the Ghostbusters t-shirts, just as the trailers began. Not just the logo, there were some that said "who you gonna call" and "I ain't afraid of no ghost" to the rarer "I've been slimed" and "back off, man, I'm a scientist." We knew this was going to be a big movie even before Ray Parker Jr. saturated Hot Hits radio with its theme song.

I remember the Friday night that the movie opened, for all the wrong reasons. I broke up with a girlfriend and asked a friend to see the flick with me instead, who became my new girlfriend. Soap opera aside, that June night launched the blockbuster horror/scifi/comedy that definitely lived up to the hype, and a summer of quoting lines and re-seeing the film began.

Toy lines, a hit animated series, and the emblem were everywhere, and the thing was - it's a great film and deserved it all, watchable even today. Like I said in my review of the new movie, it's not the 1984 Ghostbusters, but very few movies are. I wouldn't say I'm a Ghosthead, but yeah, I love this film.

Three scientists, two serious and one not so serious, enter the paranormal investigation game and discover a way to capture ghosts. They learn that the increased paranormal activity is the result of an extra-dimensional entity trying to break through, and stop it, thereby saving New York. That's about it, and that last bit is very important, as the movie is very New York, almost a love letter to the city. A line from the climactic battle, "Let's show this prehistoric bitch how we do things downtown" says it all.

Despite it being written with John Belushi in mind, I think it's Bill Murray's funniest movie. Dan Aykroyd (who co-wrote with Ivan Reitman), Sigourney Weaver, Ernie Hudson, and even Annie Potts and Rick Moranis are perfect supporting. Harold Ramis is wonderful with his deadpan dialogue and facial expressions, giving Kate McKinnon the perfect template for the new movie. Everyone is on mark and at their best.

When it comes right down to it, what can be said about the original Ghostbusters? It stands up after over three decades, it's one of the funniest films ever made and it's not even technically a comedy, and I watch it whenever I find it on television, and still laugh. And it's been on television a lot with the new version currently on DVD and Blu-Ray. This is probably one of the most iconic films of its generation, and thus the aggravation over the remake, but it stands as one of the best. If you haven't seen it, do so, and if you have, do it again.

RIP Harold Ramis

Actor, writer, and director, Harold Ramis passed away today, much too young, at the age of 69. The name might not ring a bell at first for some folks, but for others, the man defined comedy for a generation.

I first became aware of Harold Ramis from "SCTV." In my youth, the show aired a 1 AM, right after the original "Saturday Night Live," and was known by me and my friends as 'the secret SNL.' We called it that because most folks turned off the TV when SNL was over, they didn't know about this treasure. "SCTV" was a skit show set under the premise of a fictional Canadian TV network, and featured performers from Chicago's improv troupe, Second City, from which coincidentally half of the original SNL cast was from as well.

Harold Ramis was the head writer of the show, as well as working for Playboy and National Lampoon. From this starting point, he began form his comedy technique, and began writing film. Animal House, Stripes, Meatballs, and Caddyshack (which he also directed) all came before Ghostbusters.  

Ghostbusters was huge when it came out, I don't know if anyone remembers how big it was. At the time it had a pop cultural impact similar to Star Wars, everyone knew the lines, and everybody had the t-shirts, and everybody was humming the song that would eventually make Huey Lewis richer.

Later he would come into his own as a director and producer as well, with such films as Vacation, Analyze This, a favorite of mine, Someone to Eat Cheese With, and The Ice Harvest. He would also do his final film with Bill Murray, probably their best film, Groundhog Day, a piece of brilliance that the two men disagreed on how it should be done. To this day, it's probably what has kept Ghostbusters 3 from happening.

We've lost one of the greats, both behind and in front of the camera, who made us laugh and made us think. Harold Ramis will be missed.