Mr. Robot

Awkward cynical cyber-security techie Elliot Rodger is also a vigilante hacker by night. Played by former child actor Rami Malek (Night at the Museums) with dreary neo-gothic hipster non-glee, he obsesses on finding the deets on anyone he has to interact with socially to make it easier, but it never does. He's creepy at first, but his mad first person narrative wins viewers over quickly.

If you think Elliot Rodger is an anarchist or nihilist wannabe with an odd sense of justice, it's only because you haven't met Christian Slater's character yet. Mr. Robot is the real anarchist and he wants to bring down the evil corporations, especially the one Elliot works for - E Corp. There's a very paranoid Big Brother vibe, and Slater is very Slater, but it works.

The pilot episode, cleverly titled "eps1.0_hellofriend.mov," was written by show creator and executive producer Sam Esmail, whose previous credits include Comet and dating Emmy Rossum from "Shameless." It's a single camera shoot interspersed with lots of stock footage and a tense score by Mac Quayle that is vaguely reminiscent of Tangerine Dream on speed.

If nothing else, this is a tale told with an intriguing storytelling style. Worth checking out. Available on several digital platforms and OnDemand right now, "Mr. Robot" officially premieres on USA June 24th.

Night at the Museum 2

While an entertaining sequel, and a better movie than any film starring both Ben Stiller and Owen Wilson has any right to be, I'm still not sure what to make of Night at the Museum: Battle of the Smithsonian.

The one thing that makes this sequel different from others of its kind is that it infers, nay, it requires the viewer to have seen the original. Night at the Museum 2 makes no synopsis, or even excuses, regarding the first film. If you haven't seen the first one, you're not only out of luck, you'll never even understand the concept of the sequel. Many of the plot twists and even the running jokes are based on information not provided here. I seriously wonder how this little matter will affect the box office. Word of mouth regarding a hard-to-understand movie could be lethal.

For those not in the know, the original film revolved around a museum where all the exhibits come to life at night. In the sequel, all of the exhibits, including the MacGuffin that causes the phenomenon, have been shipped to the National Archives beneath the Smithsonian in Washington DC. When night hits, everything in the vicinity of a museum-like nature comes to life. Hilarity ensues.

Among the things that come to life are Amelia Earhart wonderfully played by Amy Adams - one of the highlights of the film, and Hank Azaria doing his scarily accurate Boris Karloff impression as spoiled brat pharaoh out to rule the world with an army of the dead. Yeah, a whole lot to swallow for a family comedy, isn't it?

One interesting bit that is certainly worth seeing, and maybe seeing this flick a second time, is the art that 'comes to life.' Once the Smithsonian is affected, all of the beautiful paintings, scultures and works of art becomes 'real' and animated. The folks doing the special effects certainly had a love of the work and it shows. Fun stuff and a delight for art fans.


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