Bridge of Spies

Bridge of Spies ~ The Bride and I got to see this one on one of our Disney Cruises a year or so back, a sneak preview the night we saw it, but I've been busy, haven't had time to post it, and quite frankly after a while forgot I had written it. Bridge of Spies is the story, based on true events, of the spy exchange of Rudolf Abel and Francis Gary Powers in 1960, as told from the point of view of James B. Donovan, the attorney who brokered the deal. At the height of the Cold War and during the building of the Berlin Wall, this was no easy trick.

There are good solid performances here, and there should definitely have been more Oscar wins for this one than just Supporting Actor for Mark Rylance's Abel. He was stunning, and Tom Hanks has matured some and gives us his best whimsical and serious at once.

I was surprised to see the Coen brothers as screenwriters, while most of the writing and dialogue is brilliant, there's a fair amount that is equally weak and sloppy. And that 'inspired by true events' tag, that always gets me. I am always suspect of that phrase. If you know your history, this may be boring and monotonous like Titanic or Apollo 13, because let's face it, you already know how it ends. There's no suspense, nevertheless Bridge of Spies a good movie.

An amusing side note, I could not sit through the first showing, so finished watching the flick at an early morning viewing. There were a handful of patrons, along with a grandfather and several grade school age boys. He was overheard saying to them before the film started that there might be some bad words in it and they shouldn't tell their parents.

Bridge of Spies had some bad language, mostly B words, and every time one popped up the boys would all chime "oooo" and count them. Soon everyone in the audience was counting and oooo-ing as well. It was a hoot. I wonder if they told their parents…

The Bastard Executioner

I loved Kurt Sutter's "Sons of Anarchy." Sure, it wasn't perfect - I wish I'd skipped the Ireland season, and of course the show went on one season too long - but I really dug it. The series was at the top of its game in storytelling and characterization, truly a pinnacle in epic television. So when I heard Sutter was doing a medieval series next, naturally my curiosity was piqued.

I have to be honest, I nearly turned the first episode of "The Bastard Executioner" off in the first minute. Before anything happens, before we see scenery or set, before a character takes action or utters a word, we get a history lesson. Enough to make me want to give up and turn off the television.

I have never seen so much history crammed into the first minute captions of a show before. I paused the episode and spent ten minutes on Google. Did I really need to know all this? Would there be a test? I was especially irritated because much of this could have been organically explained in the unfolding of the story, or in the mouth of a character should the writer be feeling particularly lazy.

I kept watching, and I'm glad I did. "The Bastard Executioner" is vibrant, vivid, and visceral. Had I turned it off I would have completely missed the nudity and extreme bloody violence that followed in the second minute. If you ask me, screw the history, you should have started with that. You definitely had my attention now - but you could have lost it much too easily.

The premise follows several storylines and characters as cultures and classes clash between wars in Middle Ages Wales. That said, much like Sutter's "Sons of Anarchy," it's a big soap opera writ large in new circumstances with an epic scale. Rather than California motorcycle clubs, it's 14th century Welsh rebellions. That said, it might be a bit much for the usual historical romance crowd.

"The Bastard Executioner" is bloody and violent, yes, sometimes ranging from the horrific hide your eyes type to the silly Monty Python and the Holy Grail's Black Knight type, but either way, it's graphic. It is however also engaging and surprising, with just a little bit of that I don't want to know "Rome" and "Spartacus" realism thrown in for good measure. I'm not sure I can recommend it for everyone, but it's definitely worth a look.

The Man in the High Castle

Based on the 1960s novel of the same name by Philip K. Dick, this is the pilot for an Amazon Prime series that happens on an alternate world where the Axis powers won World War II.

In this world, Franklin Delano Roosevelt was assassinated in the 1930s before pulling the United States out of the Depression. Presidents that followed pursued an isolationist stance in world events, and the US was therefore unprepared for the crippling blow at Pearl Harbor. At the end of a prolonged war, the once powerful US is now divided into three puppet nations under the control of Imperial Japan and Nazi Germany. In this new timeline these two empires engage in a familiar yet more dangerous nuclear Cold War.

As the Fuhrer is dying and the power struggle to fill the void promises an oncoming American war between Germany and Japan, the pilot follows a handful of characters as they navigate this alternate political landscape. Complicating matters is a film called "The Grasshopper Lies Heavy," which depicts a World War II occurring as we know it, whether it's trick photography or an actual newsreel is left up in the air in this pilot.

"The Man in the High Castle" is a streamlined version of a very complicated book, with a few subtle twists not present in the source material. It sets itself up as an enthralling political thriller albeit taking place in a sinister yet fascinating parallel world. I hope it does well in Amazon's pilot season because I'd like to see more.

Houdini on History

The big new television event this last Labor Day weekend was the two-part Houdini mini-series on The History Channel. I love Houdini. I love movies and documentaries and books about Houdini. I even love the surviving fragments of his movie serials. The man was awesome. This mini-series was... a great illusion.

Adrien Brody is in the title role and it's one that fits him well. Not only does he look like Harry Houdini both facially and in body type, he has that mysterious air about him. Despite his miscasting in Peter Jackson's King Kong, he's perfect here. Kristen Connolly is pretty fair in the role of Bess, and even though it's a cameo, it is always good to see Barry from "EastEnders."

The soundtrack, a lively rocking score by John Debney, is one of the best I've heard in some time. I'm looking forward to finding it somewhere soon. This score fits the quick cut flashy MTV way this was filmed. It's not a complaint, but a compliment. Stylistically this is an amazing piece of work, style it has, it's the other areas where it lacks.

The mini-series takes us from the magician's childhood to Harry and Bess Houdini's days on the road before he became famous to his death on stage in 1926. There is both truth and fiction here as with all Houdini stories. This version even takes into account Houdini's supposed service to the US government as a spy. And then there's a lot more iffy stuff here for a program that aired on The History Channel.

History's Houdini was keen on showing us how many stunts and tricks were done, but what it wasn't good at was telling the truth. The facts elude the movie event like the real Houdini escaping chains and cages. The Wild About Harry website had a lot to say about how far from the truth this mini-series strayed, and it's not pretty.

Now the 1960s Tony Curtis film and the 1970s Paul Michael Glaser telemovie weren't that great on the facts either, and I loved them. And I admit to liking this one as well, but in its four hours it lacks the heart the other two had in half the time. Recommended for those who aren't depending on facts or looking for more than a story that barely touches the surface.

The Help

The Help ~ This is another flick that I saw on board the Disney Dream on my recent vacation. They gave a fairly large and beautiful old-fashioned style theater, and for this first run film, every seat was filled and there were folks standing and even sitting on the stairs even though they weren't supposed to. There's a reason I mention this that I'll get to later.

The Help, based on the bestselling book by Kathryn Stockett, is a period piece set in early 1960s Jackson, Mississippi. Some of the hairstyles, wardrobes, sets and cars were probably filched from the set of "Mad Men" they look so authentic. The history is strong and accurate, which for me is important as I get irritated when the facts are wrong or timelines are mixed. My suspension of belief has a low tolerance for that sort of stuff. Don't even get me started on Forrest Gump.

The film is an ensemble piece about a struggling young writer putting together a book of the experiences of black maids and their feelings about the white women whose children they were raising. Set in the hotbed of the civil rights movement, it explores and reveals a side that is rarely talked about in the history books, and shows that subtle racism is just as bad as overt racism. Well, it's all bad, but back then, it was a matter if degrees.

The performances in all cases are amazing, and if this wasn't a summer release, I'd say it's an easy sweep for the Oscars, but unfortunately the noms are usually later in the year. Shame. Viola Davis, Emma Stone, Octavia Spencer and Bryce Dallas Howard would all be major contenders to get statues. And although it's a small part, Sissy Spacek steals the movie.

There were no seats empty in the theater, and a young African-American woman sat next to me with her family behind her - as they were split up by showing up late. I don't know whether she was aware if the history of this film. I am always amazed when I see films like Apollo 13 and Titanic and hear younger folks express ignorance of the endings. This young woman was completely pulled into the movie and was struck by a full emotional spectrum. She laughed, cheered, clapped, but mostly cried, sniffed and sobbed. Yeah, it's that powerful a film, and made that much more so because it happened.

Highly recommended, do not miss, The Help is easily one of the best movies of 2011.