Arrow S05 E03: A Matter of Trust

As we open, class is in session. The new recruits to Team Arrow - Wild Dog, Evelyn Sharp, Curtis, and Ragman, whose civilian guise of Rory Regan looks a bit like a Barry Allen stunt double - are watching Green Arrow in action and supposed to be taking notes.

There's a new drug on the street, stardust, that 'makes PCP look like children's aspirin.' Wild Dog wants to get on the street after it, but Oliver says no, so we know where this is going. Could the name stardust be a reference to Stephen Amell's recent adventures with the WWE? More than you can imagine. The dealer slinging stardust is Derek Sampson, played by wrestler Cody Rhodes, previously known as Stardust. Yeah, I know, whether I like it or not, I'm actually learning about wrestling from Nerdfect Strangers and The GAR! Podcast…

Wild Dog and his short fry sidekick Evelyn go out looking for who is dealing the stardust without Oliver's permission. The Dog kills him by dropping him into a vat of stardust and chemicals Batman style, yeah, this isn't going to end well. Sampson doesn't die per se, he was transformed, and now he doesn't feel pain. Oliver acts accordingly like a jerk, and forbids the recruits from helping.

As if we didn't already have too many characters, and are need of a scorecard, this episode we are introduced to new district attorney Adrian Chase. In the comics, he is known as Vigilante, created by Marv Wolfman and George Perez he was sort of DC Comics' answer to the Punisher, plus a code against killing. When he did eventually cause the death of police officers, the guilt brought him to kill himself. Of course, that's the abbreviated version, there's a lot more to it. We've seen an artist sketch of Vigilante in the first episode this season already. Chase had sought to flip Sampson to find the stardust supplier, but Wild Dog put a monkey wrench in that plan.

Once Sampson is on the rampage to build an army like himself, and after the obligatory pep talk from Felicity, Green Arrow re-gathers the team. They're sparring and bonding, and getting a lesson from Curtis on Mr. Terrific, sadly, it's not who we think. In the Arrowverse, Terry Sloane was a wrestler whose motto was 'fair play,' which is why Curtis' jacket has that on the sleeves. Groan. As a Mr. Terrific fan, I feel a bit cheated, but in a wrestling-themed episode, I guess I'll take it. If you want to know why I love the original Mr. Terrific, Mark Waid says it pretty well here.

In the subplots, Flashback Island is just Bratva blah blah blah, Thea is fighting with Susan Williams a deceitful newscaster at channel 52, and Diggle goes to jail to await court-martial, but there's a twist when it comes to his cellmate. It's Deadshot. I guess the moratorium set by the DC movie universe has loosened and the character can return to "Arrow." But who it is isn't the twist, it's that John imagined him up. He was never there - John is cracking up.

In the final fight we get to see the full Mr. Terrific ensemble. The facial T is as cool as it is weird looking, another effect better down on the comics page than in real life. Is it just me, or is it just too close to being blackface? Wild Dog is fully formed, Ragman would be better in a cape in my opinion, and sadly Evelyn Sharp needs to establish an identity before she gets a definitive costume. We'll wait for Artemis.

As I suspected, the John subplot will play out in the next episode as the A story, but another subplot has arisen to replace it. Felicity's weird guilt over Havenrock on Genesis Day forced her to tell Ragman that she did it. His reaction was to walk away. This can't be good.

For my other reviews of the entire "Arrow" series, click here. And if you'd like to discuss this episode and anything else in the Arrowverse, please join the Arrow Discussion Group on Facebook.

Next: Penance!

Avengers: Age of Ultron

Yesterday I talked about re-watching the first Avengers film before seeing the new one. Today I'm tackling Avengers: Age of Ultron. Be warned right here right now, there will be spoilers.

Wow. When I walked out of the theater I saw a text from friend, fellow South Jersey Writer, and fellow Biff Bam Popper, Jim Knipp. He'd also seen the movie last night and wanted to know what I thought of it. I had to ponder the answer for a moment, then I typed back, "I didn't hate it."

I didn't hate it. I also didn't love it. I'm not even sure I liked it. In choosing Ultron as the antagonist, writer/director Joss Whedon must have known he was starting off on a bad foot. As I talked about in my article about Ultron over at BBP yesterday, without Hank Pym, there really is no Ultron. Without that creepy Oedipal complex and family connection to the Avengers, Ultron is completely interchangeable for any killer robot, and thus loses his charm and uniqueness.

So right out the gate, Whedon is already off-book by having Tony Stark and Bruce Banner create Ultron. Joss seems determined to stay off book, from the Hulk/Black Widow romance to Hawkeye's family to the almost complete ignorance of the "Agents of S.H.I.E.L.D." television series and events, it's like he wants to build his own continuity outside of the established Marvel Cinematic Universe. He's not just off-book, he's off the rails.

What it results in is an uneven film, a badly structured story, a disappointing film for comic book fans, and believe it or not, a boring film for action fans. There are multiple holes in the plot, illogical motivations, and probably many deleted scenes we'll have to wait for home release to see, but as is, this was unsatisfactory.

Let's start with S.H.I.E.L.D. Much has been made of Joss Whedon's comments regarding "Marvel's Agents of S.H.I.E.L.D.," but the facts are that not only is his brother a showrunner, but Joss is also a co-creator and executive producer on the show. His comments about the show invalidating his first Avengers movie can only be taken so far, and yet, the events of that TV series are both ignored and avoided in the new film. S.H.I.E.L.D., for all intents and purposes, no longer exists. This is a serious break in the continuity of the Marvel Cinematic Universe. One could probably get their fill of No-Prizes explaining away how it does fit, but it doesn't fit well.

Spinning off of the S.H.I.E.L.D. issue is the presence of Hawkeye's family. In the comics the Black Widow is not just a close friend and partner, she's a former lover of Hawkeye. More than that, Bobbi Morse AKA Mockingbird, a prominent character on the "Agents of S.H.I.E.L.D." TV series, and soon to be star of her own spin-off, is Hawkeye's ex-wife, lover, and partner in the comics. On the show, a source of drama revolves around her working with her ex-husband Hunter, a character that doesn't exist in the comics.

Now don't get me wrong, I like the idea of movie Hawkeye having a wife and kids, and I'm a big Linda Cardellini fan. Whedon is obviously one of those fans who doesn't like Hawkeye, and dismisses him as just a guy with a bow and arrow. I'm sorry, just my opinion, but if you don't like Hawkeye, you just don't know Hawkeye. He is one of the most effective, most resourceful, and one of my favorite Avengers. And that's one of the biggest problems with movie Hawkeye not being comics Hawkeye.

The wife and kids goes against the comics history of the character, but it lends not only some background, but also some grounding and humanity to character. We understand him and care about him more. And of course it's always nice to see more of Jeremy Renner on the screen. And as far as comics vs. film continuity goes, perhaps Hawkeye and Mockingbird just haven't met yet.

Similarly the Hulk/Widow connection is a fiction of the films rather than the comics, however it's one I don't mind. While clunky at times, the party especially, it works, and succeeds in developing both characters. And except for the one bit where our only female Avenger is the captured damsel in distress (I hated this so much), this relationship, and the performances of Scarlett Johansson and Mark Ruffalo, is one of the best features of the film.

Speaking of the Hulk, the CGI effects were far superior this time than last. The Hulk resembles Ruffalo, has more emotion in his facial expressions, and moves nearly flawlessly with the live actors. Ultron on the other hand is terrible on that point. I was creeped out every time his lips moved, his eyes blinked, or had any facial motion. He looked like a badly formed Muppet. I wish his face had been unmoving metal, and they had kept the terrifying George Perez visage from the comics. That's the real Ultron. James Spader was a good choice for the voice, but every time the CGI Ultron physically spoke I was taken out of the film.

Paul Bettany's Vision was well worth the price of admission though I wonder why it was so hard not to make him look like he does in the comics. I found his design (I hated his head) unappealing to say the least. His actions - from his interaction with the Scarlet Witch (there is one look between the two when he rescues her at the end that is perfection) to his fighting style to his final confrontation with Ultron - were all wonderful. There should have been more Vision. Speaking of more, I loved seeing War Machine and the Falcon, but where was the Falcon in the final battle? He should have been there.

Some folks might poo-poo this one as set up for future movies, but I loved the bit with Andy Serkis as Ulysses Klaw (they spell it Klaue, but we all know it's Klaw). Over and above Ultron, Klaw was an engaging adversary here, and I would have loved if not an appearance by Prince T'Challa, at least a mention. I guess I'll have to wait until Captain America: Civil War or Black Panther for that…

I have to make a confession. I have never liked Quicksilver. And it's not just that he's a third-rate Flash, he's also just a complete jerk, always has been, always will be. Pietro has always been too overprotective of his sister Wanda, an annoying wet blanket for everyone else, and when he freaked out about his sister's relationship with the Vision - he was borderline, if not dead-on, racist. Quicksilver, as far as I'm concerned, sucks.

What is fascinating however, is that much like Hawkeye, film Quicksilver -whether it's here in this movie, or over in X-Men: Days of Future Past - is sooo not comics Quicksilver. The films have made Pietro cool. I find it amusing that Joss Whedon, infamously noted for killing his characters, has found a way to solve the problem of Quicksilver being so annoying… he just got rid of him.

I'm glad Whedon simplified the Scarlet Witch's powers, even if one of them was merely a plot device to reveal secrets from the Avengers' pasts. I wish there had been more of that, and it was nice to see Hayley Atwell's Agent Carter if for only a few seconds. I would have liked to have seen more of the Red Room from Widow's flashbacks as it might have clarified the connections to the "Agent Carter" TV series.

Speaking of women, I was very disappointed to find no Pepper Potts or Jane Foster in the film. They were sorely missed, and the women we had were sorely used. I struck up a conversation with a gentleman while waiting in line who was wearing a Black Widow t-shirt. We talked about the lack of merchandise with female heroes, and women around us, many wearing Avengers t-shirts chimed in as well. To paraphrase Field of Dreams, if you make it, they will buy it. Are you paying attention, Marvel/Disney?

As far as Avengers: Age of Ultron goes, I was not thrilled with it. I did not leave the theater charged up and anxious to see it again as I did with the original movie. I left feeling empty and disappointed. With the knowledge that I would be seeing it again Sunday night with The Bride, I seriously wondered if I really wanted to see it again, and I think that says volumes.

Arrow S02 E15: "The Promise"

Deathstroke the Terminator. Since before "Arrow" even started, in the earliest publicity shots that featured only his mask, the ones that made fanboys and fangirls want to watch the show even more than the fact it was a show about Green Arrow, Deathstroke has been here. Introduced several episodes in, and expertly played by Manu Bennett of Starz' "Spartacus," he has been hero, friend, and now villain to Oliver Queen, but who is he really?

In the comics, Slade Wilson, better known as Deathstroke the Terminator, was created in 1980 by Marv Wolfman and George Perez in the second issue of the breakout comics series The New Teen Titans. Granted superhuman strength, agility, endurance, and an enhanced healing factor by government military experiments, Slade Wilson became DC's resident mercenary. He would go on to become that revamped team's most dangerous and persistent foe.

In his frequent battles and schemes against the Titans, he became quite popular with fans. Fan favorite status gained him his own series where he went from villain to anti-hero. Marvel Comics even parodied him with much success as Deadpool. He has been included in many of DC's big events as one of the continuity's major villains.

The biggest turning point for the character may have been during Brad Meltzer's Identity Crisis maxi-series when Deathstroke took down the Justice League singlehandedly. In just a few pages, he did what serious JLA foes like Amazo or Darkseid or the Secret Society had been unable to do for decades. It was also in this comic that the vendetta level feud with Green Arrow began. GA didn't defeat Deathstroke, but he hurt him, and a dangerous grudge began, one that bleeds into "Arrow."

On the show, Slade Wilson is still a mercenary, but one that was stranded on what I've been calling Flashback Island with Oliver, and at times Yao Fei, Shado, and Sara. He taught Oliver to survive and to fight, along with the others. While a romance bloomed between Oliver and Shado, Slade loved her silently from afar. When Ivo captured everyone but Slade, Oliver indirectly caused Ivo to kill Shado. In Flashback Island time, the now superhuman (thanks to Mirakuru) Slade is gunning for Ivo, not knowing Oliver's involvement in her death.

In the present, Oliver has mentioned more than once that no one made it off the island alive except him and Sara. So, surprise surprise when Slade not only turns up alive, controlling Brother Blood and other baddies stalking Starling City, but suddenly in Oliver's own home, supposedly making a donation to his mother's mayoral campaign. And that was our cliffhanger last time. We open seconds later in "The Promise."

The first thing I notice is how touchy feely Slade is with Mom. It's more than a little creepy. His conversation is filled with double meaning as he and Oliver both pretend they haven't met before. Of course predictably, it leads to a flashback, this one with the two as friends planning the attack on Ivo's freighter, the Amazo. We're going to learn what happened finally. The shame is we already kinda know... or do we? One of the best things about "Arrow" is the twists and surprises.

There is one thing I liked that I'm not sure if it was planned, or if the writers were covering their asses. Either way, it was done well and seamlessly. Sara makes Oliver promise that if she doesn't make it, he's to tell her family that she died on the Gambit. Continuity hole filled in nicely.

While Oliver deals with Slade's family visit in the present, he is captured by Ivo on the island, and given truth serum. But like most of their plan of attack, it's all diversion, and it's beautiful watching it come together. Best parts? Oliver in his hood and Slade in his mask.

When the moment of truth comes and Oliver confronts Ivo, he breaks down in misdirected guilt and admits he killed Shado, unknowingly in front of Slade. And thus the rift. Slade turns on him. After he kills Ivo, he makes Oliver a promise, matching this episode's title, that he will make him feel complete despair. And that's where we're left in the past - Oliver on the ship now run by Slade, and Sara along with a handful of freed prisoners on the island.

Meanwhile Team Arrow plans an assault on the Queen home to save the family from Slade. Roy shows up, trying outhandshake Slade with his Mirakuru strength, and then Sara. They subtly and threateningly surround him, until Slade says good night. Diggle is outside however waiting to take him out sniper style. Slade knows already and Diggle us disarmed. Slade leaves, swearing to fulfill his promise.

"The Promise" was a fantastic episode, one of the best as friends had been telling me before I'd had a chance to see it. They were right. There are some nagging questions though. Why did Ivo need an eye? What's Slade been doing for five years? Can Moira be more of a bitch? And is that Harley Quinn in the preview for the next episode?? Yeah baby, next: Suicide Squad!

Arrow: Betrayal

"Arrow" is at a point now where you need a score card to know what's what and who's who. I'm not sure that's a place this show should be at right now. I'm sure there's a core audience, but despite the handy elevator pitch origin story in the opening of every episode, I'm not sure that any new viewers wouldn't be hopelessly lost. No matter how you slice it, even I was having trouble keeping all the balls in the air at the beginning of "Betrayal."

Oliver confronts his mom about the notebook full of names that he got from Felicity last episode. She throws it in the fireplace, suggesting the only way the family can heal is to stop asking questions. Diggle tails her throughout the episode, discovering some nasty secrets. When Oliver confronts her later as Arrow, heh, well, that's this episode's cliffhanger.

In the main story this episode, Cyrus Vanch, former muckety-muck of the Starling City underworld has been released from prison, Iron Heights specifically - nice shout out to the comics. He wants what's his back, as well as the Triad's and the Bertinelli family's (I guess that means we haven't seen the last of China White or the Huntress). And he also wants Arrow out of the way. Using his contacts on the police force, he learns Laurel knows Arrow, so he kidnaps her. This forces Dad to cooperate with The Hood.

In the attack on Vanch, I am again struck by the violence of this so-called hero's methods. By my count, there are at least eight of Vanch's men who take arrows right in the chest. Can you live through that? It's what bothered me about previews of the show before it aired. Have they made Green Arrow into a serial killer? Man, give me an old-fashioned boxing glove arrow any day.

In the soap opera portion of the show, honesty gets between Laurel and Tommy. Disappointingly this coupling has yet to be used to its potential as far as being a plot complication. So much unused potential, but I'll keep waiting. Laurel's relationship with her dad is suffering from problems similar to hers with Tommy as well this episode. I wonder what's next on "All My Arrows"...

On the island, Oliver meets Slade Wilson, played by Manu Bennett, Crixus of Starz' amazing "Spartacus" series. Comics readers will immediately recognize the name Slade Wilson as the not so secret identity of Deathstroke. Again, for TV they have flipped things. Wilson is apparently one of two Deathstrokes, and not the one Oliver encountered earlier. Apparently Slade is who trains Oliver. I won that bet.

There are other cool shout outs this episode as well. Vanch's lawyer worked for Wolfman and Perez, referencing the writer/artist team of Marv Wolfman and George Perez, who created the New Teen Titans, a team that occasionally featured Speedy. They also, most notably, created Deathstroke. Laurel wants to call DA Kate Spencer for help to put Vanch back in prison. Kate is of course the civilian identity of Manhunter. Arrow and Laurel meet atop the Winick building - Judd Winick, former MTV "Real World" wrote the Green Arrow comic for a while.

Be here next episode when Oliver tells his mom that she's failed the city, same Arrow time, same Arrow channel.