GAR! on Twitter

Don't call it a comeback, we've been here for years...

After over one hundred and seventy episodes, five long years, and multiple nervous breakdowns, we have finally broken down and started our own Twitter account for The GAR! Podcast. Sure, Ray and I will continue to promote and discuss GAR! on our own separate Twitters, but now we have a dedicated stream for the podcast right here.

For those unaware, The GAR! Podcast is the Glenn Walker and Ray Cornwall weekly podcast where they talk unrehearsed about whatever happens to come to mind. It’s an audio-zine for your mind, a nerd exploration of a nerd world, coming to you from the suburbs of New Jersey and the sunny lakes of Florida via Skype.

GAR! is also available on Apple Podcasts and Stitcher. We're also on Facebook here and here, and on Pinterest. Contact us directly here.

Jessica Jones S01 E02: AKA Crush Syndrome

If you're a listener to The GAR! Podcast, you know we talk about "Breaking Bad" a lot, and in the past when it has come up in conjunction with the then-upcoming "Jessica Jones" Netflix series, I have always had one roadblock. Who the hell was/is Krysten Ritter? I get beaten up every time, most recently right here.

I'm sorry, but some folks may have thought Ms. Ritter was amazing as Jesse Pinkman's girlfriend Jane Margolis in her nine episodes of "Breaking Bad," but she never left an impression on me. It's only when I have to be reminded of her role that I remember her, that I recall her, in my opinion, lackluster performance. Ritter in "Breaking Bad," to me, was very similar to her scenes with Mike Colter in the first episode of "Jessica Jones" - a cold fish hardly trying but surrounded by otherwise brilliance.

Don't get me wrong. Krysten Ritter's voiceover and solo bits as Jessica are brilliance, the same with her interacting with the other actors and characters. But. The one relationship that is the single most important to the character of Jessica Jones, the one with Mike Colter's Luke Cage, is the one that last episode I just did not believe. Sorry. It doesn't get much better this time around.

I hope this changes with this series. It should be noted that I am reviewing this Netflix series the same way I did with "Daredevil" - one episode at a time, as I watch it. So all you folks who consumed this entire thing in a mad binge watch, chill with the spoilers, because if I get something wrong or am misguided - I probably just haven't gotten there yet. Be patient.

We open on Jessica doing the right thing. Last time she had fallen into The Purple Man's trap for her, and allowed his will to make Midwest girl Hope kill her own parents. Instead of running, Jessica's first instinct, she takes the heroic turn - inspired by her friend Trish - and stays to deal with the authorities. Here at the police station, in mock interrogation, Ritter continues her cool modern day noir character.

The cop asking the questions, Oscar 'Ozzy' Clemons (Punisher supporter cast if memory serves), is played by one of my all time favorite actors - Clarke Peters, who was probably one of the single best things about both "Treme" and "The Wire," not just two of best shows HBO has ever produced, but also on television, period. Clemons is very close to his character on "The Wire." It's a small part, but Peters' inclusion here is a gigantic plus.

If "AKA Ladies Night" was meant as a tour through a day in the life of Jessica Jones, this episode continues that trend, further exploring the people and tactics in her life. We learn more about her relationship with Trish, we see her check in with Jeri, with Hope, and with Luke. We even meet her upstairs neighbors, bizarre fraternal twins who would make great 21st century additions to the tenants of 1970s horrors Rosemary's Baby and The Sentinel.

We also see what makes Jessica a great detective. We see her at work, we see her methods. The show is still pumping that film noir vibe hard, but I can't but imagine a watered down version of Jessica fitting in well with folks like Jim Rockford, Sam McCloud, and Columbo, just as much as Philip Marlowe and Sam Spade. I like this, she's not just physical, but a thinking detective.

Speaking of physical however, one of the highlights of the episode has Jessica 'saving' Luke from a rugby team, not that Power Man needs saving. There is a certain harmony that she calls "teamwork" while they're fighting the jealous husbands club. Perhaps the chemistry works better when they don't talk. Important about the scene is that he sees that she's stronger than a normal woman, and she sees his effortless strength and unexplainably tough skin. They're peas in a super power pod, kindred souls.

There is also the horror that is Kilgrave. In Jessica's investigation we learn that he did not die by getting hit by a bus a year ago. In some medical stuff just a bit too close to home for me, we learn where this episode got its title and how Kilgrave lost the function of both kidneys, and then mind-controlled his way into two new kidneys. As one who knows the path, it is indeed gruesome.

David Tennant also makes his presence known by appropriating a stranger's home for his own. We still haven't seen him face the camera, but he is intimidating and powerful just off screen. Like the neon purple flashes that send Jessica into PTSD, it's more what we don't see than what we do. Speaking of what we don't see, is Trish already Hellcat, or just possibly training for it? Patsy fans want to know!

The episode was written by Micah Schraft who worked for the CW on shows like "Jane the Virgin" and "The Tomorrow People," notably neither of their hit superhero shows, "Arrow" and "The Flash." He might think of making that jump based on this episode.

More, please.

Powers

Just as radio moved to television, and network to cable, entertainment is finding new platforms elsewhere. Some of best shows are now on Netflix and Amazon. Sony PlayStation has also thrown its hat into the ring this week with "Powers."

Powers is/was the controversial and critically acclaimed comic book series of quite a few years back by Brian Michael Bendis and Michael Avon Oeming. The opening arc, collected as "Who Killed Retro Girl?," was one of the best stories of its time.

I first discovered Powers while investigating this Bendis guy who was then destroying my beloved Avengers with "Disassembled." While more than a decade later I still have serious issues with what Bendis has done with the Avengers, I was then, and remain impressed with Powers.

The television version of Powers is very "Dexter" in that the comics and the show exist in two very similar and very different universes. Sharlto Copley's Christian Walker is slight and run down, very noir, which is more appropriate than Oeming's nearly godlike figure of the comics. Deena Pilgrim switches races in the person of Susan Heywood from "The Following," and is more up than her comics counterpart. I like them together, good chemistry.  Eddie Izzard is also very good, excellent casting here. 

"Powers" does suffer from a lack of confidence in its audience however. We are beaten over the head with certain aspects of the world and characters. Whether it's characters themselves becoming indexes for who's who or clips of Mario Lopez on "Extra" telling us - it gets to be a bit much. Just let us explore the world as it comes. We'll get it.

All that said, I liked the first episode quite a bit. Written by pulp/noir author Charlie Huston and directed by David Slade, who has a few episodes of both "Breaking Bad" and "Hannibal" under his belt, "Powers" is better than most stuff out there and worth a look. The first episode is available on YouTube and the rest of the season will drop every Tuesday on the Sony PlayStation Network.

Betas

Yeah, so I have a new Kindle Fire, and instead of doing something useful like reading books, I've been binge-watching Amazon Prime with my free 30 days that came with it. I watched "Transparent," and "The Man in the High Castle," and most recently "Betas."

At first glance, less than ten minutes in, "Betas" appears to be a poor man's version of HBO's "Silicon Valley," just without the laughs. That just goes to show you how wrong first impressions can be. This show is great, and funny, and has as much in common with "Silicon Valley" as "Breaking Bad" has with "Weeds," yeah, two completely different shows.

The premise has a quirky group of young app developers trying to get their start-up off the ground. Unlike "Silicon," you not only get to know the characters, you feel for them and root for them. Subtle difference, but an important one. I really dig this series, but unfortunately Amazon has chosen not to grant a second season - a mistake as far as I'm concerned. I think I'd rather see this than some of the other shows up for this Pilot Season. Check it out, and decide for yourself.

Arrow S03 E13: "Canaries"

The state of the Arrow when last we met was a bit mangled and different than usual. Oliver is back from the dead, and proposing that Merlyn train him to defeat R'as Al Ghul. Felicity is on the outs with Oliver and pretty much stands with everyone else regarding Merlyn. Laurel has joined Team Arrow as the new Canary, and her dimwitted dad doesn't seem to know she's not the late Sara. That's just the basics, got it? You can catch up on the rest of this season so far here, and the entire series here.

We open on, believe it or not, both Canaries engaged in combat with each other. Welcome back, Sara. Good to see that "The Sopranos" and "Breaking Bad" aren't the only shows where a character's death doesn't mean the actor us out of work. I still think Sara makes a better Black Canary, more believable, and closer to the comics. Canary is curvy, not Cassidy.

Werner Zytle, Vertigo, or the second Vertigo (although neither is even close to the comics version of the character) has escaped prison, so the cat is out of the bag as to why Laurel believes she's fighting her dead sister. But that's not the big deal that happened early in the episode. Oliver came clean with Thea, showed her the Arrowcave, and told her that he's the Arrow. Surprise, she's happy, with Oliver. Malcolm, not so much.

Speaking of the kinder gentler post-resurrection Arrow, he seems to be back to his old self inexplicably when it comes to Laurel. Weirdly he's more welcoming to Merlyn and Thea than he is to Laurel. One would think with R'as on his way to Starling, Oliver would want as much help as possible. And it's a shame that Oliver is more concerned with babysitting her than stopping Vertigo's pointless homicidal super-villainy, but then again in this episode, he's more plot device than plot, or even character.

Flashback Hong Kong has become something interesting, at least temporarily. At best the flashback sequences run hot and cold. Now it's not Oliver I'm thinking about in the recent ones, but Tatsu and Maseo. What is wrong with both of them? In the present they are under the thumb of the evil R'as and in the past, Amanda Waller. Why have they allowed themselves into these situations with such people?

I started this review talking about the status quo of Team Arrow. Now we are looking at a whole new dynamic - Laurel part of the team, Thea in on Team Arrow, and also Quentin finally aware of the doings of his daughters. I did however keep waiting for Thea to express surprise that everyone she knows is in on the secret but her.

Nice but obscure shout out with Daggett Pharmaceuticals - in "Batman The Animated Series," Roland Daggett and his chemical company Daggett Industries caused much chaos such as turning Catwoman into a real cat-woman, and creating the shape-shifting super-villain Clayface. Just like "The Flash" keeps referencing Firestorm, it seems "Arrow" just can't get enough Batman.

I'm glad the hipster deejay from the League of Assassins subplot is done with. It was getting old, but did move things forward to the next level. The training begins next time with Oliver and Thea on Flashback Island, and Flashback Oliver and Maseo in Starling City. That should be interesting.

Next: "The Return!"



And if you want to discuss this episode or anything about "Arrow," please join the discussion group on Facebook.

BoJack Horseman

Most Netflix TV series get a lot of publicity like "House of Cards," "Orange Is the New Black," or the recent tragic but wonderful conclusion to AMC's aborted "The Killing," but sometimes there are shows that just slide under the radar that are just as good. "BoJack Horseman" is one of them.

"BoJack Horseman" is an animated Netflix original from some of the same folks who do the Adult Swim programming on the Cartoon Network. It's about a washed up actor, who happens to be a horse, in a world full of both humans and anthropomorphic animals. The title character used to be in a wildly successful 1990s sitcom and is trying to make a comeback while having his memoirs ghost written by a rival's girlfriend.

Speaking of comebacks, it actually does remind me of HBO's brilliant "The Comeback," which is ironically coming back later this year. Aaron Paul of "Breaking Bad" is an executive producer and voices Todd, BoJack's friend/roommate/slacker/squatter. Will Arnett is in the title role, with other characters voiced by Alison Brie, Paul F. Tomkins, and Amy Sedaris.

I know the critics haven't been kind to it so far, but I love it. It's clever and fun, and hates Hollywood. And it does something that most network sitcoms don't do, it makes me laugh out loud. Give "BoJack Horseman" a shot, you might dig it too.

The Make Mine Magic Podcast

Many of you know that I do a weekly podcast with my buddy Ray Cornwall, that is also featured at Biff Bam Pop!, called The GAR! Podcast. It's a nerd exploration of a nerd world, completely unrehearsed, and we end up talking about anything under the sun, but usually it includes comics, wrestling, French fries, Prince, and "Breaking Bad."

But did you know I also do a podcast with The Bride as well? Every week we take on one or more topics dealing with one of our favorite obsessions - Disney! Sometimes we're talking about attractions at the parks, movies coming out, travel advice, or favorite characters. As long as it's Disney, it's fair game.

Recent episodes include topics like the American Idol Experience, Disney Villains, more villains, and Figment! You can find The Make Mine Magic Podcast here, and it's also on iTunes and Facebook. You can contact Jennifer on Twitter here, and me here. Enjoy, and Make Mine Magic!

Adventures in Podcasting

While I have been podcasting for quite a while, dating back to The All Things Fun! Podcast, and its crazed video child, The All Things Fun! New Comics Vidcast, and for Biff Bam Pop!, I was also a regular contributor to The Biff Bam Popcast. This year I dived into the podcast arena for myself, rather than for other folks. In April of 2013 my friend Ray Cornwall and I started our own podcast, The GAR! Podcast. We jumped in head first with really no idea what we were doing.

GAR! (Glenn and Ray) was an old idea that had finally been birthed. It started with our weird stream of consciousness conversations during dinner and talking on the phone while driving. Always the idea manifested - we should record this and make a podcast. That was the not-so-secret origin. After fooling around with GarageBand and finally taking the advice of longtime online friend and inspiration Derrick Ferguson, I submitted to just-do-it-ism. And we just did it.

We had no idea what we were doing of course, outside of just talking about stuff we liked, loved, and didn't like - just like the conversations we had always had. Eventually we figured out what it was we were doing, and thought we knew how to package it. Essentially we were two nerds, two big grown up kids who had refused to grow up, talking about stuff we loved - comics, games, television, books, movies, music, writing, sports, and somehow we always ended up talking about Prince and "Breaking Bad." Circle of life stuff, really.

I strived to be like the folks I admired who were already doing podcasts that I loved, and I wanted to acknowledge them here. The aforementioned Derrick Ferguson and his partner Thomas Deja continue to dazzle me every week with Better in the Dark, where they talk about movies and television. The class and professionalism of Barry Reese on The Shadow Fan's Podcast has been an equal inspiration. GAR! is nowhere near the league of these guys, but we want to be, and we're trying.

Seeing how 'easy' it was, a few months back, The Bride determined to do a podcast as well, one about one of her favorite topics, Disney. Thus, The Make Mine Magic Podcast was born. Inspiration there came from several other Disney-related podcasts like The DIS Unplugged, and a few others.

Here's to everyone who has helped, inspired, or even listened - thank you. And just for the record, don't forget to check out both The Make Mine Magic Podcast and The GAR! Podcast. Thanks again!

All Bad Things Must Come to an End…

I suppose I would be remiss if I didn't write at least something about the end of "Breaking Bad" last night. I had tried to watch the opening episode when it first aired, and just couldn't get into it. A man running around the desert in his tighty whities? Come on. A couple years later, at the urging of friends and other folks online whose opinions I respect, I tried again. Once I got through that first episode, I was hooked, and from there I stripped the rest of the series, watching the final two seasons as they aired.

The show ended last night, and mighty props go to creator Vince Gilligan and his staff of writers for molding an ending that was precise and complete in tying up loose ends and completing the story begun five seasons ago. Justice is served in an anti-hero kinda way, good and evil balanced, and in a way, the good guys win and the bad guys pay. Brilliance.

Comparatively, it doesn't let the viewers decide as "The Sopranos" did, and it didn't do what "Dexter" did much to the sour reprisal of fans. It's ironic that when "Dexter" ended last week, it was almost at the same point as "Breaking Bad" was last week. Maybe "Dexter" just needed one more episode? In my opinion however, if that last scene with Dexter alive had been cut, that ending would have pleased me. Dexter alive ruins the symmetry. And getting back on subject, symmetry is what "Breaking Bad" was all about.

I was really pleased with the ending. If you want to hear more about the show, my friend and podcast partner Ray Cornwall did a pre-finale episode about "Breaking Bad" last week. You can hear it here.

PrinceLess on The GAR! Podcast

The latest episode (#21) of The GAR! Podcast features a special interview with writer Jeremy Whitley and artist Emily C. Martin of the awarding winning comic PrinceLess from Action Lab Comics.

In the episode we discuss PrinceLess, inspirations, publishing, art styles, teaching, Breaking Bad, Death, Prince, Batman, and the upcoming releases from Action Lab Comics - all that and more!

Check out the podcast here, and you buy PrinceLess online here, in the South Jersey/Philadelphia area at All Things Fun!, or at your local comics shop.

Total Recall

Total Recall ~ I thought it might be worth taking another look at this 2012 remake of the 1990 scifi classic, especially in the light of seeing Iron Man Three and Star Trek Into Darkness, as well as anticipating Man of Steel later this month. All of these films have one thing in common. Everything you think you know is wrong, here's the new spin, enjoy the irony and the fun references to what you thought was going on.

Anyone walking into Total Recall, or any of those other flicks, is going to get what they thought they would, and that's part if the ride. And rollercoaster ride is principally what Total Recall is. It barely ever stops from start to finish, the action is full on forward, barely giving the viewer time to catch their breath.

Those expecting star Colin Farrell to play Arnold Schwarzeneggar are to be disappointed. This flick is both a remake of the 1990 film and loosely (as loosely as the original) based on the Philip K. Dick story, "We Can Remember It for You Wholesale." Keep in mind, the original protagonist was based on Richard Dreyfus so Farrell is not right either. As far as cast goes however, only he and antagonist, Bryan Cranston of "Breaking Bad," really shine.

The setting is different, rather than Mars, this is set fully on Earth, even as Earth as a tunnel through the world from London to Australia features solidly. It's still a dystopian future, and our hero still has memory issues and may not be who he thinks he is. Same s#!t, different day, if you'll pardon the expletive.

The references are plentiful and amusing, as long as you're not a purist to the first movie, or the story. Just sit back, turn off your brain and enjoy the ride. I loved the flying car chase, amped up unbelievably over the one in The Fifth Element, and the more original vertical/horizontal elevator chase. Bring seat belts!

And if you're a fan of Philip K. Dick, don't forget about the Radio Free Albemuth Kickstarter, as mentioned on this week's GAR! Podcast.

Take the Poll

I keep forgetting that Blogger has a polling system. As long as we have it, we might as well use it, right?

As you can see by looking to the immediate right, the question up for polling right now is: What is your favorite new or returning TV series this season?

Your choices include, in no particular order or preference: The Waking Dead, Dexter, Homeland, Treme, Elementary, The Big Bang Theory, American Horror Story, Sons of Anarchy, Boardwalk Empire, Breaking Bad, Revolution, Castle, Glee, Person of Interest, Survivor, Fringe, Vegas, Arrow, Copper, Grimm, Once Upon a Time, Revenge, or 666 Park Avenue. And if your choice isn't reflected there, please click on Other? and let me know what you think, deal?

Revolution

I recently had the chance to view the pilot episode of "Revolution" via OnDemand. Apparently it's also on Hulu and NBC.com, so I have to wonder if anyone will watch this when it airs Monday night. After the last few television projects from J.J. Abrams, I was prepared to be unimpressed, but I gotta say, I might give this a shot. It actually seems like it might be fun, conditionally, that is.

The concept of "Revolution" is a world where all the power has gone off. Logic dictates some sort of electromagnetic pulse possibly, but who knows really what it could be in a J.J. Abrams show? Didn't he make up that island you could drive on "Lost"? So the power goes off, and our story begins fifteen years later. America has devolved into small villages of folks living off the land and warring militia states. Still, nobody has gotten the power back on, or even had the know-how to build a simple generator. Did no one pay attention in high school science class?

Logic aside, it does have its moments that set it slightly above other scifi fare currently on TV. I like our reluctant hero Miles, played by Billy Burke, who is like a mild-mannered badass with a sword. I also like our middle management villain Neville, played by Giancarlo Esposito, Fring from "Breaking Bad." He plays the baddie with the same quiet deadly charisma of The Operative in Serenity.

"Revolution," created by Abrams, and with this pilot episode directed by Jon Favreau, also depends a lot on its potential genre nerd cred. One of the best moments in the pilot is when Charlie, played by Tracy Spiridakos, and someone who has lived most of her life without power, reveals her secret stash - in an Empire Strikes Back lunchbox, and we hear a few notes of John Williams movie score. Moments like that elevate this show, and make me want to keep watching.

The only thing that would keep me from watching, and it's the condition I spoke up at the beginning of this review, is that plot device that the show revolves around. What caused the black out? If that will be the carrot on a stick, that keeps viewers watching, yet never gets revealed, I think I'm out. I don't want another "Lost," and I certainly don't want another "Flash Forward" or "Journeyman" where we never find out what happened.

Now watch the following preview at your own risk. It's one of those that pretty much tells you everything that happens in the pilot, right in the preview. Stupid television executives…