The Lorax

Dr. Seuss' The Lorax ~ I learned to read very early, thanks to my big sister, starting with Dr. Seuss favorites like "Hop on Pop," "One Fish Two Fish Red Fish Blue Fish," "Fox in Socks" and of course the classics like "The Cat in the Hat" and "Green Eggs and Ham." And although I quickly graduated to comic books, and then real books, I never lost my love of the Doctor (in this case, Seuss, not the guy with the TARDIS).

Though I had never actually read the book I do distinctly remember my first encounter with "The Lorax." The night the animated version premiered on CBS I was allowed to stay up later than usual to watch it. I was interested but not very because I thought that previous TV versions of Seuss' work, excepting the Grinch, we're inferior to the source material. Yes, even at seven, I was nurturing a critical mind.

I had not just a critic's thought process, but I was also pretty hip to propaganda, even if it was positive propaganda. I had seen the Justice League fight pollution and promote ecology in the comics, and it had hit a sour note with me. It's not that I don't believe in the causes, I do, it's just I'm very against being fed a message in lieu of a story or characterization. I saw that hand at work in "The Lorax." The bottom line is I don't mind being educated while I'm entertained - I just don't want to be preached at.

Which brings all the way back to 2012 and the movie Dr. Seuss' The Lorax. The Bride and I saw it in 3D, so we spent far far too much to get in. By my estimation, this would have been fine in just plain 2D. There's still a message here in this expanded tale of the Lorax, but really not enough to annoy me. Trust me, it's still there, but nothing like Lou Dobbs and other conservatives have exclaimed (and did I read right, did they call "The Lorax" a novel?). It is clear, not at all subtle, but not overbearing either.

Instead I got to enjoy the fun relationship between Ted (Zac Effron) and Audrey (Taylor Swift), watching Ted escape the city in interesting ways, and hearing the moral yet endearing story of The Once-ler (Ed Helms) and the appropriately annoying (here at least) Danny DeVito in the title role. There is also the predictable role for Betty White. No offense, honey, I love ya, but it's getting old. There were a few pointless scenes, like the chase at the end with the seed. I almost wanted to yell at the screen, "Give it to Wall-E, he'll keep it safe!"

All in all though, it was good, and non-offensive. Add a fun original soundtrack (no excuses for only two nominees in the Best Song category at next year's Oscars) and you have yourself an entertaining hit movie. I don't have a good record with Seuss properties turned into films (note the Grinch and Horton), but this one's a winner.

High School Musical 3

High School Musical 3: Senior Year ~ What needs to be understood is that HSM is not just a movie, it’s a phenomenon. The theatre that we saw this in is one where I have never seen anyone younger than their twenties in attendance. The lobby and parking lot was packed. I had never seen so many folks there before, ever. And they were all under twenty.

Further evidence would be the origins of this flick – it was intended as a made-for-TV movie for the Disney Channel, and its just as popular sequel was made for straight-to-DVD, now, number three is the number one opener for this weekend’s box office. Thus is the power of HSM.

Yes, we know that Zac Efron has irresistible baby blues but that doesn’t mean he gets to look directly I to the camera whenever possible. Unlike the original, I found Vanessa Anne Hudgens about as charismatic as toast. She really didn’t want to be there for whatever reason. Ashley Tisdale makes every scene she’s in hers and hers alone. Her portrayal as Sharpay is a scene-devouring monster and it’s a delight. There should have been more. Lucas Grabeel is fun and also shines, but not as brightly as previously. The underclassmen are played simply for laughs – I certainly hope the powers that be don’t expect them to carry the franchise if it continues.

The finale, featuring songs from not only this flick but its predecessors, is a high point, but the real tour de force is “The Boys Are Back,” a song that is one of the only ones to showcase Corbin Bleu. He and Efron dance up a storm in a junkyard using moves reminiscent of the King of Pop in his heyday. Great sequence, really.



The biggest secret of HSM, and especially Senior Year, is that it’s actually good, and not just for kids. Yes, it’s a bit simplistic, and predictable, and suffers from the same faulty logic all musicals do – but it is very entertaining for kids of all ages. Recommended.