Lost Hits of the New Wave #39

Substance by New Order

Of the New Wave era, greatest hits collections tended to be rare. Oh sure, afterward, they were plentiful, but very few stand out during the day. Among them were Standing on the Beach by The Cure, Eponymous by REM, and this one - Substance by New Order.

Similar to The Cure's greatest hits package, Substance, or Substance 1987 as it's known in some circles, not only contains the 'greatest hits,' but also their B-sides, and just as with Standing on the Beach, the B-sides are also just as cool. And after all, some of these A-sides and B-sides match up wonderfully, so this is a terrific collection. This is one of those CDs/cassettes (I've worn out both) that I used to listen to over and over again.



The only thing missing is my favorite Joy Division song, "Love Will Tear Me Apart," so I would invariably tape the album and add that one. I love all these songs, but I have to single out favorites "The Perfect Kiss," "Confusion," "Shellshock," "Ceremony," even the overplayed but still much-loved "Bizarre Love Triangle" and "Blue Monday," and the new song, "True Faith."



And if you'd like to hear about how this album changed the life of my friend and fellow Biff Bam Pop! writer JP Fallavollita, check out this excellent article here.

Remembering Late Nights with David Letterman

As I watched the finale of "The Late Show with David Letterman" last night I couldn't help but remember how much a part of my life the man was and is. Now I have to be honest, I haven't really paid all that much attention to Letterman since he moved over to CBS, but I did watch both "Late Night" and "The David Letterman Show" which aired on weekday mornings in the early 1980s.

As far as the morning show went, I remember laughing out loud at it, and my mother thinking I was weird because she couldn't figure out what was so funny. I also recall when "Late Night with David Letterman" came along he would refer to that morning show as 'way back in the late fifties.' Before this of course I knew Letterman from his stand-up comedy and guest-hosting on "The Tonight Show."

I remember that Philadelphia came to "Late Night" late (pardon the pun), not airing the show until a few months after it had begun. However, back in the analog day of pre-digital cable, I could precariously hold the dial between Philadelphia NBC affiliate channel 3 and NYC affiliate channel 4, and get a reasonable broadcast of "Late Night" from New York.

This is the way I first met Larry 'Bud' Melman, Chris Elliott, and Stupid Pet Tricks, the most memorable (and disturbing) of which had a dog drinking milk from his owner's mouth. I remember frequent guests Sandra Bernhard, future frenemy Jay Leno, and fellow only-New Yorker (at least at the time) Howard Stern. I was much happier when I could see the show on channel 3 finally, and remember seeing great acts of the day like R.E.M. and Indigo Girls.

Still, even though I hadn't watched much of "The Late Show," I'm sad to see Dave go. Last night's viewing only cemented the reasons that I should have been watching. Have a great retirement, Dave, come back and visit some time.

Jacqui Naylor - Lucky Girl

Lucky Girl ~ Sometimes the cosmos drops opportunities and coincidences in your lap. This is one of those times. Just a few days after discovering the work of Jacqui Naylor on my own, the producers of a documentary about the San Francisco-based jazz singer/songwriter approached me about reviewing that new film. I jumped at the chance.

Lucky Girl, subtitled A Portrait of Jacqui Naylor, follows "Naylor and her band for two years on the road and in the studio while they prepared new music for her eighth album, also titled Lucky Girl. The documentary chronicles Naylor on tour to several jazz clubs including Seattle’s Jazz Alley, San Francisco’s Rrazz Room, and the Istanbul Jazz Center in Turkey. Replete with performances, songwriting sessions, and behind- the-scene moments, the film transports the viewer through a series of musical montages and local flavors. Interviews with long-time band members and others close to Naylor give an intimate look at the life of this respected jazz artist who is also a practicing Buddhist and long-time San Francisco resident." That's the official press release talking there, and it pretty much tells the tale, but now it's my turn.

As I said, I came across Ms. Naylor on my own, before I ever heard of Lucky Girl. My musical tastes are very eclectic. I'm crazy all over the board, from eighties metal to seventies story songs to old school rap to funk to new wave to punk to soundtracks to nerdcore - I love it all, but what I really love most are covers. I am a sucker for a good cover tune. That's how I found Jacqui Naylor, through her covers. She does wonderful jazzy covers of, among others, the Stones, Talking Heads, the Kinks and even Rod Stewart. I absolutely love her mash up of "My Funny Valentine" with AC/DC's "Back in Black" behind it. And then there's her version of REM's "Losing My Religion."



Killer, isn't it? That's why I immediately agreed to review the documentary. I already knew Jacqui Naylor was something special. And almost like a gateway drug, the doc opens with the song in all its quiet thunder. Welcome to her world.

In Lucky Girl, we have the usual musical origin stories here, the how it happeneds, and the behind the scenes workings of artistic collaboration - all presented as an experience rather than just a documentary. But there is also Jacqui putting her own spin on things as well. She does what she calls 'acoustic smashing,' the technique referenced above with "My Funny Valentine" that has become her trademark. She feels if she has to do the jazz standards, she should make them her own. I love it. The effect is especially fierce on Jacqui's Christmas album, Smashed for the Holidays.

The doc is unlike most music documentaries. I mean, the structure is the same. There are interviews interspersed with the music and performances, but there seems to be a more heartfelt and almost celebratory atmosphere. The musicians and crew Jacqui works with are her family. Her husband Art Khu is also a musician and collaborator and 'real' family. There is much love here. We see Jacqui in her home, in the studio, on the road, and there is always love and passion.

This really is a must see documentary. If you don't know Jacqui Naylor, you will. If you don't like jazz, you will. It will sneak by and hug you lovingly. I guarantee you'll end up doing what I did as I watched Lucky Girl - hitting pause, and going to iTunes to purchase the great music you're hearing. This is sooo recommended. The DVD drops on Tuesday, and if you get the chance, go see her on tour.