Rest in Peace Chris Cornell

Soundgarden and Audioslave front man Chris Cornell took her own life last night after performing with the reunited Soundgarden in Detroit. I had been texting with a Facebook friend about the concert when it was done. He was telling me what a great show it was, and how bigger things were coming for the band. He texted me later, saying that Cornell was dead. He had hanged himself.

I admit, until last night, it had been a few years since I thought of Chris Cornell. I loved his "You Know My Name," the first real rocker to be a James Bond theme in decades. I was never really an Audioslave guy, but Soundgarden was on my playlists long before Cornell became one of the founders of the grunge movement in Seattle. I loved their cover of the Ohio Players' "Fopp" early on and played that to death on mixtape after mixtape. I stayed with the band through grunge success, and remember the summer of 1991 with Temple of the Dog with Cornell on lead singing "Hunger Strike," which whenever it came on the radio I would yell back, "Domino's delivers." Fun times.

Here's the part where I usually say we've lost a legend, and he will be missed, and we have, and he is, but there's just something missing there. My good friend, and a terrific writer, Jessica A. Walsh, posted something on her Facebook wall that says exactly what is really on my mind. Chris Cornell seemed okay last night, he seemed amazing, and now he's gone. Here's what Jess wrote:

"Chris Cornell's apparent suicide is another reminder that what people reflect on the outside may not at all resemble how they're feeling on the inside. You can work, laugh, play music, hang out on social media, have a loving family, and still be dying inside.

"That's why we need to spend more time communicating and building relationships and being of service to one another."

Thank you, Jessica. And if anyone out there is feeling this way, please talk to someone, talk to me, talk to anyone. You have friends, you have choices, you have life, and it can all work out.

Black Sabbath's 13

This is the first collaboration of original Black Sabbath members Ozzy Osbourne, Tommy Iommi, and Geezer Butler in years, and the first studio album from the band in almost two decades. To say there has been much anticipation would be redundant. The trio was joined by Audioslave and Rage Against the Machine drummer Brad Wilk when original Sabbath drummer Bill Ward declined to participate.

I got a chance to listen to the album recently in an iTunes sneak peek. "13" by Black Sabbath, produced by the legendary Rick Rubin, will be released on June 10th in Europe, and on June 11th in America. Here are my first thoughts on hearing the album.

"End of the Beginning" The album's opening track is very heavy, but without being too retro, a sound new rather than old. The sinister quality is like a blast from the past, a reminder of what Black Sabbath once was. Ozzy is the star and yet also a cog in this product. When it kicks in, it does go down the retro road, but it also gets a bit more comfortable. However, when it does kick in, it becomes more Ozzy than Sabbath. Despite all that, I dig this.

"God Is Dead" - This is the single everyone has been talking about for weeks now. It's amazing to me that music still travels by word of mouth in this internet age. Ozzy seems to take a backseat to the music, and let the guitars and bass, and especially here, the lyrics, lead the song. I love the conflicting and self-arguing words of the tune. Ozzy's sing-song style here is like a trip through time back to the golden age of Sabbath.



This single and the above track were featured in the season finale of "C.S.I." whetting the appetite of many a fan and non-fan. These two tunes prove relentlessly that not only was Black Sabbath back, but that they easily hold a place in today's music world. There is evolution and relevance here that is not present in other comebacks of the era.

The quality continues as the tracks run down. "Loner" is better than average with thought provoking lyrics. "Zeitgeist" is uncharacteristically gentle and caressing in its softness. This is another new sound in a sea of noise from the past. I like it.

"Age of Reason" - Speaking of new. This reminds me of "End of the Beginning" in its dual past and present groove. Ozzy again takes backseat to the guitars of Iommi and Butler, and the lyrics take precedence over his voice. All that and the power of his voice never waivers.

Not all of the songs are hits out of the ballpark however. "Live Forever," "Damaged Soul," and even the vindictive rocker "Dear Father" are good, but pale with the rest of the album in my opinion. The deluxe version of "13" also includes the tracks "Methademic," "Peace of Mind," "Pariah," and "Naivete in Black." These were sadly not included in the special iTunes sneak peek.

This is superior music from superior musicians. Black Sabbath started heavy metal, and "13" proves without a doubt that they still rule it from high atop the mountain.