Showing posts with label 1940s. Show all posts
Showing posts with label 1940s. Show all posts

Friday, October 30, 2015

The Lost Universal Monster


Normally when one thinks of the Universal Monsters, there are five biggies one thinks of - Frankenstein, Dracula, the Wolfman, the Invisible Man, and the Creature from the Black Lagoon. Of course there are second tier monsters like the Phantom of the Opera, the Hunchback of Notre Dame, the Bride of Frankenstein, Dracula's Daughter, the Invisible Woman, and other derivatives.

But does anyone remember the lost Universal monster? Who knows the Gorilla Girl, a monster so popular in her time that her film spawned two sequels? 1943's Captive Wild Woman starred John Carradine, and introduced Acquanetta as the Gorilla Girl. Jungle Woman and The Jungle Captive quickly followed in 1944 and 1945, yet no one seems to remember the lost Universal monster.

The gist of the series is one of surgical terror and mad science. Would the transplanting of human glands into a gorilla create a more human gorilla or a half-human beast that would haunt your nightmares? Your guess is probably right. This precursor to theoretically Planet of the Apes is moody, atmospheric, campy, and a perfect fit into the Universal horror mythos.



Yet, no one remembers. Was it because she was a woman? Even in the horror world were women second-class citizens? Let's look at that list above again. The only females in the bunch are derivative of male major players. Perhaps the powers-that-be ignored the Gorilla Girl on purpose to keep women down.

You can still see these movies, and I suggest you check them out if you can. It's like finding a new Universal horror, and in a way, it really is.

Friday, August 03, 2012

Cobra Woman


Cobra Woman ~ My friend Dan turned me on to Maria Montez and Jon Hall. I was aware of and knew about them but their films are not all that easy to find. Imagine my surprise recently when cruising HBO Go on my iPhone one late night looking for something to cure my insomnia when I came across Cobra Woman. On HBO of all places! Insomnia hell, I settled in for the long haul.

The first thing that hit me just in the opening credits was just how brilliant and striking the Technicolor was. Very bright, very crisp. The other thing that surprised me was that both Miso and Get Glue, the two apps I use to post on social media what I'm watching, had no recollection of the flick. This truly was a forgotten movie.

Sabu, who was Mowgli in the original Jungle Book the year before, gets third billing in this 1944 cult classic from Universal after Montez and Hall. Lon Chaney Jr. is also in there as well. The exotic Montez plays dual roles as kidnapped bride and her evil sister, high priestess of Cobra Island, Hall is the heroic groom, and Sabu the plucky sidekick.

Cobra Woman is pretty typical fare for Universal horror of the time had it been in black and white, but the lush and lavish Technicolor raises the bar on this one. The set design and the costumes more than make up for the clichéd story and adequate acting. Well, less than adequate acting for Montez, but her dazzling beauty helps to erase that.

Adventure, horror, romance, musical, and spectacle - why don't they make movies like this any more? If you get a chance to see it, don't miss Cobra Woman.